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                  <text>An artificial collection of advertisements, photographs, business cards, matchbooks, and flyers from gay businesses, religious organizations, and other spaces that created a safe haven for gay men, Lesbians, transgender people, and the drag community in Washington, D.C. from the 1950's to the 1980's.</text>
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                <text>Original copies available at the DC History Center, MS 076 RHP, Series X Community Newsletters.</text>
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&#13;
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&#13;
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&#13;
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&#13;
One of our team will share the file from our Google Drive, and you can listen from home.  Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording.  www.driveplayer.com&#13;
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              <text>Born in New Jersey in 1987 &#13;
Moved to Manchester, NH at 10&#13;
Moved to Washington DC in 2006 for college at Georgetown.&#13;
Family&#13;
More interested in politics than her family.  Family is very supportive of her agitating.&#13;
1 older sister.&#13;
Mother did a lot of odd jobs.&#13;
Dad in sales for MCI/Verizon&#13;
Georgetown&#13;
Wrote for the Georgetown Independent&#13;
While she was a student there was a hate crime against a LGBT student and there was 1 university sponsored person to support the students afterwards.&#13;
At Georgetown, she was involved in the LGBT activism as an ally until her senior year.&#13;
As an ally, it felt like gay and queer students were at the margins.  &#13;
There was one group called GU Pride that organized events but it was mostly white gay men.&#13;
Queer women organized a lot around the Women’s Collective because GU Pride didn’t feel like it represented their needs.&#13;
GU can appear very homogeneous from the outside and not gay positive.&#13;
The administration would accept and tolerate but not necessarily support.  After this incident the university president, who was the first layperson of a Catholic University in the U.S.  He stood up and said that we can and should support the LGBT community.&#13;
A LGBTQ resource center was created.  As the director of the resource center, "Shiva" Subbaraman made a point to enlist the support for the Center from all of the Jesuit priests.&#13;
She realized how much the culture had shifted at her Lavender Graduation, when Kara Swisher, a tech reporter in the San Francisco Bay Area, came back to speak and talked about not being back since the 80’s because of how toxic the environment had been.  Also at that time, GU Pride was suing the administration for acknowledgement of their organization.&#13;
Now there are 2 full time employees, large alumni community, bring speakers to campus, hold parties.&#13;
Journalism&#13;
After working at Georgetown for a few years and getting her graduate degree, she interned at NPR on the Arts desk.&#13;
Moved to Washington City Paper as the Arts Editor.  Found that the pieces that spoke to her the most were those that had to do with gender, identity and justice issues.&#13;
Amanda Hess left her beat at Slate and Christina saw it as an opportunity to write about a broad range of topics (science, arts, etc) through a lens of gender.&#13;
Writes 2-3 pieces a day, generally more opinion pieces that flesh out the story after the major story breaks on national day.&#13;
Loss of Queer Spaces&#13;
Where the Girls Go - Defunct blog that was an events calendar that aggregated all the events for queer women in DC.&#13;
Another gay blog, The New Gay&#13;
Created a number of one off gay parties&#13;
Hosted a number of the parties at The Islander, a DC restaurant&#13;
‘Blast-off’&#13;
‘Honey I Shrunk the Kids’&#13;
Would charge a cover to keep random people out for safety.&#13;
Still host one during the Summer called ‘Overeasy’ &#13;
Phase I&#13;
Long narrow bar with stage opposite, dark, poor sound system&#13;
Did Jell-o wrestling in a big inflatable pool with jello (industrial gel)&#13;
MC - Stacy Lockerman (sp?)&#13;
Pride&#13;
Wrote an article about the commercialism of Pride.&#13;
Fear for a community that loses its capacity for protest.  Getting married was the one issue a lot of gay people and there are still a lot of the other issues with which queer people struggle.&#13;
Coming Out &amp; Early Years&#13;
Dated a Transgender person as her first relationship - Presented as femme with a transgender man.  The relationship was very queer but looked like a straight couple in public.  Her partner had mostly straight friends and she wanted a queer community.&#13;
Large family - some were supportive some weren’t&#13;
Parents took it hard at first but are very accepting especially since meeting her current partner.&#13;
Activism&#13;
Black Lives Matter vigils&#13;
Vigil after the Orlando shooting&#13;
Message for youth today&#13;
There’s no right path.  Things will make sense when you look back on them but things never make sense when you are trying to look forward and plot out your life.</text>
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                <text>Christina Cauterucci is a journalist and activist in Washington DC especially interested in women’s and queer issues.  She speaks about her time at Georgetown University in the late 2000’s as the LGBTQ Resource Center was established.  She is currently a staff member at slate.com.  She describes the loss of queer spaces in DC and organizing alternative women’s parties.  She also discusses her experience coming out and societal perceptions of a femme-presenting woman dating a transgender man. </text>
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&#13;
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&#13;
Collected since the founding of the RHP, this collection is growing and is open to researchers. &#13;
&#13;
All interviews have been digitized and are described in the catalog; only some of them have transcripts available. &#13;
&#13;
None of the interviews stream online.  To obtain access to an interview, you must request by contacting us directly, providing a brief description of your project and your research interests.  Our email address is:  info AT rainbowhistory DOT org&#13;
&#13;
One of our team will share the file from our Google Drive, and you can listen from home.  Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording.  www.driveplayer.com&#13;
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                <text>60s-00s&#13;
&#13;
Lesbian experience, lesbian social scene, Gay Women's Alternative, Gay Women's Open House</text>
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                <text>In part one, Chuck Goldfarb discusses his experiences as an openly gay federal worker in the 1970s and 1980s when there were regulations against homosexuals working in the government. Chuck also talks about the first gay pride and his experiences with the Gay Switchboard, Black and White Men Together, SMYAL, Asians and Friends, and the SHARE Project. Chuck was extremely involved in various community organizations. For the Gay Switchboard, he was a facilitator for several years. Chuck discusses a split within the Gay Switchboard group over the need for more formal training for the volunteers and the challenges with intersectionality at the Gay Switchboard. &#13;
&#13;
In the 1980s, Chuck became involved in Black and White Men Together (BWMT) around the same time when the discrimination response system had been put in place. Chuck discusses the people who were working at BWMT that he got to work with, such as Chris Bates, Jim Mercer, and Bruce Pennington. He briefly touches upon the tension that existed between the local and national association of BWMT in terms of how politically radical they were. &#13;
&#13;
Chuck describes the major changes happening to the gay community at the beginnings of the AIDS Epidemic and the resources available in the Washington D.C. area, such as Whitman Walker Clinic. He goes on to discuss how the Whitman Walker Clinic was pushed to be more open to Black people, since it was primarily serving white men. Chuck was also heavily involved with AIDS related research, specifically the SHARE Project out of Johns Hopkins University in Baltimore MD which conducted essential AIDS epidemiological study with over a thousand participants. He discusses both his participation in the SHARE Project as well as his role on the Community Advisory Board reviewing and approving questionnaires.  &#13;
&#13;
Overall, Chuck discusses building his career in Washington D.C. and getting involved in the gay community, including being involved with and serving in leadership positions at several local organizations.    &#13;
&#13;
In part two, Chuck continues to discuss his work with local organizations, primarily focusing on SMYAL and Asians and Friends. He got involved with SMYAL through the founders Stefan Wade and Robert Hartman. SMYAL was formed to support sexual minority youth in response to criminalization and hospitalization of gender non-conforming youth. Chuck discusses the challenges with working with a youth advocacy organization, including concern over adults volunteering and homophobia. He discusses how from the beginning of SMYAL, leadership was cognizant of the need to have strict rules in place to protect the volunteers, the organization, and youth from abuse allegations. &#13;
&#13;
Chuck describes the demographics of the youth that SMYAL served and the various ways they tried to publicize SMYAL through school newspapers. He acknowledges that SMYAL, while successful in having a racially diverse youth audience, struggled with serving youth across social classes. Chuck emphasizes that the struggle of serving youth across social classes was not an issue limited to SMYAL, but an issue inherent in American society. &#13;
&#13;
In the 1990s, Chuck became involved with Asians and Friends. Unlike with other organizations, Chuck decided to only be involved with Asians and Friends as a member not as a leader within the organization. That was mainly due to the core function of Asians and Friends being social not political. When discussing Asians and Friends, Chuck draws connections between them and Black and White Men Together. Additionally, he describes a tension between interracial organizations and all Black or all Asian organizations. While some organizations wanted to work with all Black or all Asian organizations, there was also tension and some organizations did not want to work with them.&#13;
&#13;
In addition to discussing the organizations Chuck was involved with, he also describes an annual Halloween party he held for several years starting in the 1980s. He discusses doing drag for the first time, at the urging of his friend Phillip Wright, and costumes people would wear to his parties. While discussing drag and dressing up, he notes that it is a liberating experience and that his parties created spaces where people could express themselves.&#13;
&#13;
In part three, Chuck discusses his friendship with Simon Nkoli, an anti-apartheid and gay rights activist in South Africa. Chuck became friends with Simon through a tour he did with the National Association of Black and White Men Together. In the 1990s Chuck traveled to South Africa for the first time, where he was able to reconnect with Simon and attend the first AIDS awareness event in South Africa. Chuck discusses Simon’s activism in South Africa and when he came to the US. Throughout the years, Chuck and Simon maintained their friendship and visited each other in South Africa and the US. Chuck describes how Simon was always interested in coming to SMYAL when visiting DC and talking with youth. Finally, Chuck discusses his passion for working with local organizations because of the importance of community. &#13;
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                  <text>An artificial collection of advertisements, photographs, business cards, matchbooks, and flyers from gay businesses, religious organizations, and other spaces that created a safe haven for gay men, Lesbians, transgender people, and the drag community in Washington, D.C. from the 1950's to the 1980's.</text>
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                <text>These are invitations to the 1989 Fifth Anniversary Birthday Party for Tracks Nightclub.</text>
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                <text>Original copies available at the DC History Center, MS 076 RHP, Series X Community Newsletters.</text>
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                <text>Donated by Cheryl Spector</text>
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                  <text>Gay Fairfax Cable Access Television Programs 24</text>
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                  <text>&lt;strong&gt;&lt;a href="Episodes%20are%20digitized%20and%20available%20via%20YouTube%3A%20https%3A//www.youtube.com/channel/UCQr9j84wwrJG6-cGfbGS9PA" target="_blank" rel="noreferrer noopener"&gt;WATCH "GAY FAIRFAX" VIA YOUTUBE&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://www.youtube.com/playlist?list=PLWnZZVi-MsjT9vU3ga5BTx3vQZGxT2zDd" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;WATCH "INSIDE/OUTSIDE THE BELTWAY" VIA YOUTUBE&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;a href="https://archive.org/search?query=subject%3A%22One+In+Ten+People%22" target="_blank" rel="noreferrer noopener"&gt;WATCH "ONE IN 10 PEOPLE" VIA RHP'S INTERNET ARCHIVE PAGE&lt;/a&gt;&lt;/strong&gt;</text>
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                  <text>This collection contains records, broadcasts and other materials from cable access broadcasting in Fairfax, Virginia. Including the shows "Gay Fairfax / Gay Spectrum;" "Inside/Outside the Beltway;" "One in 10 People;" and "Third Side. </text>
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                  <text>Horton, Bill&#13;
Claypoole, Michael&#13;
Pearson Brown, Karen&#13;
Ponton, Jean</text>
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                  <text>&lt;strong&gt;THIRD SIDE&lt;/strong&gt;&lt;br /&gt;Producers: Kevin Kerdash, Larry Kennedy, David Vanderbilt, Michelle Michaels On Screen Anchors: Michelle Michaels and John Moore Regular Contributor: Jim Cooney Format: 1 hour magazine show with national emphasis, news and entertainment about the gay community.&lt;br /&gt;&lt;br /&gt;The Third Side ran six monthly episodes from January through June of 1991. It was produced in the home of Larry Kennedy and Kevin Kerdash for the local public access channel DCTV, then aired in Washington, DC; Sacramento, California; Winnipeg, Manitoba, Canada; and Portland, Oregon. Featured guests included Larry Kramer, Jon Hinson, The Flirtations, Craig Dean and Patrick Gill, and Rob Eichberg. One segment featured Jason Dilly's Project Face to Face, which was part of the Smithsonian Institution's Experimental Gallery. Visitors viewed life mask of people with aids and listened to tapes of that person speaking about their life. The Smithsonian asked to use this segment as part of that exhibit, where it was screened hourly for a month. That segment is now a permanent part of the Smithsonian's collection. Included is a flyer that was used to promote the show at the 1991 Gay Pride Day. It was there that Kevin and Larry realized that most of DC was not yet wired for cable, and even those who knew of the show could not get it. It was this plus difficulty getting regular help with the show that made them decide to stop production. To this day Kevin and Larry are very proud with what they accomplished with its brief history.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GAY FAIRFAX / GAY SPECTRUM&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;The producers of Gay Fairfax changed its name to Gay Spectrum in the fall of 1993 when the FLGCA Board of Directors refused to allow other financial sponsors of the program. Already Executive Producer Steve Futch had entered into an agreement with the Lambda Rising bookstore for financial support and this was acknowledged in an announcement after the final credits. The new program was exactly the same in format and content with a new theme and opening graphics. The new Gay Spectrum was co-hosted by Eric Randall (a pseudonym for Randy Leverette) and Angela Judy. Crewmembers (many from Gay Fairfax) included Rob Switala, Dave Johnson, Michael Claypoole, Clark Chesser, Michael Fry, Charles Roberts, Jean Ponton, Gail Goodfriend, and others. New reporters included Melissa Anderson, Rich Kazinski, Rick Barton, and Bob Connelly. Memorable highlights included an entire program devoted to the D.C. AIDSWalk '94 including interviews with Second Lady Tipper Gore and D.C. Congresswoman Eleanor Holmes Norton and other interviews with Congressman Gerry Studds and White House Aide George Stephanopolous at the annual Human Rights Campaign Dinner. The show began to loose steam when a very overworked Steve Futch left the show in early 1996. Rob Switala and Michael Claypoole stepped in as co-producers quickly changed the frequency from a weekly to a monthly series. Soon Randy Leverette left the show to take a job with the Home Box Office (HBO) in New York. The last four episodes were co-hosted by Bob Connelly and Angela Judy during the summer of 1996. But enthusiasm for the show had begun to wane, and the Gay Spectrum left the air for good just as Gay News Network was becoming a success.</text>
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                <text>Flyers for Inside/Outside the Beltway </text>
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                  <text>David Aiken Papers (Series II)</text>
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                  <text>The collection includes many drafts of articles he had written on the issues confronting the LGBT community of the time. They are rough drafts, with typographical errors, handwritten notes and corrections, and numerous rewrites. They are also an important source for the events and issues of the period. His files also contain primary documents, leaflets, and notes of interviews connected with the articles he wrote. &lt;br /&gt;&lt;br /&gt;Aiken, a local gay activist, member at one time of the Gay Liberation Front and a resident of GLF House (1620 St St. NW), Washington correspondent for The Advocate, was also a member of the Stonewall Nation Media Collective which broadcast the Friends radio show on WGBT and WPFW radio for nine years. His broadcasts on Friends seem to have complemented many of the stories on which he worked. In the mid-Seventies, he chaired the Washington Area Gay Community Council. He also served as a founder of Black and White Men Together's DC chapter and edited its newsletter. &lt;br /&gt;&lt;br /&gt;The Aiken Articles &lt;br /&gt;David Aiken's drafts of articles he submitted to the Advocate and other publications in the 1970s document many of the local and national issues confronting the LGBTQ community of the period. As such, they are an important resource of people, events, and issues for students and researchers. The collection contains Aiken's handwritten interview notes as well. The draft articles are listed below by topic.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/document/d/e/2PACX-1vR7ZGpQXij9EKhAxYVXnkL-5pIo-T66TtXIxK1Zm_fNsBg4nhoimqkQupb3X0CFM1-Frn-mwtBLMuO4/pub" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;VIEW ONLINE FINDING AID&lt;/strong&gt;&lt;/a&gt;</text>
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                  <text>Aiken, David L. (David Lewis), 1945-1986</text>
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                  <text>Some items are online. &lt;br /&gt;&lt;br /&gt;&lt;span&gt;Open to all people, by appointment, at the &lt;/span&gt;&lt;a href="http://www.dchistory.org/research/" target="_blank" rel="noreferrer noopener"&gt;DC History Center.&lt;/a&gt; &lt;span&gt;Collection is available for “fair use.” Material may be protected by copyright.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://dchistory.org/uploads/fa/ms0764.pdf" target="_blank" rel="noreferrer noopener"&gt;VIEW ONLINE FINDING AID&lt;/a&gt;</text>
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                  <text>David Lewis Aiken, 1945-1986</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="4278">
              <text>photograph : black and white</text>
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                <text>Party at the Gay Liberation Front-DC communal house</text>
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                <text>Group portrait of the residents of the Gay Liberation Front-DC house at 1620 S. Street, Washington, D.C.</text>
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            <description>A summary of the resource.</description>
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                <text>Front row, L-R:  Reggie Haynes, David Aiken, Bruce Pennington, Bobby (?)  Back row, L-R:  Bill Taylor, Howard Grayson, Joseph Covert, Paul, Bobby Ulhorn</text>
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                <text>&lt;p&gt;© ClubHouse Enterprises (Washington, D.C.)&lt;/p&gt;</text>
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                  <text>&lt;a href="https://docs.google.com/document/d/1_yi0jp1QrdJ7zmqj9UinHUb6EZv6ZpgFJc7Maed6Io4/edit?usp=sharing"&gt;&lt;span style="font-weight:400;"&gt;Paul Butler's The ClubHouse Art Collection&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;Collection #1&lt;br /&gt;The ClubHouse Records, 1975-1990</text>
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                  <text>Images and other resources related to The ClubHouse, 1975-1990. Opened in 1975 by Aundrea and Paulette Scott, John Eddy, Chasten Morell, and Rainey Cheeks, The ClubHouse provided the central focus of African-American gay DC social life for 15 years.</text>
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                <text>Flyer for the annual Children's Hour costume party at the ClubHouse, Washington, D.C., 1978.</text>
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                <text>&lt;p&gt;©ClubHouse Enterprises (Washington, D.C.)&lt;/p&gt;</text>
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