1 25 24 https://archives.rainbowhistory.org/files/original/bb6846b655a62ba5c2f2228f232863c0.pdf eb66126b17c59a534b7a54a63f396f36 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rainbow History Project Oral History Collection Description An account of the resource Eye-witness accounts of what we’ve seen and experienced provide a valuable resource to researchers and future generations to understand our past and how we arrived where we are today. Each interview in this collection has a narrator telling the story and a documenter guiding the process. Collected since the founding of the RHP, this collection is growing and is open to researchers. All interviews have been digitized and are described in the catalog; only some of them have transcripts available. None of the interviews stream online. To obtain access to an interview, you must request by contacting us directly, providing a brief description of your project and your research interests. Our email address is: info AT rainbowhistory DOT org One of our team will share the file from our Google Drive, and you can listen from home. Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording. www.driveplayer.com Table Of Contents A list of subunits of the resource. To see all interviews in the collection, click on "Items in the Rainbow History Project Oral History Collection" link below. Contributor An entity responsible for making contributions to the resource Rainbow History Project Various narrators per oral history Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview. Delaney Resweber Interviewee The person(s) being interviewed. Jay Fisette Transcription Any written text transcribed from a sound. Available Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Audio, mp3 Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:18:40 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral History with Jay Fisette Description An account of the resource Would you like to listen to this audio? Please email <a href="mailto:oralhistories@rainbowhistory.org">oralhistories@rainbowhistory.org</a> to request access Abstract A summary of the resource. Jay Fisette discusses his path to political office and his experience as the first openly gay politician in Virginia. Jay first came to Washington D.C. after graduate school for a job with the federal government. While Jay mostly focuses on his political career, he also talks about gay life in Arlington and Northern Virginia. He got involved with the Arlington Gay and Lesbian Alliance in the 1980s. In the 1980s Jay began volunteering at the Whitman-Wlaker Clinic and would later become the director of the Northern Virginia clinic. Jay ran for the Arlington County Board in 1993 where he ran a close but unsuccessful campaign. In 1997 he ran again and became the first openly gay elected official in Virginia. Jay discusses how he ran his campaigns, including postcards and flyers that were distributed. Jay’s political career focused on environmental sustainability and economic development. Jay helped introduce the Capital Bikeshare program to Arlington; many of the facets of this program would later be adopted by Washington D.C. Jay decided not to run for Arlington County Board in 2017 and instead started a consulting firm with Roger Berliner called DMV Strategic Advisors. This consulting firm provided services to the private sector, nonprofits, and local governments in the region. In December 2025, Jay Fisette retired from DMV Strategic Advisors. ----- Jay was also interviewed by <a href="https://library.arlingtonva.us/2021/06/10/oral-history-arlingtons-first-openly-lgbtq-elected-official/">Arlington County Public Library </a> The library also has a collection of his <a href="https://libraryarchives.arlingtonva.us/Detail/collections/14557?_ga=2.134653938.2066443931.1779711011-894047673.1779711011&_gl=1*1m92k17*_ga*ODk0MDQ3NjczLjE3Nzk3MTEwMTE.*_ga_Z2ECWWH16V*czE3Nzk3MTEwMTEkbzEkZzEkdDE3Nzk3MTEwNjMkajgkbDAkaDA.">personal papers.</a> Date A point or period of time associated with an event in the lifecycle of the resource 4/25/2026 Rights Information about rights held in and over the resource This oral history belongs to the Rainbow History Project 1980s 1990s 2000s 2010s Academic organizations Activism Alexandria VA Arlington Gay and Lesbian Alliance (AGLA) Arlington VA Bars and clubs Capital Bikeshare Catholic Clear Channel Council of Governments County board Democrats Dillon's Rule Discrimination Equality NoVa Equality Virginia Fairfax VA Friends Gay rights Healthcare HIV/AIDS Land Use Local government Lost and Found Medical facilities Politics Rascals Religious facilities Tracks Unitarian Church Urban development Virginians for Justice Vote No campaign Washington Blade Washington D.C. Whitman-Walker Clinic https://archives.rainbowhistory.org/files/original/311c960456608559634c49d113f2c64c.pdf 79f39c0e13b803fea7e7f4017c63cac5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Genny Beemyn Queer Capital Oral History Collection Table Of Contents A list of subunits of the resource. Sheila Alexander-Reid, September 11, 1998 Wanda Alston, September 11, 1998 Beverly F. Baker, September 10, 1998 Lawrence R. Banks, Jr., June 5, 1998 Joan E. Biren (JEB), June 2, 1998 Warren Blumenfeld, June 5, 1998 “Michael Borchert,” May 31, 1994 and June 15, 1998 Darren Buckner, June 13, 1998 Earline Budd, June 21, 1998 Donald Burch, III, June 22, 1999 Carlene Cheatam, June 4, 1998 Kwabena Rainey Cheeks, June 3, 1998 Lou Chibbaro, Jr., June 5, 1998 Countess Clarke, November 4, 2000 Tracey Conaty, May 27, 1998 Darryl Cooper, September 24, 1998 Ruby Corado, June 24, 2013 Mindy Daniels, May 22, 1998 Carol Anne Douglas, June 3, 1998 Larry Duckette, August 8, 1998 and October 5, 1999 Roy Eddey, September 6, 1998 Mary Farmer, August 6, 1998 Gideon Ferebee, Jr., October 9, 2000 Michael Ferri, June 20, 1998 “Haviland Ferris,” May 16, 1994 and May 21, 1998 Barney Frank, May 22, 1998 Jack Frey and Peter Morris, March 22, 1994 “Richard Galvin,” January 12, 1995 Gil Gerald, January 30, 2013 Theresa Gilchrist, June 15, 1999 Letitia Gomez, July 3, 1998 Jim Graham, May 26, 1998 Jaime Grant, June 2, 1998 Pat Hamilton, January 13, 1995 Reginald Harris, November 10, 2000 “Scott Harrison,” June 2, 1994 Diane Herz, June 27, 1998 Susan Hester, August 11, 1998 Leonard Hirsch, May 30, 1998 Meryl Hooker, June 2, 1998 Craig Howell, June 9, 1998 Chi Hughes, July 1, 1999 Louis Hughes, December 21, 2000 Loraine Hutchins, April 3, 1998 Sue Hyde, June 26, 1998 Edward James, May 25, 1994 Ralph Jarnagin, June 6, 1994 “Boots Johns,” July 14, 1997 Cary Alan Johnson, May 27, 1998 Sharen Shaw Johnson, August 7, 1998 ABilly S. Jones, June 15, 1999 Wayson Jones, June 27, 1998 “Andy Jordan,” May 29, 1998 Frank Kameny, March 20, 1994 and June 6, 1998 Kenneth Kero-Mentz, December 20, 2012 Thomas “Dusty” Keyes, May 30, 1994 and May 23, 1998 Kris Kleeberg, June 25, 1998 Deb Kolodny, May 26, 1998 Paul Kuntzler, August 5, 1998 Steve Langley, September 25, 1999 Barbara Lewis, June 12, 1998 Deacon Maccubbin, May 27, 1998 V. Papaya Mann, June 23, 1999 Lindsay McBride, August 7, 1998 Monique Meadows, September 1, 1998 Dennis Medina, July 8, 1998 Susan Messina, September 10, 1998 Deb Morris, September 25, 1998 Jack Nichols, May 20, 1995 and June 18, 1998 Diana Onley-Campbell, June 1, 1998 “Edith Parker,” June 9, 1994 and June 1, 1998 Michelle Parkerson, June 1, 1998 and June 29, 1999 Bruce Pennington, June 15, 1998 Isaiah J. Poole, May 31, 1998 Chris Prince, July 1, 1998 Ted Richards, May 24, 1995 and May 31, 1998 Robert Ricks, May 19, 1995 Colin Robinson, November 5, 2000 Rick Rosendall, August 8, 1998 Michael Sainte-Andress, June 21, 1999 Yolanda Santiago, June 9, 1998 Ron Simmons, June 3, 1998 Michael Singerman, June 1, 1998 Esther Smith, June 9, 1994 Sabrina Sojourner, June 12, 1998 Cheryl Ann Spector, May 26, 1998 James P. Theis, June 4, 1998 Thurlow Tibbs, May 24, 1994 “M. Tilden-Morgan,” May 23, 1994 and May 25, 1998 Jane Troxell, June 3, 1998 Nancy Tucker, June 19, 1998 Otto H. Ulrich, Jr., May 24, 1995 and May 23, 1998 Urvashi Vaid, December 17, 1998 Robert Michael Vanzant, May 25, 1998 Lilli Vincenz, June 6, 1998 Anne Vonhof, January 9, 2013 Ann Wachtel, May 30, 1998 “Ed Wallace,” May 25, 1994 and June 4, 1998 “Robert Wayne,” June 10, 1998 Courtney Williams, July 15, 1999 Jessica Xavier, April 2, 1998 and June 3, 1998 Michael Yarr, September 13, 1998 Bill Youngblood, June 1, 1994 and May 26, 1998 Amelie Zurn, May 28, 1998 Description An account of the resource Oral history interviews conducted while researching the 2014 publication "A Queer Capital: A History of Gay Life in Washington, D.C." Creator An entity primarily responsible for making the resource Genny Beemyn, Ph.D. Rights Information about rights held in and over the resource No restrictions on access; no restrictions on use. Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Interviews are digitized; some may have transcripts. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview. Genny Beemyn Interviewee The person(s) being interviewed. Louis Hughes Transcription Any written text transcribed from a sound. Yes Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:35 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral History with Louis Hughes (Queer Capital-Genny Beemyn) Subject The topic of the resource This is an Oral History interview taken by Genny Beemyn for their book "A Queer Capital: a History of Gay Life in Washington D.C." They have donated their interviews to the Rainbow History Project. Description An account of the resource Interested in listening to this audio? Email oralhistories@rainbowhistory.org for access Date A point or period of time associated with an event in the lifecycle of the resource 12/21/2000 Rights Information about rights held in and over the resource This interview was donated to RHP by Genny Beemyn Abstract A summary of the resource. In this interview, Louis Hughes, a native Baltimorean, recounts his experiences within DC’s African-American LGBTQ community during the 1970s and 1980s. Hughes, who came out in the mid-1970s, soon discovered Washington to be an exciting center of African-American gay life. Hughes joined many other Black Baltimoreans who were involved in gay activism and community life in DC. He routinely commuted to DC to dance at the famed ClubHouse, and discover innovative Black artists at the ENIKAlley Coffeehouse (such as Thurlow Tibbs and Essex Hemphill). He also served as co-chair of the National Black Coalition of Black Lesbians and Gays, organized the 1979 Third World Lesbian and Gay Conference, and advised Howard University’s pioneering gay-rights student organization Lambda Alliance. Later, he refocused his activism within Baltimore, working on a gay rights bill at the Baltimore City Council, and serving as a peer advisor at Morgan State University. By the end of the interview, Hughes laments the loss of historic LGBTQ spots in DC, and wonders if DC culture is inherently more superficial and fleeting than the more deep-rooted community organizations that grow within Baltimore. 1970s 1980s ABilly Jones-Hennin Academic organizations Activism Advocacy groups African Americans Bachelor's Mill Baltimore MD Bars and clubs Brass Rail ClubHouse Coffee houses Conventions Drag performances Essex Hemphill Gay rights HIV/AIDS La Zambra Lost and Found Marches Melvin Boozer Metropolitan Community Church (MCC) Michelle Parkerson Music Nightlife Nob Hill Publications Religious facilities Restaurants Student groups Tracks Washington Blade Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rainbow History Project Oral History Collection Description An account of the resource Eye-witness accounts of what we’ve seen and experienced provide a valuable resource to researchers and future generations to understand our past and how we arrived where we are today. Each interview in this collection has a narrator telling the story and a documenter guiding the process. Collected since the founding of the RHP, this collection is growing and is open to researchers. All interviews have been digitized and are described in the catalog; only some of them have transcripts available. None of the interviews stream online. To obtain access to an interview, you must request by contacting us directly, providing a brief description of your project and your research interests. Our email address is: info AT rainbowhistory DOT org One of our team will share the file from our Google Drive, and you can listen from home. Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording. www.driveplayer.com Table Of Contents A list of subunits of the resource. To see all interviews in the collection, click on "Items in the Rainbow History Project Oral History Collection" link below. Contributor An entity responsible for making contributions to the resource Rainbow History Project Various narrators per oral history Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed. Jerry Buskirk Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral History Interview with Jerry Buskirk aka Beulah Description An account of the resource Please Note: An audio file is currently not available for this record, the notes from this interview are provided below Abstract A summary of the resource. 03/17/04 phone interview JERRY BUSKIRK aka Beulah Founder of the Awards Club, Emmy’s and Family Affair House Originally from West Virginia, now lives near Youngstown, OH Awards Club pageants were juried, titles were voted on, not assigned as in the Oscars Miss Gay America started by Buskirk c. 1961 Academy took over Miss Gay America lineage Miss Gay America ran from 1962 to 1989, last years under the Awards Club Based on Miss Gay America Atlantic City pageant Categories: swimsuit, parade of states (creative fashion), evening gown, talent Controversy in late 80s over who won, two different MGA pageants MGA spread over 3 nights with preliminaries at Waaay Off Broadway Was on the board of Waaay Off Broadway Jessie Kinneson, manager of Waaay Off Broadway, was a member of Buskirk’s Family Affair House in the awards club Knew Kinneson from WV Went to Cleveland as a teenager, then stayed at Wabash St YMCA in Chicago Bought most competition gowns off the rack, from Claire Dratch in Bethesda (Wisc. Ave.) – shop had models and did viewings Being small was an advantage, could buy clothes off the rack “it was all so much fun” Plus One, Pier 9 and Lost & Found all had good restaurants Pier 9 was gigantic, had levels, started first light shows in DC, had shows by the Awards Club Date A point or period of time associated with an event in the lifecycle of the resource 3/17/2004 Rights Information about rights held in and over the resource This interview belongs to the Rainbow History Project Bars and clubs Beulah/Jerry Buskirk Drag performances Lost and Found Nightlife Plus One Restaurants https://archives.rainbowhistory.org/files/original/a0296aaee0241907b011221cf5c21c2e.pdf c90c7859b8cdc62bfb465f22b5215c69 https://archives.rainbowhistory.org/files/original/6a5c4969a06ff70e4376e85b05cca696.jpg c14e394aec93e657d26deb5b10b82d8f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rainbow History Project Oral History Collection Description An account of the resource Eye-witness accounts of what we’ve seen and experienced provide a valuable resource to researchers and future generations to understand our past and how we arrived where we are today. Each interview in this collection has a narrator telling the story and a documenter guiding the process. Collected since the founding of the RHP, this collection is growing and is open to researchers. All interviews have been digitized and are described in the catalog; only some of them have transcripts available. None of the interviews stream online. To obtain access to an interview, you must request by contacting us directly, providing a brief description of your project and your research interests. Our email address is: info AT rainbowhistory DOT org One of our team will share the file from our Google Drive, and you can listen from home. Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording. www.driveplayer.com Table Of Contents A list of subunits of the resource. To see all interviews in the collection, click on "Items in the Rainbow History Project Oral History Collection" link below. Contributor An entity responsible for making contributions to the resource Rainbow History Project Various narrators per oral history Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview. Emma O'Niell-Dietel Interviewee The person(s) being interviewed. Ra Amin Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Recorded Zoom Meeting Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:14:29 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral History with Ra Amin Description An account of the resource Want access to this audio file? Please email <a href="mailto:oralhistories@rainbowhistory.org">oralhistories@rainbowhistory.org</a> Abstract A summary of the resource. A lifelong DC resident, Ra Amin discovered D.C.’s LGBTQ community while a student at University of Maryland in the 1980s through bars like Tracks, Lost and Found, and Badlands. This led him to discover the city’s Black LGBTQ community at Bachelor’s Mill and he attended the first Black Pride in 1991 at Banneker Field. During the HIV-AIDS epidemic, Amin worked for the DC Department of Corrections and Department of Health working with communities most affected by HIV-AIDS. Through this work, he became a trained massage therapist and partnered with Whitman-Walker Health and Us Helping Us to provide massage therapy for people living with and treating HIV and AIDS. After a bicycle accident left him unable to work in 2015, he rededicated himself to community involvement and living authentically as part of the LGBTQ+ community. He became an Advisory Neighborhood Commissioner and member of the ANC Rainbow Caucus and a volunteer with the Rainbow History Project. Date A point or period of time associated with an event in the lifecycle of the resource 5/31/2024 Rights Information about rights held in and over the resource This oral history belongs to the Rainbow History Project Source A related resource from which the described resource is derived Attached photo provided by Ra Amin 1970s 1980s 1990s 2000s 2010s 2020s Activism Bachelor's Mill Badlands Bars and clubs Black Dance clubs HIV/AIDS Local government Lost and Found Medical facilities Native washingtonian Nightlife Pride Tracks Whitman-Walker Clinic https://archives.rainbowhistory.org/files/original/76a8540c61038e2d6746a03805c72aea.pdf efd338773455f66980e18780bb940d17 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rainbow History Project Oral History Collection Description An account of the resource Eye-witness accounts of what we’ve seen and experienced provide a valuable resource to researchers and future generations to understand our past and how we arrived where we are today. Each interview in this collection has a narrator telling the story and a documenter guiding the process. Collected since the founding of the RHP, this collection is growing and is open to researchers. All interviews have been digitized and are described in the catalog; only some of them have transcripts available. None of the interviews stream online. To obtain access to an interview, you must request by contacting us directly, providing a brief description of your project and your research interests. Our email address is: info AT rainbowhistory DOT org One of our team will share the file from our Google Drive, and you can listen from home. Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording. www.driveplayer.com Table Of Contents A list of subunits of the resource. To see all interviews in the collection, click on "Items in the Rainbow History Project Oral History Collection" link below. Contributor An entity responsible for making contributions to the resource Rainbow History Project Various narrators per oral history Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Transcription Any written text transcribed from a sound. Yes, transcript available Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Yes, recording available Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral history interview with Lou Chibbaro Date A point or period of time associated with an event in the lifecycle of the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=8%2F26%2F2009">8/26/2009</a> Rights Information about rights held in and over the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=No+restrictions+on+access%3B+no+restrictions+on+use.">No restrictions on access; no restrictions on use.</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1971-00s Gay Activists Alliance, Stonewall National Media Collective, Washington Blade Abstract A summary of the resource. Long time journalist with Washington’s premiere LGBTQ news source, The Washington Blade, Lou Chibbaro discusses his time in D.C. and experience writing for and within the community. Coming to the District for school in the early 70’s, Chibbaro’s passion for public policy empowered him to stay. Coming out of graduate school he worked for the American Public Power Association, writing about environmental and energy issues. Shifting from this to LGBTQ issues in the 70’s and early 80’s, Chibbaro began as a freelance writer for the Blade while concurrently working with the popular Gay and Lesbian stations Friends Radio and service as an officer for the Gay and Lesbian Activists Alliance, often taking on the pseudonym Lou Romano, in order to protect his identity. Throughout his time in Washington, Chibbaro has been and continues to be an activist and an involved journalist, still working for the Blade today. Description An account of the resource Interested in listening to this audio? Email <a href="mailto:oralhistories@rainbowhistory.org">oralhistories@rainbowhistory.org</a> to request access 1970s 1980s 1990s 2000s Adult movie theaters Advocacy groups Bars and clubs Bruce Pennington Cade Ware Conventions Follies Friends Radio Gay Activist Alliance (GAA) Gay and Lesbian Activists Alliance (GLAA) HIV/AIDS Lost and Found Nightlife Politics Publications Restaurants Television and radio Washington Blade https://archives.rainbowhistory.org/files/original/8aca64e204d26f996d5255e5cee96c92.pdf f14a329326ca8994409f62d437578123 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rainbow History Project Oral History Collection Description An account of the resource Eye-witness accounts of what we’ve seen and experienced provide a valuable resource to researchers and future generations to understand our past and how we arrived where we are today. Each interview in this collection has a narrator telling the story and a documenter guiding the process. Collected since the founding of the RHP, this collection is growing and is open to researchers. All interviews have been digitized and are described in the catalog; only some of them have transcripts available. None of the interviews stream online. To obtain access to an interview, you must request by contacting us directly, providing a brief description of your project and your research interests. Our email address is: info AT rainbowhistory DOT org One of our team will share the file from our Google Drive, and you can listen from home. Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording. www.driveplayer.com Table Of Contents A list of subunits of the resource. To see all interviews in the collection, click on "Items in the Rainbow History Project Oral History Collection" link below. Contributor An entity responsible for making contributions to the resource Rainbow History Project Various narrators per oral history Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Transcription Any written text transcribed from a sound. Yes Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Yes, recording available Interviewee The person(s) being interviewed. Linda Berdine Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral history interview with Linda Berdine Date A point or period of time associated with an event in the lifecycle of the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=3%2F28%2F2001">3/28/2001</a> Rights Information about rights held in and over the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=No+restrictions+on+access%3B+no+restrictions+on+use.">No restrictions on access; no restrictions on use.</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1974-00s 1970s lesbian social scene, business experiences, Gay Women's Open House, Phase One Subject The topic of the resource Linda Berdine discusses the Washington D.C. bar scene, same sex couples having children, and the Gay and Lesbian chorus Description An account of the resource Would you like access to this file? Please email <a href="mailto:oralhistories@rainbowhistory.org" title="oralhistories@rainbowhistory.org">oralhistories@rainbowhistory.org</a> Language A language of the resource English 1970s 1980s 1990s Advocacy groups Arlington VA Bachelor's Mill Bars and clubs Chorus groups Community Dance clubs Discrimination Employment Grand Central Lesbian bars and clubs Lesbians Lilli Vincenz Lost and Found Music Nightlife Parenthood Parties Phase One Restaurants Virginia West Virginia https://archives.rainbowhistory.org/files/original/603e7577dd92418f60a038c78359799b.pdf 72a0031eff3a3cbddc0a6ed1b5176751 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rainbow History Project Oral History Collection Description An account of the resource Eye-witness accounts of what we’ve seen and experienced provide a valuable resource to researchers and future generations to understand our past and how we arrived where we are today. Each interview in this collection has a narrator telling the story and a documenter guiding the process. Collected since the founding of the RHP, this collection is growing and is open to researchers. All interviews have been digitized and are described in the catalog; only some of them have transcripts available. None of the interviews stream online. To obtain access to an interview, you must request by contacting us directly, providing a brief description of your project and your research interests. Our email address is: info AT rainbowhistory DOT org One of our team will share the file from our Google Drive, and you can listen from home. Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording. www.driveplayer.com Table Of Contents A list of subunits of the resource. To see all interviews in the collection, click on "Items in the Rainbow History Project Oral History Collection" link below. Contributor An entity responsible for making contributions to the resource Rainbow History Project Various narrators per oral history Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Transcription Any written text transcribed from a sound. Yes Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Yes, recording available Interviewer The person(s) performing the interview. Mark Meinke Interviewee The person(s) being interviewed. Jim Harvey Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral history interview with James "Jim" Harvey Date A point or period of time associated with an event in the lifecycle of the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=8%2F19%2F2004">8/19/2004</a> Rights Information about rights held in and over the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=No+restrictions+on+access%3B+no+restrictions+on+use.">No restrictions on access; no restrictions on use.</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 70s-00s African-American gay experience, political campaigns, Council campaign, AIDS organizations Description An account of the resource Interested in listening to this audio? Email <a href="mailto:oralhistories@rainbowhistory.org">oralhistories@rainbowhistory.org</a> for access 1960s 1970s 1980s Advocacy groups African Americans Bars and clubs Brass Rail Civil rights ClubHouse Community Dance clubs Discrimination Dupont Circle Education Gay men Healthcare HIV/AIDS La Zambra Local government Lost and Found Medical facilities Music Nightlife Nob Hill Police Restaurants Washington D.C. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gay Businesses and Venues Collection Description An account of the resource An artificial collection of advertisements, photographs, business cards, matchbooks, and flyers from gay businesses, religious organizations, and other spaces that created a safe haven for gay men, Lesbians, transgender people, and the drag community in Washington, D.C. from the 1950's to the 1980's. Contributor An entity responsible for making contributions to the resource Meinke, Mark Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data newsprint Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lost and Found "The Last Drag Show" advertisement Subject The topic of the resource Gay business enterprises--Washington (D.C.) Gays--Social life and customs--Washington (D.C.) Date A point or period of time associated with an event in the lifecycle of the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1983">1983</a> Rights Information about rights held in and over the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Reproduction+and+use+of+this+material+requires+permission+from+the+copyright+holder.+Please+contact+the+Rainbow+History+Project+for+more+information.">Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information.</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Washington (D.C.) Advertisements Bars and clubs Gay bars and clubs Lost and Found Nightlife Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gay Businesses and Venues Collection Description An account of the resource An artificial collection of advertisements, photographs, business cards, matchbooks, and flyers from gay businesses, religious organizations, and other spaces that created a safe haven for gay men, Lesbians, transgender people, and the drag community in Washington, D.C. from the 1950's to the 1980's. Contributor An entity responsible for making contributions to the resource Meinke, Mark Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data newsprint Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lost and Found advertisement Subject The topic of the resource Gay business enterprises--Washington (D.C.) Gays--Social life and customs--Washington (D.C.) Date A point or period of time associated with an event in the lifecycle of the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1975">1975</a> Rights Information about rights held in and over the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Reproduction+and+use+of+this+material+requires+permission+from+the+copyright+holder.+Please+contact+the+Rainbow+History+Project+for+more+information.">Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information.</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Washington (D.C.) Advertisements Bars and clubs Gay bars and clubs Lost and Found Nightlife https://archives.rainbowhistory.org/files/original/682ed64ce73da2542b492af9a52a62cc.jpg 81330eb200f11e0ea42217af1871becf Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 5292 Height 3861 Bit Depth 8 Channels 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gay Businesses and Venues Collection Description An account of the resource An artificial collection of advertisements, photographs, business cards, matchbooks, and flyers from gay businesses, religious organizations, and other spaces that created a safe haven for gay men, Lesbians, transgender people, and the drag community in Washington, D.C. from the 1950's to the 1980's. Contributor An entity responsible for making contributions to the resource Meinke, Mark Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data newsprint Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lost and Found advertisement Subject The topic of the resource Gay business enterprises--Washington (D.C.) Gays--Social life and customs--Washington (D.C.) Date A point or period of time associated with an event in the lifecycle of the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1971">1971</a> Rights Information about rights held in and over the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Reproduction+and+use+of+this+material+requires+permission+from+the+copyright+holder.+Please+contact+the+Rainbow+History+Project+for+more+information.">Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information.</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Washington (D.C.) Advertisements Bars and clubs Gay bars and clubs Lost and Found Nightlife https://archives.rainbowhistory.org/files/original/cfe4cddae10e5978f252b36e8535fbad.jpg f9ac9d527eb01d87fbba402890e1c69c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 2283 Height 3027 Bit Depth 8 Channels 3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gay Businesses and Venues Collection Description An account of the resource An artificial collection of advertisements, photographs, business cards, matchbooks, and flyers from gay businesses, religious organizations, and other spaces that created a safe haven for gay men, Lesbians, transgender people, and the drag community in Washington, D.C. from the 1950's to the 1980's. Contributor An entity responsible for making contributions to the resource Meinke, Mark Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data newsprint Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Advertisement for Donn Culver's gay clubs : the Waaay Off Broadway Cabaret, The Pier, and Lost and Found Subject The topic of the resource Gay business enterprises--Washington (D.C.) Gays--Social life and customs--Washington (D.C.) Rights Information about rights held in and over the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Reproduction+and+use+of+this+material+requires+permission+from+the+copyright+holder.+Please+contact+the+Rainbow+History+Project+for+more+information.">Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information.</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Washington (D.C.) Advertisements Lost and Found Nightlife https://archives.rainbowhistory.org/files/original/a332e2bcff4cbc7c184b86885d175983.pdf d5bfc06cfc5bea06ea93623d765f4b44 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ACT UP DC Documents Description An account of the resource Assorted ACT UP DC flyers, postcards, and other political ephemera. Most items are undated. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. 2 — THE WASHINGTON BLADE — April 8,1983 Wed., April 27th- Fri., April 29th- Tue., May 3rd- AIDS EDUCATION FUND FUNDRAISERS The following list of fundraisers are being planned throughout the Gay community during the months of April, May & June in order to raise monies needed forthe AIDS educational and research purposes. Please save this list and attend these events as monies received on these days will go into the AIDS Educational Fund of the Whitman-Walker Clinic. Month of April— Lambda Rising— Donation Box at Register Tue., April 26th— The Lost & Found— $3.00 donation, Guest DJ and The Rascalettes vs The Skagettes 9PM Mr. P's— $2.00 donation, Employee Show 8PM Morgan's— $2.00 donation, Dancing 9PM The Fraternity House— $3.00 donation, Dancing/Juliet Prowse & Co./Raffles 9PM The DC Eagle— Donation Table with AIDS Literature/Clinic Staffed* 8PM-Midnight Equus— Donation Table with AIDS Literature/Clinic Staffed* 8PM-Midnight Rascals— $3.00 Donation, Friday the 13th Party with Raffles, Video, & Surprises 10PM The Rogue— $3.00 Donation, 2 Super Shows by DCs Finest Female Impersonators 9PM Bachelor's Mill— $4.00 Admission/ Portion of Charge to AIDS, an Evening with Dana Terrell 9:30 PM Le Salon/Olympic Baths— 25% of Proceeds for the day to AIDS, ALL DAY Friends— Donation Table with AIDS Literature/Clinic Staffed* 8PM-Midnight The Exile— Every paid admission gets a free lottery ticket and $1.00 of fee goes to AIDS 9PM Cy's— Anniversary Celebration, Evening to be set aside for AIDS Fundraising More fundraisers at other Gay Bars are being planned, but weren't available at printing. Please check the weekly BLADE Calendar for these events. 'Clinic Volunteers will be on hand to answer your questions regarding AIDS. The Whitman-Walker Clinic, Inc. 2335 18th St., NW Wash., D.C. 20009 332-5295 Wed. Fri. Thurs., May 5th— May n t h - May 13th— Thurs. May 19th— Sun. May 22nd— Thurs., May 26th— Thurs., June 2nd— Fri., June 3rd— Thurs., June 23rd— Sun., June 26th— Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data newsprint Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource AIDS Education Fund fundraisers Subject The topic of the resource AIDS (Disease)--Education--Washington (D.C.)--20th century Creator An entity primarily responsible for making the resource Whitman-Walker Clinic Source A related resource from which the described resource is derived Washington Blade, April 8, 1983 Date A point or period of time associated with an event in the lifecycle of the resource 1983-04-08 1980s AIDS Coalition to Unleash Power (ACT UP) Bachelor's Mill Bars and clubs Bookstores Eagle HIV/AIDS Lambda Rising Lost and Found Nightlife Publications Restaurants The Fraternity House Washington Blade Whitman-Walker Clinic https://archives.rainbowhistory.org/files/original/138045c0dab0a5ef88deec5fe734ddf7.pdf 80b21aece47ce7a1b06b9220eafc56e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gay Activists Alliance Records Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. <a href="Series%20XVI%3A%20Gay%20and%20Lesbians%20Activists%20Alliance%20(Mindy%20Daniels%20component)" target="_blank" rel="noreferrer noopener">Series XVI: Gay and Lesbians Activists Alliance Collection (Mindy Daniels component)</a> <a href="https://rainbowhistory.omeka.net/collections/show/38" target="_blank" rel="noreferrer noopener">Mindy Daniels Component</a> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. 10/17/1971 FELLOW GAY PEOPLE: WHY ARE WE PICKETING THE LOST AND FOUND? Here are the reasons: The collective leadership of the Washington Gay Community vigorously protests and condemns the blatant racist policies of the Lost and Found management. Those racist policies were clearly affirmed by a principal Lost and Found manager in a meeting with a GAA representative on Friday, Oct. 15. Mr. Bill Perry of the Lost and Found said the following: "If possible, we would prefer to exclude all black people from the Lost and Found." Mr. Perry freely acknowledged that the primary reason for I.D. requirements was not age restriction, but an effort to exclude as many black people as possible. Perry said that the Lost and Found was requiring two pieces of "legal" identification. He defined these two pieces of I.D. as (1) driver's license and (2) "a passport or a birth certificate." Since the Tuesday opening of the Lost and Found, gay organizations have received numerous reports that these "requirements" have been generally restricted to blacks. What is the Lost and Found's justification for their racist policies? Perry says that the economic factor is the reason: "Black people are generally poor and, besides, most of our patrons are bigots." Furthermore, Perry declared that the Lost and Found cannot afford to cater to either black—or white--gays "who spend only $2.25 a night in our bar." And what is the obligation of the Lost and Found to gay people (who make such ownership rich), aside from serving good drinks? Bill Perry says "none." The following Washington gay organizations request that the Lost and Found end their racist, sexist, immoral, and illegal policies and implement the list of our 10 demands necessary to resolve this conflict: The Mattachine Society of Washington Evangelical Catholic Community Gay Activists Alliance The Black Caucus Skyline Faggots The Breadbox Student Homophile Assn. of the Univ. of Maryland Gay Men's Open House 1971 Kameny for Congress Campaign Committee Gay Women's Open House Campus Ministry of the University of Maryland Participating members of Metropolitan Comm. Church Gay Liberation Front "Our House" Collective Applecore Collective Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data typed document Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fellow Gay people : why are we picketing the Lost and Found? Subject The topic of the resource Gay rights--Washington (D.C.) Gay liberation movement--Washington (D.C.) Discrimination against African Americans--Washington (D.C.) Gay clubs--Washington (D.C.) Description An account of the resource Flyer describing the reasons that the Gay Liberation Front believed that the Lost and Found Club was racist, misogynist, and discriminatory towards the drag community. Creator An entity primarily responsible for making the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=DC+Gay+Liberation+Front">DC Gay Liberation Front</a> Date A point or period of time associated with an event in the lifecycle of the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1971-10-17">1971-10-17</a> Rights Information about rights held in and over the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Reproduction+and+use+of+this+material+requires+permission+from+the+copyright+holder.+Please+contact+the+Rainbow+History+Project+for+more+information.">Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information.</a> Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Washington (D.C.) 1970s Discrimination Gay Activist Alliance (GAA) Lost and Found Racism https://archives.rainbowhistory.org/files/original/0a4fb165aef30fa63db9cd1aac8dc302.jpg 7d3ae9895a43901e55eac68a1a7ca18f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 1126 Height 1179 Bit Depth 8 Channels 3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gay Businesses and Venues Collection Description An account of the resource An artificial collection of advertisements, photographs, business cards, matchbooks, and flyers from gay businesses, religious organizations, and other spaces that created a safe haven for gay men, Lesbians, transgender people, and the drag community in Washington, D.C. from the 1950's to the 1980's. Contributor An entity responsible for making contributions to the resource Meinke, Mark Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Donn Culver and friend at a formal dress party at the Lost and Found Club Subject The topic of the resource Gay bars--Washington (D.C.) Description An account of the resource Donn Culver on left Rights Information about rights held in and over the resource Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information. Abstract A summary of the resource. Building on the success of the Plus One and the Pier as Washington, DC's first gay-oriented dance palaces, Donn Culver and Bill Bickford opened the Lost and Found at 56 L Street SE on October 7th, 1971. Lost and Found was Culver and Bickford's second venture. They had opened the Pier, a popular club at 1824 Half St. SW, in 1970. Earlier, with partner Henry Hecht, Culver and Bickford had started DC's gay dance scene in 1968 with the Plus One. The Lost and Found lasted 27 years at its SE location; from 1991 to 1993 it was renamed Quorum, but in 1993 the old name was resurrected. A generation of Washington, DC's LGBT community met, partied, and danced at the club. Bill Bickford is credited with creating the name of the club. The club's colors were black and mandarin orange with chrome yellow accents. From the outset, there was a close relationship between the owners of Lost and Found and leaders of DC's organized drag community, Carl Rizzi (Mame Dennis) and Alex Carlino (Fanny Brice). Fanny Brice, head of the Henry Street drag house, was the Lost and Found's first production director, directing shows and special productions. The Lost and Found was supportive of the drag community and was a prime mover, with Bill Oates, behind the Waaay Off Broadway theater at 55 L St. SE. Mame Dennis starred in the opening production of Cabaret at the Waasy Off Broadway. Lost and Found got off to a rough start in the autumn of 1971 when its admissions policy which appeared to exclude African-Americans, women, and people wearing drag came under attack. Two years before the city passed its human rights law, Title 34, a coalition of local organizations formed the Committee for Open Gay Bars and began picketing the new club. One of the club managers was famously quoted by in the Gay Blade as having claimed that the club was catering to its clientele who were mostly bigots. Picketing and discussions with the owners carried on for several months before a compromise was reached on the club's admission policies (which still excluded customers in drag). Within a year, though, the Lost and Found was already an institution sponsoring spectacular shows, winning grand prize for its float in the 1972 Mardi Gras parade, and the place to go for Sunday brunches and tea dances. Donn Culver died in a fall from the roof of the Lost and Found in the summer of 1993 while putting up balloons for the Gay Pride festival. Bill Bickford later was involved with the creation of the Remington's club (639 Pennsylvania Ave. SE) on Capitol Hill. Relation A related resource Additional Lost and Found photographs existed, but their files are lost: Back Patio Decorations Light System Early Wooden Airplane Dance Floor Interior Close up of Palm Tree and Wind Chimes Bars and clubs Gay bars and clubs Lost and Found Nightlife Photographs https://archives.rainbowhistory.org/files/original/6e227183dd1a1b848141935466254cb6.pdf bd67174d252482aadcfaf8436703fcbb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carl Rizzi , Mame Dennis, and The Academy of Washington Collection 6 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Carl Rizzi Papers on the Academy of Washington : Digital Collection Description An account of the resource The year 1961 saw the creation of two of Washington's first organized LGBT groups, the Mattachine Society of Washington and the Oscars. The Academy Awards of Washington, an amalgam of Oscars members and Awards Club (1965) members, incorporated in 1973 in Washington, DC, provides secure venues, mentoring, and a structure for female impersonators in the area. It is one of the oldest and most enduring organizations in the nation to provide support for female impersonators. The Climate for Drag in the Sixties Until 'Liz Taylor' created the Oscars in the autumn of 1961, drag performers and those aspiring to 'do drag' had no organized structure, no venues, and very little safety. In the repressive atmosphere of the 1950s and 1960s, wearing drag was an invitation to scorn and physical danger. Wearing drag was illegal in most southern states, and Washington DC was indeed southern in those days, though drag was never illegal in the district. Still it invited arrest and persecution. Public social spaces didn't allow drag (an ostracism that existed until well into the 1970s). Those who wanted to wear drag did it in the privacy of their homes or at private after hour parties. Indeed, Liz Taylor's house parties at her Hollywood House on Monroe St. NW were legendary in their time. Many clubs would not allow patrons in drag to enter, and few hosted drag shows. The single exception was the Golden Key Club in North Beach, MD. For other clubs, drag and drag shows were an option only during Halloween Week, which Mame Dennis calls "the high holy days of drag". At Halloween, the Brown Derby, the Chicken Hut, Hide-a-way, Georgetown Grill, Johnnie's, and the Rendezvous organized drag contests. Creating a Safe Haven for Female Impersonators Along with the Mattachine Society of Washington, the Oscars and the Awards Club were the very first organized groups for gays in the Washington area. Recalling her vision for the Academies, Liz Taylor said "... I strived to mold an elite group of people whose social life would center around drag. By creating parties and activities I knew that I would always be surrounded by people wanting to attend them... I knew that some form of drag group was necessary. I had thought about it for a long time -- and suddenly I found the answer one evening on television -- the first time I saw an Awards show called the Oscars." The first parties were held in various homes in Washington DC, which took on special names such as Blair House, Butterfield 8, Camelot, Hollywood House, Mintwood Place, Port Valada, Sand Piper, Taylor Lounge, and others. In time, these house names became the names of 'drag houses', associations of female impersonators who participated in the social activities of the Academy Awards. The first board members of the Academy were Lix Taylor (President), Bob Clauze, Prince Karl, Frankie, and 'Lena Horne'. Organization of the Academy The Academy's Houses in 1976 The houses of the Academy over 30 years have included Beekman Place (led by 'Mame Dennis'), Butterfield 8 ('Liz Taylor's house), Maryland House (led by 'Patty Duke'), Henry Street (led by 'Fanny Brice'), Liberty House, Dragonwyck, Phoenix House (led by 'Jean Nate'), and Twelve Oaks (led by 'Mae Bush'). In 1965, Jerry Buskirk and 'Vivien Leigh' led the formation of a second group, the Awards Club of Washington. The Awards Club organized the International Emmy Awards. By 1968, many members of the first Academy were also members of the Awards Club. Bill Oates Jr. & Mame Dennis In May 1973 Bill Oates Jr. ("the Godfather") brokered an agreement creating the Academy Awards of Washington, led by 'Elizabeth Taylor', 'Mame Dennis', 'Patti Duke' and 'Fanny Brice'. Beekman Place and Henry Street Houses rejoined the Academy at this time. 'Mame Dennis' (of Beekman Place), chosen as president in 1973, continues to lead the group. Bill Oates, who became known as "The Godfather", helped put together the structure of the new group. The original houses of the Academy Awards of Washington were Beekman Place, Butterfield 8, Henry Street, and Maryland House. Liberty House (led by 'Edie Gorme') was added in 1974. In 1975, the Academy re-organized following a period of internal dispute. The new organization included the houses of Beekman Place, Dragonwyck (of Hagerstown, MD), Henry Street, Maryland House, Phoenix House, and Twelve Oaks (of Norfolk and Richmond). In the 1960s, most hotels and clubs would not host drag events. In its first years, the Academy held monthly contests at the short-lived Uptown Lounge in Cleveland Park. It was at the Uptown that 'Liz Taylor' first did her long remembered rendition of "Letter to Daddy". 'Fanny Brice's house, Henry Street, formed a drag performance show, Showstoppers, in 1971, which premiered at Georgetown's Trinity Theatre in September 1971. In May 1972, the Showstoppers group participated in DC's first Gay Pride celebration with a show at George Washington University's Marvin Center. Showstoppers appeared at the Marvin Center from 1973 to 1981. Showstoppers endured for many years as a very popular annual production in Washington DC's GLBT community. Until 1968 when the Washington Hilton hosted the Black Pearl Awards, most events were held at the Cairo Hotel, Casino Royale, Dodge House, and the Palm Ballroom. One of the first venues used by the Academy Awards after 1973 was the third floor area above the Hideaway and Louie's clubs at 9th and Pennsylvania NW. This third floor space became the Oscar's Eye Theatre and was used for most of the Academy and house functions. In the 1970s, Academy members became involved in the Waaay Off Broadway theatre at 55 L St. SE. Beekman place opened the theatre with its production of Cabaret. The Academy held events at the Rogue, after the latter's move to 5th and K Streets NW. In 1992, the former Waaay Off Broadway theatre became Club 55, and Academy events were invited to move there. It is still the home of many Academy functions. The Academy Awards holds events every Sunday from September through May at the Club 55, 55 L Street SE (formerly the location of the Waaay Off Broadway theatre). Protocols and Events From the beginning in 1961, the Academy has sponsored Oscars for Best Actress, Best Actor, Best Drag in a Series, President and First Lady, Mr and Miss Academy, Mr and Miss Showbusiness, Vice President and Vice Lady, New York Drama Critics Best Actor and Best Actress, Best Supporting Actor and Best Supporting Actress, and Mr and Miss Oscar. In addition to regularly scheduled drag balls, the Academy's top annual pageants are those for Miss Gaye Universe-DC and Miss Gaye America-DC. Monthly contests at Club 55 present Zodiac awards. Annual special awards, such as the 'Lanie Kazan', recognize outstanding contributions to the community. At pageants, the order of appearance of award winners is strictly controlled by the Protocol. For some titles, the winners make make an entrance on stage. Top awards, such as Miss Gaye America and Miss Gay Universe, are 'walking' awards entitling the winner to take a formal presentation walk on stage before the audience. 'Fanny Brice', speaking to Bruce Pennington in a 1975 interview for Friends Radio talks about her first drag experience. Brice was 'mother' of the Henry Street drag house and founder of the popular Showstoppers revue of the 1970s. Contributor An entity responsible for making contributions to the resource Rizzi, Carl Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lost and Found presents ... "A Star-spangled salute" the Fourth of July in June Subject The topic of the resource Gay bars--Washington (D.C.)--20th century Fourth of July celebrations--Washington (D.C.)--20th century Drag shows--Washington (D.C.)--20th century Creator An entity primarily responsible for making the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lost+and+Found+Bar">Lost and Found Bar</a> Date A point or period of time associated with an event in the lifecycle of the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1972">1972</a> Rights Information about rights held in and over the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Reproduction+and+use+of+this+material+requires+permission+from+the+copyright+holder.+Please+contact+the+Rainbow+History+Project+for+more+information.">Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information.</a> Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Washington (D.C.) 1970s Bars and clubs Drag performances Gay bars and clubs Lost and Found Nightlife https://archives.rainbowhistory.org/files/original/c83408f2fa9fd6777a593799f98295d0.pdf 9b0b560d459b05f50b22a01e3e9d31c0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carl Rizzi , Mame Dennis, and The Academy of Washington Collection 6 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Carl Rizzi Papers on the Academy of Washington : Digital Collection Description An account of the resource The year 1961 saw the creation of two of Washington's first organized LGBT groups, the Mattachine Society of Washington and the Oscars. The Academy Awards of Washington, an amalgam of Oscars members and Awards Club (1965) members, incorporated in 1973 in Washington, DC, provides secure venues, mentoring, and a structure for female impersonators in the area. It is one of the oldest and most enduring organizations in the nation to provide support for female impersonators. The Climate for Drag in the Sixties Until 'Liz Taylor' created the Oscars in the autumn of 1961, drag performers and those aspiring to 'do drag' had no organized structure, no venues, and very little safety. In the repressive atmosphere of the 1950s and 1960s, wearing drag was an invitation to scorn and physical danger. Wearing drag was illegal in most southern states, and Washington DC was indeed southern in those days, though drag was never illegal in the district. Still it invited arrest and persecution. Public social spaces didn't allow drag (an ostracism that existed until well into the 1970s). Those who wanted to wear drag did it in the privacy of their homes or at private after hour parties. Indeed, Liz Taylor's house parties at her Hollywood House on Monroe St. NW were legendary in their time. Many clubs would not allow patrons in drag to enter, and few hosted drag shows. The single exception was the Golden Key Club in North Beach, MD. For other clubs, drag and drag shows were an option only during Halloween Week, which Mame Dennis calls "the high holy days of drag". At Halloween, the Brown Derby, the Chicken Hut, Hide-a-way, Georgetown Grill, Johnnie's, and the Rendezvous organized drag contests. Creating a Safe Haven for Female Impersonators Along with the Mattachine Society of Washington, the Oscars and the Awards Club were the very first organized groups for gays in the Washington area. Recalling her vision for the Academies, Liz Taylor said "... I strived to mold an elite group of people whose social life would center around drag. By creating parties and activities I knew that I would always be surrounded by people wanting to attend them... I knew that some form of drag group was necessary. I had thought about it for a long time -- and suddenly I found the answer one evening on television -- the first time I saw an Awards show called the Oscars." The first parties were held in various homes in Washington DC, which took on special names such as Blair House, Butterfield 8, Camelot, Hollywood House, Mintwood Place, Port Valada, Sand Piper, Taylor Lounge, and others. In time, these house names became the names of 'drag houses', associations of female impersonators who participated in the social activities of the Academy Awards. The first board members of the Academy were Lix Taylor (President), Bob Clauze, Prince Karl, Frankie, and 'Lena Horne'. Organization of the Academy The Academy's Houses in 1976 The houses of the Academy over 30 years have included Beekman Place (led by 'Mame Dennis'), Butterfield 8 ('Liz Taylor's house), Maryland House (led by 'Patty Duke'), Henry Street (led by 'Fanny Brice'), Liberty House, Dragonwyck, Phoenix House (led by 'Jean Nate'), and Twelve Oaks (led by 'Mae Bush'). In 1965, Jerry Buskirk and 'Vivien Leigh' led the formation of a second group, the Awards Club of Washington. The Awards Club organized the International Emmy Awards. By 1968, many members of the first Academy were also members of the Awards Club. Bill Oates Jr. & Mame Dennis In May 1973 Bill Oates Jr. ("the Godfather") brokered an agreement creating the Academy Awards of Washington, led by 'Elizabeth Taylor', 'Mame Dennis', 'Patti Duke' and 'Fanny Brice'. Beekman Place and Henry Street Houses rejoined the Academy at this time. 'Mame Dennis' (of Beekman Place), chosen as president in 1973, continues to lead the group. Bill Oates, who became known as "The Godfather", helped put together the structure of the new group. The original houses of the Academy Awards of Washington were Beekman Place, Butterfield 8, Henry Street, and Maryland House. Liberty House (led by 'Edie Gorme') was added in 1974. In 1975, the Academy re-organized following a period of internal dispute. The new organization included the houses of Beekman Place, Dragonwyck (of Hagerstown, MD), Henry Street, Maryland House, Phoenix House, and Twelve Oaks (of Norfolk and Richmond). In the 1960s, most hotels and clubs would not host drag events. In its first years, the Academy held monthly contests at the short-lived Uptown Lounge in Cleveland Park. It was at the Uptown that 'Liz Taylor' first did her long remembered rendition of "Letter to Daddy". 'Fanny Brice's house, Henry Street, formed a drag performance show, Showstoppers, in 1971, which premiered at Georgetown's Trinity Theatre in September 1971. In May 1972, the Showstoppers group participated in DC's first Gay Pride celebration with a show at George Washington University's Marvin Center. Showstoppers appeared at the Marvin Center from 1973 to 1981. Showstoppers endured for many years as a very popular annual production in Washington DC's GLBT community. Until 1968 when the Washington Hilton hosted the Black Pearl Awards, most events were held at the Cairo Hotel, Casino Royale, Dodge House, and the Palm Ballroom. One of the first venues used by the Academy Awards after 1973 was the third floor area above the Hideaway and Louie's clubs at 9th and Pennsylvania NW. This third floor space became the Oscar's Eye Theatre and was used for most of the Academy and house functions. In the 1970s, Academy members became involved in the Waaay Off Broadway theatre at 55 L St. SE. Beekman place opened the theatre with its production of Cabaret. The Academy held events at the Rogue, after the latter's move to 5th and K Streets NW. In 1992, the former Waaay Off Broadway theatre became Club 55, and Academy events were invited to move there. It is still the home of many Academy functions. The Academy Awards holds events every Sunday from September through May at the Club 55, 55 L Street SE (formerly the location of the Waaay Off Broadway theatre). Protocols and Events From the beginning in 1961, the Academy has sponsored Oscars for Best Actress, Best Actor, Best Drag in a Series, President and First Lady, Mr and Miss Academy, Mr and Miss Showbusiness, Vice President and Vice Lady, New York Drama Critics Best Actor and Best Actress, Best Supporting Actor and Best Supporting Actress, and Mr and Miss Oscar. In addition to regularly scheduled drag balls, the Academy's top annual pageants are those for Miss Gaye Universe-DC and Miss Gaye America-DC. Monthly contests at Club 55 present Zodiac awards. Annual special awards, such as the 'Lanie Kazan', recognize outstanding contributions to the community. At pageants, the order of appearance of award winners is strictly controlled by the Protocol. For some titles, the winners make make an entrance on stage. Top awards, such as Miss Gaye America and Miss Gay Universe, are 'walking' awards entitling the winner to take a formal presentation walk on stage before the audience. 'Fanny Brice', speaking to Bruce Pennington in a 1975 interview for Friends Radio talks about her first drag experience. Brice was 'mother' of the Henry Street drag house and founder of the popular Showstoppers revue of the 1970s. Contributor An entity responsible for making contributions to the resource Rizzi, Carl Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lost and Found classifieds Subject The topic of the resource Gay bars--Washington (D.C.)--20th century Creator An entity primarily responsible for making the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lost+and+Found+Bar">Lost and Found Bar</a> Date A point or period of time associated with an event in the lifecycle of the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1972-10">1972-10</a> Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Washington (D.C.) 1970s Bars and clubs Gay bars and clubs Lost and Found Nightlife https://archives.rainbowhistory.org/files/original/81a432c97dde182ba191478eeaa70271.pdf c80bea86a99faa569a1f4f0375113831 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carl Rizzi , Mame Dennis, and The Academy of Washington Collection 6 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Carl Rizzi Papers on the Academy of Washington : Digital Collection Description An account of the resource The year 1961 saw the creation of two of Washington's first organized LGBT groups, the Mattachine Society of Washington and the Oscars. The Academy Awards of Washington, an amalgam of Oscars members and Awards Club (1965) members, incorporated in 1973 in Washington, DC, provides secure venues, mentoring, and a structure for female impersonators in the area. It is one of the oldest and most enduring organizations in the nation to provide support for female impersonators. The Climate for Drag in the Sixties Until 'Liz Taylor' created the Oscars in the autumn of 1961, drag performers and those aspiring to 'do drag' had no organized structure, no venues, and very little safety. In the repressive atmosphere of the 1950s and 1960s, wearing drag was an invitation to scorn and physical danger. Wearing drag was illegal in most southern states, and Washington DC was indeed southern in those days, though drag was never illegal in the district. Still it invited arrest and persecution. Public social spaces didn't allow drag (an ostracism that existed until well into the 1970s). Those who wanted to wear drag did it in the privacy of their homes or at private after hour parties. Indeed, Liz Taylor's house parties at her Hollywood House on Monroe St. NW were legendary in their time. Many clubs would not allow patrons in drag to enter, and few hosted drag shows. The single exception was the Golden Key Club in North Beach, MD. For other clubs, drag and drag shows were an option only during Halloween Week, which Mame Dennis calls "the high holy days of drag". At Halloween, the Brown Derby, the Chicken Hut, Hide-a-way, Georgetown Grill, Johnnie's, and the Rendezvous organized drag contests. Creating a Safe Haven for Female Impersonators Along with the Mattachine Society of Washington, the Oscars and the Awards Club were the very first organized groups for gays in the Washington area. Recalling her vision for the Academies, Liz Taylor said "... I strived to mold an elite group of people whose social life would center around drag. By creating parties and activities I knew that I would always be surrounded by people wanting to attend them... I knew that some form of drag group was necessary. I had thought about it for a long time -- and suddenly I found the answer one evening on television -- the first time I saw an Awards show called the Oscars." The first parties were held in various homes in Washington DC, which took on special names such as Blair House, Butterfield 8, Camelot, Hollywood House, Mintwood Place, Port Valada, Sand Piper, Taylor Lounge, and others. In time, these house names became the names of 'drag houses', associations of female impersonators who participated in the social activities of the Academy Awards. The first board members of the Academy were Lix Taylor (President), Bob Clauze, Prince Karl, Frankie, and 'Lena Horne'. Organization of the Academy The Academy's Houses in 1976 The houses of the Academy over 30 years have included Beekman Place (led by 'Mame Dennis'), Butterfield 8 ('Liz Taylor's house), Maryland House (led by 'Patty Duke'), Henry Street (led by 'Fanny Brice'), Liberty House, Dragonwyck, Phoenix House (led by 'Jean Nate'), and Twelve Oaks (led by 'Mae Bush'). In 1965, Jerry Buskirk and 'Vivien Leigh' led the formation of a second group, the Awards Club of Washington. The Awards Club organized the International Emmy Awards. By 1968, many members of the first Academy were also members of the Awards Club. Bill Oates Jr. & Mame Dennis In May 1973 Bill Oates Jr. ("the Godfather") brokered an agreement creating the Academy Awards of Washington, led by 'Elizabeth Taylor', 'Mame Dennis', 'Patti Duke' and 'Fanny Brice'. Beekman Place and Henry Street Houses rejoined the Academy at this time. 'Mame Dennis' (of Beekman Place), chosen as president in 1973, continues to lead the group. Bill Oates, who became known as "The Godfather", helped put together the structure of the new group. The original houses of the Academy Awards of Washington were Beekman Place, Butterfield 8, Henry Street, and Maryland House. Liberty House (led by 'Edie Gorme') was added in 1974. In 1975, the Academy re-organized following a period of internal dispute. The new organization included the houses of Beekman Place, Dragonwyck (of Hagerstown, MD), Henry Street, Maryland House, Phoenix House, and Twelve Oaks (of Norfolk and Richmond). In the 1960s, most hotels and clubs would not host drag events. In its first years, the Academy held monthly contests at the short-lived Uptown Lounge in Cleveland Park. It was at the Uptown that 'Liz Taylor' first did her long remembered rendition of "Letter to Daddy". 'Fanny Brice's house, Henry Street, formed a drag performance show, Showstoppers, in 1971, which premiered at Georgetown's Trinity Theatre in September 1971. In May 1972, the Showstoppers group participated in DC's first Gay Pride celebration with a show at George Washington University's Marvin Center. Showstoppers appeared at the Marvin Center from 1973 to 1981. Showstoppers endured for many years as a very popular annual production in Washington DC's GLBT community. Until 1968 when the Washington Hilton hosted the Black Pearl Awards, most events were held at the Cairo Hotel, Casino Royale, Dodge House, and the Palm Ballroom. One of the first venues used by the Academy Awards after 1973 was the third floor area above the Hideaway and Louie's clubs at 9th and Pennsylvania NW. This third floor space became the Oscar's Eye Theatre and was used for most of the Academy and house functions. In the 1970s, Academy members became involved in the Waaay Off Broadway theatre at 55 L St. SE. Beekman place opened the theatre with its production of Cabaret. The Academy held events at the Rogue, after the latter's move to 5th and K Streets NW. In 1992, the former Waaay Off Broadway theatre became Club 55, and Academy events were invited to move there. It is still the home of many Academy functions. The Academy Awards holds events every Sunday from September through May at the Club 55, 55 L Street SE (formerly the location of the Waaay Off Broadway theatre). Protocols and Events From the beginning in 1961, the Academy has sponsored Oscars for Best Actress, Best Actor, Best Drag in a Series, President and First Lady, Mr and Miss Academy, Mr and Miss Showbusiness, Vice President and Vice Lady, New York Drama Critics Best Actor and Best Actress, Best Supporting Actor and Best Supporting Actress, and Mr and Miss Oscar. In addition to regularly scheduled drag balls, the Academy's top annual pageants are those for Miss Gaye Universe-DC and Miss Gaye America-DC. Monthly contests at Club 55 present Zodiac awards. Annual special awards, such as the 'Lanie Kazan', recognize outstanding contributions to the community. At pageants, the order of appearance of award winners is strictly controlled by the Protocol. For some titles, the winners make make an entrance on stage. Top awards, such as Miss Gaye America and Miss Gay Universe, are 'walking' awards entitling the winner to take a formal presentation walk on stage before the audience. 'Fanny Brice', speaking to Bruce Pennington in a 1975 interview for Friends Radio talks about her first drag experience. Brice was 'mother' of the Henry Street drag house and founder of the popular Showstoppers revue of the 1970s. Contributor An entity responsible for making contributions to the resource Rizzi, Carl Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lost and Found classifieds Subject The topic of the resource Gay bars--Washington (D.C.)--20th century Creator An entity primarily responsible for making the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lost+and+Found+Bar">Lost and Found Bar</a> Date A point or period of time associated with an event in the lifecycle of the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1972-05">1972-05</a> Rights Information about rights held in and over the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Reproduction+and+use+of+this+material+requires+permission+from+the+copyright+holder.+Please+contact+the+Rainbow+History+Project+for+more+information.">Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information.</a> Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Washington (D.C.) 1970s Bars and clubs Gay bars and clubs Lost and Found Nightlife https://archives.rainbowhistory.org/files/original/584f922544b47030b1c4a07cded5cd54.pdf f9e533f096fd76244a9458ec5f4c027c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carl Rizzi , Mame Dennis, and The Academy of Washington Collection 6 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Carl Rizzi Papers on the Academy of Washington : Digital Collection Description An account of the resource The year 1961 saw the creation of two of Washington's first organized LGBT groups, the Mattachine Society of Washington and the Oscars. The Academy Awards of Washington, an amalgam of Oscars members and Awards Club (1965) members, incorporated in 1973 in Washington, DC, provides secure venues, mentoring, and a structure for female impersonators in the area. It is one of the oldest and most enduring organizations in the nation to provide support for female impersonators. The Climate for Drag in the Sixties Until 'Liz Taylor' created the Oscars in the autumn of 1961, drag performers and those aspiring to 'do drag' had no organized structure, no venues, and very little safety. In the repressive atmosphere of the 1950s and 1960s, wearing drag was an invitation to scorn and physical danger. Wearing drag was illegal in most southern states, and Washington DC was indeed southern in those days, though drag was never illegal in the district. Still it invited arrest and persecution. Public social spaces didn't allow drag (an ostracism that existed until well into the 1970s). Those who wanted to wear drag did it in the privacy of their homes or at private after hour parties. Indeed, Liz Taylor's house parties at her Hollywood House on Monroe St. NW were legendary in their time. Many clubs would not allow patrons in drag to enter, and few hosted drag shows. The single exception was the Golden Key Club in North Beach, MD. For other clubs, drag and drag shows were an option only during Halloween Week, which Mame Dennis calls "the high holy days of drag". At Halloween, the Brown Derby, the Chicken Hut, Hide-a-way, Georgetown Grill, Johnnie's, and the Rendezvous organized drag contests. Creating a Safe Haven for Female Impersonators Along with the Mattachine Society of Washington, the Oscars and the Awards Club were the very first organized groups for gays in the Washington area. Recalling her vision for the Academies, Liz Taylor said "... I strived to mold an elite group of people whose social life would center around drag. By creating parties and activities I knew that I would always be surrounded by people wanting to attend them... I knew that some form of drag group was necessary. I had thought about it for a long time -- and suddenly I found the answer one evening on television -- the first time I saw an Awards show called the Oscars." The first parties were held in various homes in Washington DC, which took on special names such as Blair House, Butterfield 8, Camelot, Hollywood House, Mintwood Place, Port Valada, Sand Piper, Taylor Lounge, and others. In time, these house names became the names of 'drag houses', associations of female impersonators who participated in the social activities of the Academy Awards. The first board members of the Academy were Lix Taylor (President), Bob Clauze, Prince Karl, Frankie, and 'Lena Horne'. Organization of the Academy The Academy's Houses in 1976 The houses of the Academy over 30 years have included Beekman Place (led by 'Mame Dennis'), Butterfield 8 ('Liz Taylor's house), Maryland House (led by 'Patty Duke'), Henry Street (led by 'Fanny Brice'), Liberty House, Dragonwyck, Phoenix House (led by 'Jean Nate'), and Twelve Oaks (led by 'Mae Bush'). In 1965, Jerry Buskirk and 'Vivien Leigh' led the formation of a second group, the Awards Club of Washington. The Awards Club organized the International Emmy Awards. By 1968, many members of the first Academy were also members of the Awards Club. Bill Oates Jr. & Mame Dennis In May 1973 Bill Oates Jr. ("the Godfather") brokered an agreement creating the Academy Awards of Washington, led by 'Elizabeth Taylor', 'Mame Dennis', 'Patti Duke' and 'Fanny Brice'. Beekman Place and Henry Street Houses rejoined the Academy at this time. 'Mame Dennis' (of Beekman Place), chosen as president in 1973, continues to lead the group. Bill Oates, who became known as "The Godfather", helped put together the structure of the new group. The original houses of the Academy Awards of Washington were Beekman Place, Butterfield 8, Henry Street, and Maryland House. Liberty House (led by 'Edie Gorme') was added in 1974. In 1975, the Academy re-organized following a period of internal dispute. The new organization included the houses of Beekman Place, Dragonwyck (of Hagerstown, MD), Henry Street, Maryland House, Phoenix House, and Twelve Oaks (of Norfolk and Richmond). In the 1960s, most hotels and clubs would not host drag events. In its first years, the Academy held monthly contests at the short-lived Uptown Lounge in Cleveland Park. It was at the Uptown that 'Liz Taylor' first did her long remembered rendition of "Letter to Daddy". 'Fanny Brice's house, Henry Street, formed a drag performance show, Showstoppers, in 1971, which premiered at Georgetown's Trinity Theatre in September 1971. In May 1972, the Showstoppers group participated in DC's first Gay Pride celebration with a show at George Washington University's Marvin Center. Showstoppers appeared at the Marvin Center from 1973 to 1981. Showstoppers endured for many years as a very popular annual production in Washington DC's GLBT community. Until 1968 when the Washington Hilton hosted the Black Pearl Awards, most events were held at the Cairo Hotel, Casino Royale, Dodge House, and the Palm Ballroom. One of the first venues used by the Academy Awards after 1973 was the third floor area above the Hideaway and Louie's clubs at 9th and Pennsylvania NW. This third floor space became the Oscar's Eye Theatre and was used for most of the Academy and house functions. In the 1970s, Academy members became involved in the Waaay Off Broadway theatre at 55 L St. SE. Beekman place opened the theatre with its production of Cabaret. The Academy held events at the Rogue, after the latter's move to 5th and K Streets NW. In 1992, the former Waaay Off Broadway theatre became Club 55, and Academy events were invited to move there. It is still the home of many Academy functions. The Academy Awards holds events every Sunday from September through May at the Club 55, 55 L Street SE (formerly the location of the Waaay Off Broadway theatre). Protocols and Events From the beginning in 1961, the Academy has sponsored Oscars for Best Actress, Best Actor, Best Drag in a Series, President and First Lady, Mr and Miss Academy, Mr and Miss Showbusiness, Vice President and Vice Lady, New York Drama Critics Best Actor and Best Actress, Best Supporting Actor and Best Supporting Actress, and Mr and Miss Oscar. In addition to regularly scheduled drag balls, the Academy's top annual pageants are those for Miss Gaye Universe-DC and Miss Gaye America-DC. Monthly contests at Club 55 present Zodiac awards. Annual special awards, such as the 'Lanie Kazan', recognize outstanding contributions to the community. At pageants, the order of appearance of award winners is strictly controlled by the Protocol. For some titles, the winners make make an entrance on stage. Top awards, such as Miss Gaye America and Miss Gay Universe, are 'walking' awards entitling the winner to take a formal presentation walk on stage before the audience. 'Fanny Brice', speaking to Bruce Pennington in a 1975 interview for Friends Radio talks about her first drag experience. Brice was 'mother' of the Henry Street drag house and founder of the popular Showstoppers revue of the 1970s. Contributor An entity responsible for making contributions to the resource Rizzi, Carl Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lost and Found classifieds Subject The topic of the resource Gay bars--Washington (D.C.)--20th century Creator An entity primarily responsible for making the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lost+and+Found+Bar">Lost and Found Bar</a> Date A point or period of time associated with an event in the lifecycle of the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1972-03">1972-03</a> Rights Information about rights held in and over the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Reproduction+and+use+of+this+material+requires+permission+from+the+copyright+holder.+Please+contact+the+Rainbow+History+Project+for+more+information.">Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information.</a> Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Washington (D.C.) 1970s Bars and clubs Gay bars and clubs Lost and Found Nightlife https://archives.rainbowhistory.org/files/original/2ec8975e49300a826c1c88133d781f72.pdf 49faa05d5ad4e9c55b4278ab7e6d8a84 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carl Rizzi , Mame Dennis, and The Academy of Washington Collection 6 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Carl Rizzi Papers on the Academy of Washington : Digital Collection Description An account of the resource The year 1961 saw the creation of two of Washington's first organized LGBT groups, the Mattachine Society of Washington and the Oscars. The Academy Awards of Washington, an amalgam of Oscars members and Awards Club (1965) members, incorporated in 1973 in Washington, DC, provides secure venues, mentoring, and a structure for female impersonators in the area. It is one of the oldest and most enduring organizations in the nation to provide support for female impersonators. The Climate for Drag in the Sixties Until 'Liz Taylor' created the Oscars in the autumn of 1961, drag performers and those aspiring to 'do drag' had no organized structure, no venues, and very little safety. In the repressive atmosphere of the 1950s and 1960s, wearing drag was an invitation to scorn and physical danger. Wearing drag was illegal in most southern states, and Washington DC was indeed southern in those days, though drag was never illegal in the district. Still it invited arrest and persecution. Public social spaces didn't allow drag (an ostracism that existed until well into the 1970s). Those who wanted to wear drag did it in the privacy of their homes or at private after hour parties. Indeed, Liz Taylor's house parties at her Hollywood House on Monroe St. NW were legendary in their time. Many clubs would not allow patrons in drag to enter, and few hosted drag shows. The single exception was the Golden Key Club in North Beach, MD. For other clubs, drag and drag shows were an option only during Halloween Week, which Mame Dennis calls "the high holy days of drag". At Halloween, the Brown Derby, the Chicken Hut, Hide-a-way, Georgetown Grill, Johnnie's, and the Rendezvous organized drag contests. Creating a Safe Haven for Female Impersonators Along with the Mattachine Society of Washington, the Oscars and the Awards Club were the very first organized groups for gays in the Washington area. Recalling her vision for the Academies, Liz Taylor said "... I strived to mold an elite group of people whose social life would center around drag. By creating parties and activities I knew that I would always be surrounded by people wanting to attend them... I knew that some form of drag group was necessary. I had thought about it for a long time -- and suddenly I found the answer one evening on television -- the first time I saw an Awards show called the Oscars." The first parties were held in various homes in Washington DC, which took on special names such as Blair House, Butterfield 8, Camelot, Hollywood House, Mintwood Place, Port Valada, Sand Piper, Taylor Lounge, and others. In time, these house names became the names of 'drag houses', associations of female impersonators who participated in the social activities of the Academy Awards. The first board members of the Academy were Lix Taylor (President), Bob Clauze, Prince Karl, Frankie, and 'Lena Horne'. Organization of the Academy The Academy's Houses in 1976 The houses of the Academy over 30 years have included Beekman Place (led by 'Mame Dennis'), Butterfield 8 ('Liz Taylor's house), Maryland House (led by 'Patty Duke'), Henry Street (led by 'Fanny Brice'), Liberty House, Dragonwyck, Phoenix House (led by 'Jean Nate'), and Twelve Oaks (led by 'Mae Bush'). In 1965, Jerry Buskirk and 'Vivien Leigh' led the formation of a second group, the Awards Club of Washington. The Awards Club organized the International Emmy Awards. By 1968, many members of the first Academy were also members of the Awards Club. Bill Oates Jr. & Mame Dennis In May 1973 Bill Oates Jr. ("the Godfather") brokered an agreement creating the Academy Awards of Washington, led by 'Elizabeth Taylor', 'Mame Dennis', 'Patti Duke' and 'Fanny Brice'. Beekman Place and Henry Street Houses rejoined the Academy at this time. 'Mame Dennis' (of Beekman Place), chosen as president in 1973, continues to lead the group. Bill Oates, who became known as "The Godfather", helped put together the structure of the new group. The original houses of the Academy Awards of Washington were Beekman Place, Butterfield 8, Henry Street, and Maryland House. Liberty House (led by 'Edie Gorme') was added in 1974. In 1975, the Academy re-organized following a period of internal dispute. The new organization included the houses of Beekman Place, Dragonwyck (of Hagerstown, MD), Henry Street, Maryland House, Phoenix House, and Twelve Oaks (of Norfolk and Richmond). In the 1960s, most hotels and clubs would not host drag events. In its first years, the Academy held monthly contests at the short-lived Uptown Lounge in Cleveland Park. It was at the Uptown that 'Liz Taylor' first did her long remembered rendition of "Letter to Daddy". 'Fanny Brice's house, Henry Street, formed a drag performance show, Showstoppers, in 1971, which premiered at Georgetown's Trinity Theatre in September 1971. In May 1972, the Showstoppers group participated in DC's first Gay Pride celebration with a show at George Washington University's Marvin Center. Showstoppers appeared at the Marvin Center from 1973 to 1981. Showstoppers endured for many years as a very popular annual production in Washington DC's GLBT community. Until 1968 when the Washington Hilton hosted the Black Pearl Awards, most events were held at the Cairo Hotel, Casino Royale, Dodge House, and the Palm Ballroom. One of the first venues used by the Academy Awards after 1973 was the third floor area above the Hideaway and Louie's clubs at 9th and Pennsylvania NW. This third floor space became the Oscar's Eye Theatre and was used for most of the Academy and house functions. In the 1970s, Academy members became involved in the Waaay Off Broadway theatre at 55 L St. SE. Beekman place opened the theatre with its production of Cabaret. The Academy held events at the Rogue, after the latter's move to 5th and K Streets NW. In 1992, the former Waaay Off Broadway theatre became Club 55, and Academy events were invited to move there. It is still the home of many Academy functions. The Academy Awards holds events every Sunday from September through May at the Club 55, 55 L Street SE (formerly the location of the Waaay Off Broadway theatre). Protocols and Events From the beginning in 1961, the Academy has sponsored Oscars for Best Actress, Best Actor, Best Drag in a Series, President and First Lady, Mr and Miss Academy, Mr and Miss Showbusiness, Vice President and Vice Lady, New York Drama Critics Best Actor and Best Actress, Best Supporting Actor and Best Supporting Actress, and Mr and Miss Oscar. In addition to regularly scheduled drag balls, the Academy's top annual pageants are those for Miss Gaye Universe-DC and Miss Gaye America-DC. Monthly contests at Club 55 present Zodiac awards. Annual special awards, such as the 'Lanie Kazan', recognize outstanding contributions to the community. At pageants, the order of appearance of award winners is strictly controlled by the Protocol. For some titles, the winners make make an entrance on stage. Top awards, such as Miss Gaye America and Miss Gay Universe, are 'walking' awards entitling the winner to take a formal presentation walk on stage before the audience. 'Fanny Brice', speaking to Bruce Pennington in a 1975 interview for Friends Radio talks about her first drag experience. Brice was 'mother' of the Henry Street drag house and founder of the popular Showstoppers revue of the 1970s. Contributor An entity responsible for making contributions to the resource Rizzi, Carl Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lost and Found classifieds Subject The topic of the resource Gay bars--Washington (D.C.)--20th century Creator An entity primarily responsible for making the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lost+and+Found+Bar">Lost and Found Bar</a> Date A point or period of time associated with an event in the lifecycle of the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1972-01">1972-01</a> Rights Information about rights held in and over the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Reproduction+and+use+of+this+material+requires+permission+from+the+copyright+holder.+Please+contact+the+Rainbow+History+Project+for+more+information.">Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information.</a> Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Washington (D.C.) 1970s Bars and clubs Gay bars and clubs Lost and Found Nightlife https://archives.rainbowhistory.org/files/original/943ef06d03b10b21b4558f6ce3ddd6a0.pdf 4802d8e0879d40ca21a36d63cf15e6b8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carl Rizzi , Mame Dennis, and The Academy of Washington Collection 6 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Carl Rizzi Papers on the Academy of Washington : Digital Collection Description An account of the resource The year 1961 saw the creation of two of Washington's first organized LGBT groups, the Mattachine Society of Washington and the Oscars. The Academy Awards of Washington, an amalgam of Oscars members and Awards Club (1965) members, incorporated in 1973 in Washington, DC, provides secure venues, mentoring, and a structure for female impersonators in the area. It is one of the oldest and most enduring organizations in the nation to provide support for female impersonators. The Climate for Drag in the Sixties Until 'Liz Taylor' created the Oscars in the autumn of 1961, drag performers and those aspiring to 'do drag' had no organized structure, no venues, and very little safety. In the repressive atmosphere of the 1950s and 1960s, wearing drag was an invitation to scorn and physical danger. Wearing drag was illegal in most southern states, and Washington DC was indeed southern in those days, though drag was never illegal in the district. Still it invited arrest and persecution. Public social spaces didn't allow drag (an ostracism that existed until well into the 1970s). Those who wanted to wear drag did it in the privacy of their homes or at private after hour parties. Indeed, Liz Taylor's house parties at her Hollywood House on Monroe St. NW were legendary in their time. Many clubs would not allow patrons in drag to enter, and few hosted drag shows. The single exception was the Golden Key Club in North Beach, MD. For other clubs, drag and drag shows were an option only during Halloween Week, which Mame Dennis calls "the high holy days of drag". At Halloween, the Brown Derby, the Chicken Hut, Hide-a-way, Georgetown Grill, Johnnie's, and the Rendezvous organized drag contests. Creating a Safe Haven for Female Impersonators Along with the Mattachine Society of Washington, the Oscars and the Awards Club were the very first organized groups for gays in the Washington area. Recalling her vision for the Academies, Liz Taylor said "... I strived to mold an elite group of people whose social life would center around drag. By creating parties and activities I knew that I would always be surrounded by people wanting to attend them... I knew that some form of drag group was necessary. I had thought about it for a long time -- and suddenly I found the answer one evening on television -- the first time I saw an Awards show called the Oscars." The first parties were held in various homes in Washington DC, which took on special names such as Blair House, Butterfield 8, Camelot, Hollywood House, Mintwood Place, Port Valada, Sand Piper, Taylor Lounge, and others. In time, these house names became the names of 'drag houses', associations of female impersonators who participated in the social activities of the Academy Awards. The first board members of the Academy were Lix Taylor (President), Bob Clauze, Prince Karl, Frankie, and 'Lena Horne'. Organization of the Academy The Academy's Houses in 1976 The houses of the Academy over 30 years have included Beekman Place (led by 'Mame Dennis'), Butterfield 8 ('Liz Taylor's house), Maryland House (led by 'Patty Duke'), Henry Street (led by 'Fanny Brice'), Liberty House, Dragonwyck, Phoenix House (led by 'Jean Nate'), and Twelve Oaks (led by 'Mae Bush'). In 1965, Jerry Buskirk and 'Vivien Leigh' led the formation of a second group, the Awards Club of Washington. The Awards Club organized the International Emmy Awards. By 1968, many members of the first Academy were also members of the Awards Club. Bill Oates Jr. & Mame Dennis In May 1973 Bill Oates Jr. ("the Godfather") brokered an agreement creating the Academy Awards of Washington, led by 'Elizabeth Taylor', 'Mame Dennis', 'Patti Duke' and 'Fanny Brice'. Beekman Place and Henry Street Houses rejoined the Academy at this time. 'Mame Dennis' (of Beekman Place), chosen as president in 1973, continues to lead the group. Bill Oates, who became known as "The Godfather", helped put together the structure of the new group. The original houses of the Academy Awards of Washington were Beekman Place, Butterfield 8, Henry Street, and Maryland House. Liberty House (led by 'Edie Gorme') was added in 1974. In 1975, the Academy re-organized following a period of internal dispute. The new organization included the houses of Beekman Place, Dragonwyck (of Hagerstown, MD), Henry Street, Maryland House, Phoenix House, and Twelve Oaks (of Norfolk and Richmond). In the 1960s, most hotels and clubs would not host drag events. In its first years, the Academy held monthly contests at the short-lived Uptown Lounge in Cleveland Park. It was at the Uptown that 'Liz Taylor' first did her long remembered rendition of "Letter to Daddy". 'Fanny Brice's house, Henry Street, formed a drag performance show, Showstoppers, in 1971, which premiered at Georgetown's Trinity Theatre in September 1971. In May 1972, the Showstoppers group participated in DC's first Gay Pride celebration with a show at George Washington University's Marvin Center. Showstoppers appeared at the Marvin Center from 1973 to 1981. Showstoppers endured for many years as a very popular annual production in Washington DC's GLBT community. Until 1968 when the Washington Hilton hosted the Black Pearl Awards, most events were held at the Cairo Hotel, Casino Royale, Dodge House, and the Palm Ballroom. One of the first venues used by the Academy Awards after 1973 was the third floor area above the Hideaway and Louie's clubs at 9th and Pennsylvania NW. This third floor space became the Oscar's Eye Theatre and was used for most of the Academy and house functions. In the 1970s, Academy members became involved in the Waaay Off Broadway theatre at 55 L St. SE. Beekman place opened the theatre with its production of Cabaret. The Academy held events at the Rogue, after the latter's move to 5th and K Streets NW. In 1992, the former Waaay Off Broadway theatre became Club 55, and Academy events were invited to move there. It is still the home of many Academy functions. The Academy Awards holds events every Sunday from September through May at the Club 55, 55 L Street SE (formerly the location of the Waaay Off Broadway theatre). Protocols and Events From the beginning in 1961, the Academy has sponsored Oscars for Best Actress, Best Actor, Best Drag in a Series, President and First Lady, Mr and Miss Academy, Mr and Miss Showbusiness, Vice President and Vice Lady, New York Drama Critics Best Actor and Best Actress, Best Supporting Actor and Best Supporting Actress, and Mr and Miss Oscar. In addition to regularly scheduled drag balls, the Academy's top annual pageants are those for Miss Gaye Universe-DC and Miss Gaye America-DC. Monthly contests at Club 55 present Zodiac awards. Annual special awards, such as the 'Lanie Kazan', recognize outstanding contributions to the community. At pageants, the order of appearance of award winners is strictly controlled by the Protocol. For some titles, the winners make make an entrance on stage. Top awards, such as Miss Gaye America and Miss Gay Universe, are 'walking' awards entitling the winner to take a formal presentation walk on stage before the audience. 'Fanny Brice', speaking to Bruce Pennington in a 1975 interview for Friends Radio talks about her first drag experience. Brice was 'mother' of the Henry Street drag house and founder of the popular Showstoppers revue of the 1970s. Contributor An entity responsible for making contributions to the resource Rizzi, Carl Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. \sl Mill K l.somy Outride, bjttl nour 69. Low tonight'' Always uinny inside . . . . LOST AND FOUND v Classifieds Serving the Federal City. \'irginia: Horytaiui, and the U.S.A NO CHARGE IIMYSIX L stKfctt, S I .WASHINGTON, 0,C, MOOJ. A MESSAGE TO OUR PATRONS Ob Well. You Can't Please Every One! ! I During the past four weekends you have witnessed an effort by certain groups within the 'community' to change the admission policies of Lost and Found Without consulting the Management, they embarked on a campaign of picketing and harassment aimed, not just at Lost and Found, but at our patrons. The Management, knowing that our admission rules are A. Nondiscriminatory, B. Very liberal, and C. Equally enforced according to District of Columbia laws, chose to ignore these pickets. After four weeks we were finally contacted by a representative of one of the moderate factions engaged in the picketing. After a very frank discussion, it was agreed there had been a lack of communication, thus causing the misconceptions about our policies. This group and thB other moderates have subsequently withdrawn their support, leaving a handful of radicals to walk the line (excuse the pun) alone. We apologize for the inconvenience, 3S well as the verbal garbage you were forced to hear spewed from the mouths of the pickets as you tried to exercise your right of freedom of choice. Thank you for your support and consequent rebuttal of this small band of radicals who claimed to be the "representatives and moral guardians for the 'community'." When it came to making a choice between a fair policy and a flagrant case of BIASED picketing and harassment, you voted the only way you could, WITH YOUR FEET, AS YOU CROSSED THE PICKET LINE AND ENTERED THE LOST AND FOUND. THANK YOU -See Our Policy Next Page HALLOWEEN (Was No Drag) Halloween (or as Mame Dennis calls it, "The High Holy Days of Drag") descended on Lost and Found, and in one brief evening we saw enough glitter and sequins to rival the follies. Dorothy Lamour, Mother Nature, and Vera Vamp shared the same runway and collected prizes in the comic division of the costume contest. A table of lovely dowagers (left over from a D.A.R. convention?) watched from the sidelines as a fabulous peacock, outdistanced King Tut and a Moon Maiden for the honor of best costume. Catherine Deneuve was named "Best in Drag," aver two lovely finalists: first runner-up Jessie; and second runner-up Lana Turner. The show for the evening, produced and directed by Fannie Brice, was expertly executed by the cast and enthusiastically applauded by the audience. Mame Dennis was - as always - a most gracious hostess. She handled the show in her own unique fashion, which combines a rare blend of professionalism and humor. (She had an assist from a "Fire Island Telephone Repairman.") As the last feather disappeared through the door and the winners hauled away their TV sets and silver cigarette boxes, as the last piece of glitter was removed from the carpet and the moan set slowly in the west, we bade a fond farewell to our first Halloween happening, know that next year's party would be hard pressed to rival this one for sheer delight and tun. NOVEMBER EVENTS /~sorr n u n mm WITH llvt MM) J » « 00 14 IUDMS wtHiivtuao i n * •mine* 11140 ftlTI. ;,V*«A4D 14MOB 28 I 3 1M r«ci**e» u m i m i u o v ItMOO MOfl 1 8 15 22 I I T M T 2 9 TAnCUO TUES 8 ILECTnh OAT 9 16 2 3 30 3W4CT W t 'J 3 10 17 8 4 — , — i IHUR.I 4 11 VtTIKMTC OAY ••l t t « A N . Q*» 18 25 qnNPOft •uuww 7;00f» FRJ 5 12 19 8 8 •.A r ^> 6 13 SO 27 j SITUATIONS Congratulations on successful Halloween shows are in order for the Pier 9, Plus One, The ^deway, Johnny's and the Life Raft, and to their lovely new title holders for this year. Diane Caroll (Miss Pier 9), Inger Stevens (Miss Piazza 9), Jessie (Plus One). Harlow (The -(ideway), Margo Channlng, (Johnny's) and Barbara Parkins (The Life Raft). 'OUR POLICY" The Management ol the "Lost and Found," after two weeks of attempted harrnssmuni, takes ttiit opportunity to make the following lMtement ID the public: For admission, the management requires two valid identifications A valid identification it any document or card legally issued by the government or an employer, which provides the nam*, date of birth, and signature of the holder. Photographs will be required only If that* Is a Question of validity of the identification presented. Draft cards are not acceptable as they are too easily obtained and forged. The above identification requirement is no way intended to discriminate against any person. District of Columbia Law makes the Management responsible and it mutt be the arbiter when there it ANY question Involving identification. In addition, management has set the tone governing the dress of any individual entering Its restaurant. These House Regulations on dress are potted in the foyer, are liberal, equally applied and should not offend anyone. Lust and Found hat been designed in hopes of providing and improving the social activities within the community and it welcomes any suggestions that may be helpful in improving the quality of its services. One of the services, the Lost and Found's bulletin, "The Classified." is available tor free announcements for ANY group within the community. This service was available prior to opening and not as a result of picket demands The management will continue to enforce its Haute Reguletions on dress and to require two (2) identifications from all patrons and persons IB to 20 years old will not be admitted. The reason for the 18 to 20 regulation it that there is always an adult williny ro buy a juvenilia a drink and it it impossible to check each individual drink served. • SH0WSTOPPERS# * , , # ** On the evenings of November 29th and 30th, Lost and Found, In conjunction with Henry Street, Inc., will present excerpts from "Fanny Brice's Showstoppers." The production features hit songs from Broadway Shows including such notable showstoppers as "Those Beautiful Girls," f'om Follies, "Let Me Entertain You," from Gypsy, "It's A Typical Day," from Little Abner and the "Tea For Two" number (with a cast of thousands), from No No Nannetto. Because of the length of the show, it will be presented in two acts. The first act will be performed on Monday the 29th and the second act on Tuesday, the 30th. The show will start at 10:00 o'clock. Tickets for both nights will be sold on a first come first served basis and no seats will be reserved. The sale price of the tickets is S3.00 for a single performance (one night) or $5.00 if you wish to attend both evenings. Please remember, that each night will be a different show. Tickets are on sale at rho Lost and Found and may be purchased from John LaMothe. For those customers who wish to have dinner, it will be served from 6:00 to 9:00 with reservations taken no later ttiari 7:30. Dinner guests who wish to see the performances will be required ID purchase tickets. Because of the publicity and rave reviews that greeted the original performance of Showstoppers, last September at Trinity Theatre, we know there will be a stampede for tickets. So don't be disappointed, get your ticket or tickets early and come enjoy two of the most delightful nights of entertainment you will ever experience. GAY CRAPHIES COOP . . . offers fast duplicating graphies, and photographic services. We'll get in touch with you. Randy and Dick (Owners). . . for information contact Bill Parry. THANK YOU FOR YOUR HELP In the first issue of the "Classified," there were a few (would you believe quite a few) errors. I want to thank alt my friends who so patiently pointed out each and every error to me (what would I do without you??). . . The most talked about error was a mistske in the spelling of a very famous swimming movie star of the early fifties (remember??)... Just to show yrm that I'm not loo imponant to take criticism. I now publically and in print admit my mistake and offer this correction Her name is not Spelled EASTER WILLIAMS. IT is spelled EEASTER WILLYUMS thank you and Love you. BRUNCH AND TEA DANCE . .. EVERY SUNDAY Come join us every Sunday for Brunch from J 2:00 to 3:00 and then stay for the Tea Dane a Featuring a Live Band THE APPALOOSA (that's the name of the band) The Tea Dance has proven great fun and hai been welt nt i by our friends. So ... come on down or come on up . . . depending where you are at... THE COST OF THE BRUNCH $2.50 CONGRATULATIONS TO THE NEW MISS AMERICA-1972 Miss Ann Margaret and The Awards Club of America for a very successful show. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data printed newsletter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lost and Found classifieds Subject The topic of the resource Gay bars--Washington (D.C.)--20th century Discrimination against African Americans--Washington (D.C.)--20th century Creator An entity primarily responsible for making the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lost+and+Found+Bar">Lost and Found Bar</a> Source A related resource from which the described resource is derived Carl Rizzi Papers on the Academy Awards of Washington Date A point or period of time associated with an event in the lifecycle of the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1971-11">1971-11</a> Rights Information about rights held in and over the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Reproduction+and+use+of+this+material+requires+permission+from+the+copyright+holder.+Please+contact+the+Rainbow+History+Project+for+more+information.">Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information.</a> Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Washington (D.C.) 1970s African Americans Bars and clubs Discrimination Gay bars and clubs Lost and Found Nightlife Racism https://archives.rainbowhistory.org/files/original/e4857e1c811c49da8568eaad52905dfe.pdf 25042862cd9def2bbe5b6e1d2bf5c82c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carl Rizzi , Mame Dennis, and The Academy of Washington Collection 6 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Carl Rizzi Papers on the Academy of Washington : Digital Collection Description An account of the resource The year 1961 saw the creation of two of Washington's first organized LGBT groups, the Mattachine Society of Washington and the Oscars. The Academy Awards of Washington, an amalgam of Oscars members and Awards Club (1965) members, incorporated in 1973 in Washington, DC, provides secure venues, mentoring, and a structure for female impersonators in the area. It is one of the oldest and most enduring organizations in the nation to provide support for female impersonators. The Climate for Drag in the Sixties Until 'Liz Taylor' created the Oscars in the autumn of 1961, drag performers and those aspiring to 'do drag' had no organized structure, no venues, and very little safety. In the repressive atmosphere of the 1950s and 1960s, wearing drag was an invitation to scorn and physical danger. Wearing drag was illegal in most southern states, and Washington DC was indeed southern in those days, though drag was never illegal in the district. Still it invited arrest and persecution. Public social spaces didn't allow drag (an ostracism that existed until well into the 1970s). Those who wanted to wear drag did it in the privacy of their homes or at private after hour parties. Indeed, Liz Taylor's house parties at her Hollywood House on Monroe St. NW were legendary in their time. Many clubs would not allow patrons in drag to enter, and few hosted drag shows. The single exception was the Golden Key Club in North Beach, MD. For other clubs, drag and drag shows were an option only during Halloween Week, which Mame Dennis calls "the high holy days of drag". At Halloween, the Brown Derby, the Chicken Hut, Hide-a-way, Georgetown Grill, Johnnie's, and the Rendezvous organized drag contests. Creating a Safe Haven for Female Impersonators Along with the Mattachine Society of Washington, the Oscars and the Awards Club were the very first organized groups for gays in the Washington area. Recalling her vision for the Academies, Liz Taylor said "... I strived to mold an elite group of people whose social life would center around drag. By creating parties and activities I knew that I would always be surrounded by people wanting to attend them... I knew that some form of drag group was necessary. I had thought about it for a long time -- and suddenly I found the answer one evening on television -- the first time I saw an Awards show called the Oscars." The first parties were held in various homes in Washington DC, which took on special names such as Blair House, Butterfield 8, Camelot, Hollywood House, Mintwood Place, Port Valada, Sand Piper, Taylor Lounge, and others. In time, these house names became the names of 'drag houses', associations of female impersonators who participated in the social activities of the Academy Awards. The first board members of the Academy were Lix Taylor (President), Bob Clauze, Prince Karl, Frankie, and 'Lena Horne'. Organization of the Academy The Academy's Houses in 1976 The houses of the Academy over 30 years have included Beekman Place (led by 'Mame Dennis'), Butterfield 8 ('Liz Taylor's house), Maryland House (led by 'Patty Duke'), Henry Street (led by 'Fanny Brice'), Liberty House, Dragonwyck, Phoenix House (led by 'Jean Nate'), and Twelve Oaks (led by 'Mae Bush'). In 1965, Jerry Buskirk and 'Vivien Leigh' led the formation of a second group, the Awards Club of Washington. The Awards Club organized the International Emmy Awards. By 1968, many members of the first Academy were also members of the Awards Club. Bill Oates Jr. & Mame Dennis In May 1973 Bill Oates Jr. ("the Godfather") brokered an agreement creating the Academy Awards of Washington, led by 'Elizabeth Taylor', 'Mame Dennis', 'Patti Duke' and 'Fanny Brice'. Beekman Place and Henry Street Houses rejoined the Academy at this time. 'Mame Dennis' (of Beekman Place), chosen as president in 1973, continues to lead the group. Bill Oates, who became known as "The Godfather", helped put together the structure of the new group. The original houses of the Academy Awards of Washington were Beekman Place, Butterfield 8, Henry Street, and Maryland House. Liberty House (led by 'Edie Gorme') was added in 1974. In 1975, the Academy re-organized following a period of internal dispute. The new organization included the houses of Beekman Place, Dragonwyck (of Hagerstown, MD), Henry Street, Maryland House, Phoenix House, and Twelve Oaks (of Norfolk and Richmond). In the 1960s, most hotels and clubs would not host drag events. In its first years, the Academy held monthly contests at the short-lived Uptown Lounge in Cleveland Park. It was at the Uptown that 'Liz Taylor' first did her long remembered rendition of "Letter to Daddy". 'Fanny Brice's house, Henry Street, formed a drag performance show, Showstoppers, in 1971, which premiered at Georgetown's Trinity Theatre in September 1971. In May 1972, the Showstoppers group participated in DC's first Gay Pride celebration with a show at George Washington University's Marvin Center. Showstoppers appeared at the Marvin Center from 1973 to 1981. Showstoppers endured for many years as a very popular annual production in Washington DC's GLBT community. Until 1968 when the Washington Hilton hosted the Black Pearl Awards, most events were held at the Cairo Hotel, Casino Royale, Dodge House, and the Palm Ballroom. One of the first venues used by the Academy Awards after 1973 was the third floor area above the Hideaway and Louie's clubs at 9th and Pennsylvania NW. This third floor space became the Oscar's Eye Theatre and was used for most of the Academy and house functions. In the 1970s, Academy members became involved in the Waaay Off Broadway theatre at 55 L St. SE. Beekman place opened the theatre with its production of Cabaret. The Academy held events at the Rogue, after the latter's move to 5th and K Streets NW. In 1992, the former Waaay Off Broadway theatre became Club 55, and Academy events were invited to move there. It is still the home of many Academy functions. The Academy Awards holds events every Sunday from September through May at the Club 55, 55 L Street SE (formerly the location of the Waaay Off Broadway theatre). Protocols and Events From the beginning in 1961, the Academy has sponsored Oscars for Best Actress, Best Actor, Best Drag in a Series, President and First Lady, Mr and Miss Academy, Mr and Miss Showbusiness, Vice President and Vice Lady, New York Drama Critics Best Actor and Best Actress, Best Supporting Actor and Best Supporting Actress, and Mr and Miss Oscar. In addition to regularly scheduled drag balls, the Academy's top annual pageants are those for Miss Gaye Universe-DC and Miss Gaye America-DC. Monthly contests at Club 55 present Zodiac awards. Annual special awards, such as the 'Lanie Kazan', recognize outstanding contributions to the community. At pageants, the order of appearance of award winners is strictly controlled by the Protocol. For some titles, the winners make make an entrance on stage. Top awards, such as Miss Gaye America and Miss Gay Universe, are 'walking' awards entitling the winner to take a formal presentation walk on stage before the audience. 'Fanny Brice', speaking to Bruce Pennington in a 1975 interview for Friends Radio talks about her first drag experience. Brice was 'mother' of the Henry Street drag house and founder of the popular Showstoppers revue of the 1970s. Contributor An entity responsible for making contributions to the resource Rizzi, Carl Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lost and Found classifieds Subject The topic of the resource Gay bars--Washington (D.C.)--20th century Drag shows--Washington (D.C.)--20th century Creator An entity primarily responsible for making the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lost+and+Found+Bar">Lost and Found Bar</a> Date A point or period of time associated with an event in the lifecycle of the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1971-10">1971-10</a> Rights Information about rights held in and over the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Reproduction+and+use+of+this+material+requires+permission+from+the+copyright+holder.+Please+contact+the+Rainbow+History+Project+for+more+information.">Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information.</a> Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Washington (D.C.) 1970s Bars and clubs Drag performances Gay bars and clubs Lost and Found Nightlife https://archives.rainbowhistory.org/files/original/212009021e2c204b660e45226b9b361c.pdf 45672a9915f912e161ca3264045d2180 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carl Rizzi , Mame Dennis, and The Academy of Washington Collection 6 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Carl Rizzi Papers on the Academy of Washington : Digital Collection Description An account of the resource The year 1961 saw the creation of two of Washington's first organized LGBT groups, the Mattachine Society of Washington and the Oscars. The Academy Awards of Washington, an amalgam of Oscars members and Awards Club (1965) members, incorporated in 1973 in Washington, DC, provides secure venues, mentoring, and a structure for female impersonators in the area. It is one of the oldest and most enduring organizations in the nation to provide support for female impersonators. The Climate for Drag in the Sixties Until 'Liz Taylor' created the Oscars in the autumn of 1961, drag performers and those aspiring to 'do drag' had no organized structure, no venues, and very little safety. In the repressive atmosphere of the 1950s and 1960s, wearing drag was an invitation to scorn and physical danger. Wearing drag was illegal in most southern states, and Washington DC was indeed southern in those days, though drag was never illegal in the district. Still it invited arrest and persecution. Public social spaces didn't allow drag (an ostracism that existed until well into the 1970s). Those who wanted to wear drag did it in the privacy of their homes or at private after hour parties. Indeed, Liz Taylor's house parties at her Hollywood House on Monroe St. NW were legendary in their time. Many clubs would not allow patrons in drag to enter, and few hosted drag shows. The single exception was the Golden Key Club in North Beach, MD. For other clubs, drag and drag shows were an option only during Halloween Week, which Mame Dennis calls "the high holy days of drag". At Halloween, the Brown Derby, the Chicken Hut, Hide-a-way, Georgetown Grill, Johnnie's, and the Rendezvous organized drag contests. Creating a Safe Haven for Female Impersonators Along with the Mattachine Society of Washington, the Oscars and the Awards Club were the very first organized groups for gays in the Washington area. Recalling her vision for the Academies, Liz Taylor said "... I strived to mold an elite group of people whose social life would center around drag. By creating parties and activities I knew that I would always be surrounded by people wanting to attend them... I knew that some form of drag group was necessary. I had thought about it for a long time -- and suddenly I found the answer one evening on television -- the first time I saw an Awards show called the Oscars." The first parties were held in various homes in Washington DC, which took on special names such as Blair House, Butterfield 8, Camelot, Hollywood House, Mintwood Place, Port Valada, Sand Piper, Taylor Lounge, and others. In time, these house names became the names of 'drag houses', associations of female impersonators who participated in the social activities of the Academy Awards. The first board members of the Academy were Lix Taylor (President), Bob Clauze, Prince Karl, Frankie, and 'Lena Horne'. Organization of the Academy The Academy's Houses in 1976 The houses of the Academy over 30 years have included Beekman Place (led by 'Mame Dennis'), Butterfield 8 ('Liz Taylor's house), Maryland House (led by 'Patty Duke'), Henry Street (led by 'Fanny Brice'), Liberty House, Dragonwyck, Phoenix House (led by 'Jean Nate'), and Twelve Oaks (led by 'Mae Bush'). In 1965, Jerry Buskirk and 'Vivien Leigh' led the formation of a second group, the Awards Club of Washington. The Awards Club organized the International Emmy Awards. By 1968, many members of the first Academy were also members of the Awards Club. Bill Oates Jr. & Mame Dennis In May 1973 Bill Oates Jr. ("the Godfather") brokered an agreement creating the Academy Awards of Washington, led by 'Elizabeth Taylor', 'Mame Dennis', 'Patti Duke' and 'Fanny Brice'. Beekman Place and Henry Street Houses rejoined the Academy at this time. 'Mame Dennis' (of Beekman Place), chosen as president in 1973, continues to lead the group. Bill Oates, who became known as "The Godfather", helped put together the structure of the new group. The original houses of the Academy Awards of Washington were Beekman Place, Butterfield 8, Henry Street, and Maryland House. Liberty House (led by 'Edie Gorme') was added in 1974. In 1975, the Academy re-organized following a period of internal dispute. The new organization included the houses of Beekman Place, Dragonwyck (of Hagerstown, MD), Henry Street, Maryland House, Phoenix House, and Twelve Oaks (of Norfolk and Richmond). In the 1960s, most hotels and clubs would not host drag events. In its first years, the Academy held monthly contests at the short-lived Uptown Lounge in Cleveland Park. It was at the Uptown that 'Liz Taylor' first did her long remembered rendition of "Letter to Daddy". 'Fanny Brice's house, Henry Street, formed a drag performance show, Showstoppers, in 1971, which premiered at Georgetown's Trinity Theatre in September 1971. In May 1972, the Showstoppers group participated in DC's first Gay Pride celebration with a show at George Washington University's Marvin Center. Showstoppers appeared at the Marvin Center from 1973 to 1981. Showstoppers endured for many years as a very popular annual production in Washington DC's GLBT community. Until 1968 when the Washington Hilton hosted the Black Pearl Awards, most events were held at the Cairo Hotel, Casino Royale, Dodge House, and the Palm Ballroom. One of the first venues used by the Academy Awards after 1973 was the third floor area above the Hideaway and Louie's clubs at 9th and Pennsylvania NW. This third floor space became the Oscar's Eye Theatre and was used for most of the Academy and house functions. In the 1970s, Academy members became involved in the Waaay Off Broadway theatre at 55 L St. SE. Beekman place opened the theatre with its production of Cabaret. The Academy held events at the Rogue, after the latter's move to 5th and K Streets NW. In 1992, the former Waaay Off Broadway theatre became Club 55, and Academy events were invited to move there. It is still the home of many Academy functions. The Academy Awards holds events every Sunday from September through May at the Club 55, 55 L Street SE (formerly the location of the Waaay Off Broadway theatre). Protocols and Events From the beginning in 1961, the Academy has sponsored Oscars for Best Actress, Best Actor, Best Drag in a Series, President and First Lady, Mr and Miss Academy, Mr and Miss Showbusiness, Vice President and Vice Lady, New York Drama Critics Best Actor and Best Actress, Best Supporting Actor and Best Supporting Actress, and Mr and Miss Oscar. In addition to regularly scheduled drag balls, the Academy's top annual pageants are those for Miss Gaye Universe-DC and Miss Gaye America-DC. Monthly contests at Club 55 present Zodiac awards. Annual special awards, such as the 'Lanie Kazan', recognize outstanding contributions to the community. At pageants, the order of appearance of award winners is strictly controlled by the Protocol. For some titles, the winners make make an entrance on stage. Top awards, such as Miss Gaye America and Miss Gay Universe, are 'walking' awards entitling the winner to take a formal presentation walk on stage before the audience. 'Fanny Brice', speaking to Bruce Pennington in a 1975 interview for Friends Radio talks about her first drag experience. Brice was 'mother' of the Henry Street drag house and founder of the popular Showstoppers revue of the 1970s. Contributor An entity responsible for making contributions to the resource Rizzi, Carl Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. WEATHER Mostly cloudy, gloomy ouliklc. high near 69. Low tonight? Always «inny inside L LOST AND FOUND Classifieds Sening the Fedrnt City. Virginia, Maryland, and the NO CHARGE FIFTY-SIX L STREET, S.E.-WASHINGTON, D.C. 20003. A MESSAGE TO OUR PATRONS Oh Well. You Can't Please Every One! I! During the past four weekends you have witnessed an effort by certain groups within the'community'to change the admission policies of Lost and Found. Without consulting the Management, they embarked on a campaign of picketing and harassment aimed, not just at Lost and Found, but at our patrons. The Management, knowing that our admission rules are A. Non-discriminatory, B. Very liberal, and C. Equally enforced according to District of Columbia laws, chose to ignore these pickets. After four weeks we were finally contacted by a representative of one of the moderate factions engaged in the picketing. After a very frank discussion, it was agreed there had been a lack of communication, thus causing the misconceptions about our policies. This group and the other moderates have subsequently withdrawn their support, leaving a handful of radicals to walk the line (excuse the pun) alone. We apologize for the inconvenience, as well as the verbal garbage you were forced to hear spewed from the mouths of the pickets as you tried to exercise your right of freedom of choice. Thank you for your support and consequent rebuttal of this small band of radicals who claimed to be the "representatives and moral guardians for the 'community'." When it came to making a choice between a fair policy and a flagrant case of BIASED picketing and harassment, you voted the only way you could, WITH YOUR FEET, AS YOU CROSSED THE PICKET LINE AND ENTERED THE LOST AND FOUND. THANK YOU —See Our Policy Next Page "OUR POLICY" The Management of the "Lost and Found," after two weeks of attempted harrassment, takes this opportunity to make the following statement to the public: For admission, the management requires two valid identifications. A valid identification is any document or card legally issued by the government or an employer, which provides the name, date of birth, and signature of the holder. Photographs will be required only if there is a question of validity of the identification presented. Draft cards are not acceptable as they are too easily obtained and forged. The above identification requirement is no way intended to discriminate against any person. District of Columbia Law makes the Management responsible and it must be the arbiter when there is ANY question involving identification. In addition, management has set the tone governing the dress of any individual entering its restaurant. These House Regulations on dress are posted in the foyer, are liberal, equally applied and should not offend anyone. Lost and Found has been designed in hopes of providing and improving me social activities within the community and it welcomes any suggestions that may be helpful in improving the quality of its services. One of the services, the Lost and Pound's bulletin, "The Classified," is available for free announcements for ANY group within the community. This service was available prior to opening and not as a result of picket demands The management will continue to enforce its House Regulations on dress and to require two (2) identifications from all patrons and persons 18 to 20 years old will not be admitted. The reason for the 18 to 20 regulation is that there is always an adult willing to buy a juvenille a drink and it is impossible to check each individual drink served. * * * * * * S H 0 W S T 0 P P E R S * * * * * * On the evenings of November 29th and 30th, Lost and Found, in conjunction with Henry Street, Inc., will present excerpts from "Fanny Brice's Showstoppers." The production features hit songs from Broadway Shows including such notable showstoppers as "Those Beautiful Girls," from Follies, "Let Me Entertain You," from Gypsy, "It's A Typical Day," from Little Abner and the "Tea For Two" number (with a cast of thousands), from No No Nannette. Because of the length of the show, it will be presented in two acts. The first act will be performed on Monday the 29th and the second act on Tuesday, the 30th. The show will start at 10:00 o'clock. Tickets for both nights will be sold on a first come first served basis and no seats will be reserved. The sale price of the tickets is $3.00 for a single performance (one night) or $5.00 if you wish to attend both evenings. Please remember, that each night will be a different show. Tickets are on sale at the Lost and Found and may be purchased from John LaMothe. For those customers who wish to have dinner, it will be served from 6:00 to 9:00 with reservations taken no later than 7:30. Dinner guests who wish to see the performances will be required to purchase tickets. Because of the publicity and rave reviews that greeted the original performance of Showstoppers, last September at Trinity Theatre, we know there will be a stampede for tickets. So don't be disappointed, get your ticket or tickets early and come enjoy two of the most delightful nights of entertainment you will ever experience. *************** GAY CRAPHIES COOP . . . offers fast duplicating graphies, and photographic services. We'll get in touch with you. Randy and Dick (Owners). . . for information contact Bill Parry. * * * * * * Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data printed newsletter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A message to our patrons from the Lost and Found Subject The topic of the resource Discrimination against African Americans--Washington (D.C.)--20th century Gay bars--Washington (D.C.)--20th century Creator An entity primarily responsible for making the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lost+and+Found+Bar">Lost and Found Bar</a> Rights Information about rights held in and over the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Reproduction+and+use+of+this+material+requires+permission+from+the+copyright+holder.+Please+contact+the+Rainbow+History+Project+for+more+information.">Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information.</a> Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Washington (D.C.) African Americans Bars and clubs Discrimination Gay bars and clubs Gay men Lost and Found Nightlife https://archives.rainbowhistory.org/files/original/b056ba7eea5abb8877ecc2600de132b2.pdf 8f30a2279d3b790d1c93887308bbf71b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bruce Pennington Papers (Series IV) Description An account of the resource Consists of personal correspondence and photographs; career resumes, diplomas, and school documents; topical files and documents including the Gay Liberation Front-DC; business files, manuscripts, and newsletters from his tenure as president of Black and White Men Together-DC; files of NAMES PROJECT: AIDS Memorial Quilt, memorabilia and obituaries of prominent members of the Washington, DC community, drafts of articles for The Advocate. Also includes collected ephemera including gay-themed t-shirts, buttons, periodicals, and videotapes. <a href="https://docs.google.com/document/d/1mGP65vYKaPiJSbU1f-9yttWQscoBBGbzrREb0xvFoiI/edit?usp=sharing">VIEW ONLINE FINDING AID</a> Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Some items are available online. Collection is available for “fair use" to all researchers at <a href="http://www.dchistory.org/research/">the DC History Center</a> as MS 0764 RHP, Series IV Pennington. Material may be protected by copyright. <a href="https://docs.google.com/document/d/1mGP65vYKaPiJSbU1f-9yttWQscoBBGbzrREb0xvFoiI/edit?usp=sharing">VIEW ONLINE FINDING AID</a> Creator An entity primarily responsible for making the resource Pennington, Bruce C., 1947-2003 Bruce C Pennington was born in Rugby, ND on September 17, 1947 and died in Washington, DC on August 26, 2003. He arrived in Washington, DC in the autumn of 1968 to work initially for Liberation News Service. In Washington, DC he was an early member of the Gay Liberation Front (1970-1974), founding member of the Stonewall Nation Media Collective, producers of the Friends radio program on WGTB-FM and WPFW-FM (1973-1982), of Black and White Men Together-DC, and of the Rainbow History Project (2000-2003). He served on the Washington, DC Human Rights Commission from 1988 to 1991. Pennington worked professionally as a chef and restaurant manager and a teacher of English. As one of the first gay men to serve as a foster parent to a gay youth, he gave credibility to the gay foster parenting campaign. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. GAY PEOPLE: HAVE-WE COME THIS FAR ONLY TO LEAVE BEHIND SOME OF US? As you know by now, Washington's gay organizations have begun a series •-- *# of legal actions, including a weekend picket, against the new:Lost and Found on L Street, Southeast. Why? Because of flagrant discrimination against gay blacks and women. L & F's racist policies were explicitly acknowledged by Bill Parry, representing the Lost and Found management, in an October 15 meeting with Paul Kuntzler of GAA, a 10-year veteran of the Washington gay movement. Parry declared: "This is a Southern city." (A reference to when Washington had legalized segregation twenty years ago.) He said that if possible, the Lost and Found would bar all-black people, and clearly indicated that the principal -~ reason for L_&_F's I.D- was to exclude as many gay blacks as- possible. This is how the Lost and Found game is played: Two pieces of I.D. are required, Parry says. A driver's license and a "passport or a birth certificate." Such conventional identification as a"draft card or a government employee I.D. card are not acceptable." However, generally only black gays are asked for identification—whites are not, except those who actually appear under age. What are the objectives of the L & F game? Parry intimated that the Lost and Found is only interested in serving the most affluent gay crowd, primarily white suburbia, (in a black ghetto!) Parry rationalizes that "black people are generally poor and, besides, most of our patrons are bigots." In any case, the Lost and Found does not want to cater to those gays, black or white,"who spend only $2.25 a night in our bar." Now, to answer two questions: It's true that some token blacks are seen in the Lost and Found. The. bar has no choice but to admit those few blacks who are willing to meet L & F's I.D. requirements. It is also true that the I.D.s of many whites are now being checked—as a temporary response to the picket line outside. However, Washington gay organizations are not interested in momentary pretenses at non-discrimination. We will accept only their uncompromising agreement to end all discrimination against all gay people--a resolution that provides the necessary guarantees. In regard to women, the Lost, and Found's double-standard dress requirement for women will not be tolerated. If men can wear blue jeans, so too can women. Many of you have said that you think it distressing that homosexuals are fighting one another. We agree. Let's resolve this conflict. We ask the Lost and Found management to begin discussions with us. We, too, think the Lost and Found is beautiful. We congratulate them. And when they change their oppressive policies, the club will be even more beautiful. In addition, we are fully cognizant of their substantial investments and the need to make a return and a good one. However, we will not allow them to realize extravagant profits at the expense of the human dignity and freedom of certain gay people. £5>&T5S, - 2 We who represent you in our struggle to improve the quality of gay life have come belately:to the recognition that we are not just the defender of white, male homosexuals, but the representative of all gay people. The Lost and Found management will have to recognize, too, that the year is 1971; those days when Washington was a "Southern city" are gone. All of us, finally, should understand that either we are all together or none of us is together. As gay people we have advanced too far to now leave behind some of us who are black or female. *•*##-*-*•#•#•* The following Washington gay organizations request that the Lost and Found end their racist, sexist, immoral, and illegal policies and implement the list of our 10 demands necessary to resolve this conflict: The Mattachine Society of Washington Evangelical Catholic Community • The Black Caucus Gay Activists Alliance* Alabama Avenue Collective Skyline Faggots The Breadbox Gay Women's Open House Student Homophile Assn. of the Univ. of Maryland Easter Day Collective Hand-to-Hand Newspaper 1971 Kameny for Congress Campaign Committee • • The Women's Film Festival "Our House" Collective Gay Liberation Front Gay Men's Open House Gay Campus Ministry of the Univ. of Maryland Applecore Collective Metropolitan Community Church (Motion passed last Sunday by Church membership) Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Mimeographed flyer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gay people : have we come this far only to leave behind some of us? Subject The topic of the resource Gay bars--Washington (D.C.)--20th century Discrimination against African Americans--Washington (D.C.)--20th century Committee for Open Gay Bars (Organization) Creator An entity primarily responsible for making the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Committee+for+Open+Gay+Bars">Committee for Open Gay Bars</a> Source A related resource from which the described resource is derived Bruce Pennington Papers Date A point or period of time associated with an event in the lifecycle of the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1974-10-23">1974-10-23</a> Rights Information about rights held in and over the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Reproduction+and+use+of+this+material+requires+permission+from+the+copyright+holder.+Please+contact+the+Rainbow+History+Project+for+more+information.">Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information.</a> Format The file format, physical medium, or dimensions of the resource application/pdf image/jpeg Language A language of the resource English Type The nature or genre of the resource Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Washington (D.C.) 1970s African Americans Bars and clubs Discrimination Gay bars and clubs Lost and Found Racism Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carl Rizzi , Mame Dennis, and The Academy of Washington Collection 6 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Carl Rizzi Papers on the Academy of Washington : Digital Collection Description An account of the resource The year 1961 saw the creation of two of Washington's first organized LGBT groups, the Mattachine Society of Washington and the Oscars. The Academy Awards of Washington, an amalgam of Oscars members and Awards Club (1965) members, incorporated in 1973 in Washington, DC, provides secure venues, mentoring, and a structure for female impersonators in the area. It is one of the oldest and most enduring organizations in the nation to provide support for female impersonators. The Climate for Drag in the Sixties Until 'Liz Taylor' created the Oscars in the autumn of 1961, drag performers and those aspiring to 'do drag' had no organized structure, no venues, and very little safety. In the repressive atmosphere of the 1950s and 1960s, wearing drag was an invitation to scorn and physical danger. Wearing drag was illegal in most southern states, and Washington DC was indeed southern in those days, though drag was never illegal in the district. Still it invited arrest and persecution. Public social spaces didn't allow drag (an ostracism that existed until well into the 1970s). Those who wanted to wear drag did it in the privacy of their homes or at private after hour parties. Indeed, Liz Taylor's house parties at her Hollywood House on Monroe St. NW were legendary in their time. Many clubs would not allow patrons in drag to enter, and few hosted drag shows. The single exception was the Golden Key Club in North Beach, MD. For other clubs, drag and drag shows were an option only during Halloween Week, which Mame Dennis calls "the high holy days of drag". At Halloween, the Brown Derby, the Chicken Hut, Hide-a-way, Georgetown Grill, Johnnie's, and the Rendezvous organized drag contests. Creating a Safe Haven for Female Impersonators Along with the Mattachine Society of Washington, the Oscars and the Awards Club were the very first organized groups for gays in the Washington area. Recalling her vision for the Academies, Liz Taylor said "... I strived to mold an elite group of people whose social life would center around drag. By creating parties and activities I knew that I would always be surrounded by people wanting to attend them... I knew that some form of drag group was necessary. I had thought about it for a long time -- and suddenly I found the answer one evening on television -- the first time I saw an Awards show called the Oscars." The first parties were held in various homes in Washington DC, which took on special names such as Blair House, Butterfield 8, Camelot, Hollywood House, Mintwood Place, Port Valada, Sand Piper, Taylor Lounge, and others. In time, these house names became the names of 'drag houses', associations of female impersonators who participated in the social activities of the Academy Awards. The first board members of the Academy were Lix Taylor (President), Bob Clauze, Prince Karl, Frankie, and 'Lena Horne'. Organization of the Academy The Academy's Houses in 1976 The houses of the Academy over 30 years have included Beekman Place (led by 'Mame Dennis'), Butterfield 8 ('Liz Taylor's house), Maryland House (led by 'Patty Duke'), Henry Street (led by 'Fanny Brice'), Liberty House, Dragonwyck, Phoenix House (led by 'Jean Nate'), and Twelve Oaks (led by 'Mae Bush'). In 1965, Jerry Buskirk and 'Vivien Leigh' led the formation of a second group, the Awards Club of Washington. The Awards Club organized the International Emmy Awards. By 1968, many members of the first Academy were also members of the Awards Club. Bill Oates Jr. & Mame Dennis In May 1973 Bill Oates Jr. ("the Godfather") brokered an agreement creating the Academy Awards of Washington, led by 'Elizabeth Taylor', 'Mame Dennis', 'Patti Duke' and 'Fanny Brice'. Beekman Place and Henry Street Houses rejoined the Academy at this time. 'Mame Dennis' (of Beekman Place), chosen as president in 1973, continues to lead the group. Bill Oates, who became known as "The Godfather", helped put together the structure of the new group. The original houses of the Academy Awards of Washington were Beekman Place, Butterfield 8, Henry Street, and Maryland House. Liberty House (led by 'Edie Gorme') was added in 1974. In 1975, the Academy re-organized following a period of internal dispute. The new organization included the houses of Beekman Place, Dragonwyck (of Hagerstown, MD), Henry Street, Maryland House, Phoenix House, and Twelve Oaks (of Norfolk and Richmond). In the 1960s, most hotels and clubs would not host drag events. In its first years, the Academy held monthly contests at the short-lived Uptown Lounge in Cleveland Park. It was at the Uptown that 'Liz Taylor' first did her long remembered rendition of "Letter to Daddy". 'Fanny Brice's house, Henry Street, formed a drag performance show, Showstoppers, in 1971, which premiered at Georgetown's Trinity Theatre in September 1971. In May 1972, the Showstoppers group participated in DC's first Gay Pride celebration with a show at George Washington University's Marvin Center. Showstoppers appeared at the Marvin Center from 1973 to 1981. Showstoppers endured for many years as a very popular annual production in Washington DC's GLBT community. Until 1968 when the Washington Hilton hosted the Black Pearl Awards, most events were held at the Cairo Hotel, Casino Royale, Dodge House, and the Palm Ballroom. One of the first venues used by the Academy Awards after 1973 was the third floor area above the Hideaway and Louie's clubs at 9th and Pennsylvania NW. This third floor space became the Oscar's Eye Theatre and was used for most of the Academy and house functions. In the 1970s, Academy members became involved in the Waaay Off Broadway theatre at 55 L St. SE. Beekman place opened the theatre with its production of Cabaret. The Academy held events at the Rogue, after the latter's move to 5th and K Streets NW. In 1992, the former Waaay Off Broadway theatre became Club 55, and Academy events were invited to move there. It is still the home of many Academy functions. The Academy Awards holds events every Sunday from September through May at the Club 55, 55 L Street SE (formerly the location of the Waaay Off Broadway theatre). Protocols and Events From the beginning in 1961, the Academy has sponsored Oscars for Best Actress, Best Actor, Best Drag in a Series, President and First Lady, Mr and Miss Academy, Mr and Miss Showbusiness, Vice President and Vice Lady, New York Drama Critics Best Actor and Best Actress, Best Supporting Actor and Best Supporting Actress, and Mr and Miss Oscar. In addition to regularly scheduled drag balls, the Academy's top annual pageants are those for Miss Gaye Universe-DC and Miss Gaye America-DC. Monthly contests at Club 55 present Zodiac awards. Annual special awards, such as the 'Lanie Kazan', recognize outstanding contributions to the community. At pageants, the order of appearance of award winners is strictly controlled by the Protocol. For some titles, the winners make make an entrance on stage. Top awards, such as Miss Gaye America and Miss Gay Universe, are 'walking' awards entitling the winner to take a formal presentation walk on stage before the audience. 'Fanny Brice', speaking to Bruce Pennington in a 1975 interview for Friends Radio talks about her first drag experience. Brice was 'mother' of the Henry Street drag house and founder of the popular Showstoppers revue of the 1970s. Contributor An entity responsible for making contributions to the resource Rizzi, Carl Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data photographs : black and white Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mame Dennis acting as master of ceremonies for the Lost and Found's Star Spangled Salute Subject The topic of the resource Female impersonators--Washington (D.C.)--20th century Drag shows--Washington (D.C.)--20th century Mame Dennis (character) Rizzi, Carl Awards Club of Washington (Organization : Washington, D.C.) Date A point or period of time associated with an event in the lifecycle of the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1972-06-28">1972-06-28</a> Rights Information about rights held in and over the resource <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=All+rights+reserved+by+the+Awards+Club+of+Washington+%28Organization+%3A+Washington%2C+D.C.%29">All rights reserved by the Awards Club of Washington (Organization : Washington, D.C.)</a> <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Reproduction+and+use+of+this+material+requires+permission+from+the+copyright+holder.+Please+contact+the+Rainbow+History+Project+for+more+information.">Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information.</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Washington (D.C.) Academy of Washington Bars and clubs Drag performances Lost and Found Mame Dennis/Carl Rizzi Nightlife