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      <src>https://archives.rainbowhistory.org/files/original/972b81cc5f88cb45a255a75bbfec1489.pdf</src>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Rainbow History Project Oral History Collection</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Eye-witness accounts of what we’ve seen and experienced provide a valuable resource to researchers and future generations to understand our past and how we arrived where we are today. &#13;
&#13;
Each interview in this collection has a narrator telling the story and a documenter guiding the process. &#13;
&#13;
Collected since the founding of the RHP, this collection is growing and is open to researchers. &#13;
&#13;
All interviews have been digitized and are described in the catalog; only some of them have transcripts available. &#13;
&#13;
None of the interviews stream online.  To obtain access to an interview, you must request by contacting us directly, providing a brief description of your project and your research interests.  Our email address is:  info AT rainbowhistory DOT org&#13;
&#13;
One of our team will share the file from our Google Drive, and you can listen from home.  Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording.  www.driveplayer.com&#13;
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            <description>A list of subunits of the resource.</description>
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                <text>To see all interviews in the collection, click on&#13;
"Items in the Rainbow History Project Oral History Collection" link below.  </text>
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            <name>Contributor</name>
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                <text>Rainbow History Project</text>
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                <text>Various narrators per oral history</text>
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    <name>Oral History</name>
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            <text>Transcription available</text>
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        <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <text>1 audio file (46:42)</text>
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        <name>Interviewer</name>
        <description>The person(s) performing the interview.</description>
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            <text>Genny Beemyn</text>
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            <text>Michael Sainte-Andress</text>
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          <name>Title</name>
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              <text>Oral history interview with Michael "Micci" Sainte-Andress</text>
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              <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=2%2F19%2F2001"&gt;2/19/2001&lt;/a&gt;</text>
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              <text>&lt;span style="font-weight:400;"&gt;This interview belongs to the Rainbow History Project. The RHP release form was used and all rights belong to RHP.&lt;/span&gt;&lt;br /&gt;&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=No+restrictions+on+access%3B+no+restrictions+on+use."&gt;&lt;/a&gt;</text>
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              <text>70s-90s</text>
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              <text>African American gay experience, black gay clubs, theatre, DC Coalition, black gay politics</text>
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          <description>An account of the resource</description>
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              <text>Would you like to listen to this audio? &lt;span style="font-weight:400;"&gt;Please email &lt;/span&gt;&lt;a href="mailto:oralhistories@rainbowhistory.org"&gt;&lt;span style="font-weight:400;"&gt;oralhistories@rainbowhistory.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight:400;"&gt; to request access&lt;/span&gt;</text>
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              <text>Michael Sainte-Andress is a Black gay artist, performer, and community figure who was born in Seattle, raised in Houston, Texas, and later moved to Washington, D.C., in the mid‑1970s after serving in the U.S. Navy. In this interview, he reflects on his experience being openly gay in the Navy during the early 1970s.&#13;
&#13;
He also discusses his involvement in Washington’s theater scene, where he performed primarily in musicals and drew on his background in dance. Beyond the stage, he offers a vivid account of Black gay culture in the 1970s and 1980s, recalling popular venues such as the Club House and the Coffee House—a Black gay artistic space where he performed introspective, theatrical poetry. He describes the Coffee House as a vital incubator for community, consciousness, and creative expression, a formative environment that helped cultivate a collective identity distinct from the mainstream white gay movement.</text>
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