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                  <text>T-shirts, Textiles, Posters and Banners: Ephemera Collection </text>
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                  <text>T-Shirts and textiles were collected from various donors. Items were photographed, cataloged, and placed online by RHP board member Eric N. Gonzaba in 2018. Physical items remain in the custody of RHP.&#13;
&#13;
Posters and banners have been collected from various sources. Some are at the DC History Center; others remain in the custody of RHP.</text>
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                <text>White t-shirt.&#13;
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Back: "Together We Can Fill Our Streets with Hope!" List of sponsors.,</text>
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                <text>&lt;a href="http://rainbowhistory.org/"&gt;Rainbow History Project&lt;/a&gt;</text>
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                <text>9/24/1994</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="17126">
                <text>Reproduction and use of this material may require permission from the copyright holder. Please contact the Rainbow History Project or Wearing Gay History for more information.</text>
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                <text>Rainbow History Project T-shirts Box 1</text>
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                  <text>Carl Rizzi , Mame Dennis, and The Academy of Washington Collection 6</text>
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                  <text>The year 1961 saw the creation of two of Washington's first organized LGBT groups, the Mattachine Society of Washington and the Oscars.  The Academy Awards of Washington, an amalgam of Oscars members and Awards Club (1965) members, incorporated in 1973 in Washington, DC, provides secure venues, mentoring, and a structure for female impersonators in the area.  It is one of the oldest and most enduring organizations in the nation to provide support for female impersonators.&#13;
&#13;
The Climate for Drag in the Sixties&#13;
 &#13;
Until 'Liz Taylor' created the Oscars in the autumn of 1961, drag performers and those aspiring to 'do drag' had no organized structure, no venues, and very little safety.  In the repressive atmosphere of the 1950s and 1960s, wearing drag was an invitation to scorn and physical danger.  Wearing drag was illegal in most southern states, and Washington DC was indeed southern in those days, though drag was never illegal in the district.  Still it invited arrest and persecution.  Public social spaces didn't allow drag (an ostracism that existed until well into the 1970s). Those who wanted to wear drag did it in the privacy of their homes or at private after hour parties.  Indeed, Liz Taylor's house parties at her Hollywood House on Monroe St. NW were legendary in their time. &#13;
Many clubs would not allow patrons in drag to enter, and few hosted drag shows.  The single exception was the Golden Key Club in North Beach, MD.  For other clubs, drag and drag shows were an option only during Halloween Week, which Mame Dennis calls "the high holy days of drag".  At Halloween, the Brown Derby, the Chicken Hut, Hide-a-way, Georgetown Grill, Johnnie's, and the Rendezvous organized drag contests.&#13;
&#13;
Creating a Safe Haven for Female Impersonators&#13;
 &#13;
Along with the Mattachine Society of Washington, the Oscars and the Awards Club were the very first organized groups for gays in the Washington area.  Recalling her vision for the Academies, Liz Taylor said "... I strived to mold an elite group of people whose social life would center around drag.  By creating parties and activities I knew that I would always be surrounded by people wanting to attend them... I knew that some form of drag group was necessary.  I had thought about it for a long time -- and suddenly I found the answer one evening on television -- the first time I saw an Awards show called the Oscars."  The first parties were held in various homes in Washington DC, which took on special names such as Blair House, Butterfield 8, Camelot, Hollywood House, Mintwood Place, Port Valada, Sand Piper, Taylor Lounge, and others.  In time, these house names became the names of 'drag houses', associations of female impersonators who participated in the social activities of the Academy Awards.  The first board members of the Academy were Lix Taylor (President), Bob Clauze, Prince Karl, Frankie, and 'Lena Horne'.&#13;
&#13;
Organization of the Academy&#13;
&#13;
The Academy's Houses in 1976&#13;
&#13;
The houses of the Academy over 30 years have included Beekman Place (led by 'Mame Dennis'), Butterfield 8 ('Liz Taylor's house), Maryland House (led by 'Patty Duke'), Henry Street (led by 'Fanny Brice'), Liberty House, Dragonwyck, Phoenix House (led by 'Jean Nate'), and Twelve Oaks (led by 'Mae Bush').&#13;
&#13;
In 1965, Jerry Buskirk and 'Vivien Leigh' led the formation of a second group, the Awards Club of Washington.  The Awards Club organized the International  Emmy Awards.  By 1968, many members of the first Academy were also members of the Awards Club.&#13;
&#13;
Bill Oates Jr. &amp;amp; Mame Dennis In May 1973 Bill Oates Jr. ("the Godfather") brokered an agreement creating the Academy Awards of Washington, led by 'Elizabeth Taylor', 'Mame Dennis', 'Patti Duke' and 'Fanny Brice'.  Beekman Place and Henry Street Houses rejoined the Academy at this time.  'Mame Dennis' (of Beekman Place), chosen as president in 1973, continues to lead the group.  Bill Oates, who became known as "The Godfather", helped put together the structure of the new group.   The original houses of the Academy Awards of Washington were Beekman Place, Butterfield 8, Henry Street, and Maryland House.  Liberty House (led by 'Edie Gorme') was added in 1974.&#13;
&#13;
In 1975, the Academy re-organized following a period of internal dispute.  The new organization included the houses of Beekman Place, Dragonwyck (of Hagerstown, MD), Henry Street, Maryland House, Phoenix House, and Twelve Oaks (of Norfolk and Richmond).&#13;
&#13;
In the 1960s, most hotels and clubs would not host drag events.  In its first years, the Academy held monthly contests at the short-lived Uptown Lounge in Cleveland Park.  It was at the Uptown that 'Liz Taylor' first did her long remembered rendition of "Letter to Daddy".&#13;
&#13;
'Fanny Brice's house, Henry Street, formed a drag performance show, Showstoppers, in 1971, which premiered at Georgetown's Trinity Theatre in September 1971.  In May 1972, the Showstoppers group participated in DC's first Gay Pride celebration with a show at George Washington University's Marvin Center. Showstoppers appeared at the Marvin Center from 1973 to 1981. Showstoppers endured for many years as a very popular annual production in Washington DC's GLBT community.&#13;
&#13;
Until 1968 when the Washington Hilton hosted the Black Pearl Awards, most events were held at the Cairo Hotel, Casino Royale, Dodge House, and the Palm Ballroom.  One of the first venues used by the Academy Awards after 1973 was the third floor area above the Hideaway and Louie's clubs at 9th and Pennsylvania NW. This third floor space became the Oscar's Eye Theatre and was used for most of the Academy and house functions.  In the 1970s, Academy members became involved in the Waaay Off Broadway theatre at 55 L St. SE.  Beekman place opened the theatre with its production of Cabaret.  The Academy held events at the Rogue, after the latter's move to 5th and K Streets NW.  In 1992, the former Waaay Off Broadway theatre became Club 55, and Academy events were invited to move there.  It is still the home of many Academy functions.  The Academy Awards holds events every Sunday from September through May at the Club 55,  55 L Street SE (formerly the location of the Waaay Off Broadway theatre).&#13;
&#13;
Protocols and Events&#13;
&#13;
From the beginning in 1961, the Academy has sponsored Oscars for Best Actress, Best Actor, Best Drag in a Series, President and First Lady, Mr and Miss Academy, Mr and Miss Showbusiness, Vice President and Vice Lady, New York Drama Critics Best Actor and Best Actress, Best Supporting Actor and Best Supporting Actress, and Mr and Miss Oscar.  In addition to regularly scheduled drag balls, the Academy's top annual pageants are those for Miss Gaye Universe-DC and Miss Gaye America-DC.  Monthly contests at Club 55 present Zodiac awards.  Annual special awards, such as the 'Lanie Kazan', recognize outstanding contributions to the community.&#13;
&#13;
At pageants, the order of appearance of award winners is strictly controlled by the Protocol. For some titles, the winners make make an entrance on stage.  Top awards, such as Miss Gaye America and Miss Gay Universe, are 'walking' awards entitling the winner to take a formal presentation walk on stage before the audience.&#13;
&#13;
'Fanny Brice', speaking to Bruce Pennington in a 1975 interview for Friends Radio talks about her first drag experience.  Brice was 'mother' of the Henry Street drag house and founder of the popular Showstoppers revue of the 1970s.</text>
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          <name>Original Format</name>
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                <text>Alan Kress drinking a glass of wine</text>
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                <text>Awards Club of Washington (Organization : Washington, D.C.)</text>
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            <name>Date</name>
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                  <text>Friends Radio Collection, 1973-1982, 3</text>
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                  <text>Stonewall Nation Media Collective Collection #3</text>
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                  <text>The Friends Radio tape collection at Rainbow History covers nine years (1973 to 1982) of lesbian, gay, bisexual, transgender and queer activism and community building in Washington, DC and around the nation. The Friends collection includes poetry, music, interviews, candidate interviews, social and political commentary and analysis and accounts of the creation of community services and organizations. Rainbow History received a collection of more than 300 1/4inch acetate tape reels of varying diameters from Bruce Pennington, a founder of the Stonewall Nation Media Collective, which produced and broadcast the show at WGTB and WPFW.</text>
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                  <text>Pennington, Bruce C., 1947-2003</text>
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                  <text>&lt;span&gt;Some clips play online. &lt;br /&gt;&lt;br /&gt;To listen to other recordings, &lt;/span&gt;&lt;a href="https://archive.org/search.php?query=creator%3A%22Rainbow+History+Project%22" target="_blank" rel="noreferrer noopener"&gt;access the Internet Archive [external link].&lt;/a&gt;</text>
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                  <text>Includes newsletters collected from various sources related to the activities of many community organizations. Fliers, advertisements, brochures and pamphlets related to these groups are also held with the newsletters. Some material related to non-DC groups and activities are also present and were most likely sent to people at the Center from contacts outside the city. &lt;br /&gt;&lt;br /&gt;This newsletter collection was created originally by the Gay Community Center of Washington, DC, during the 1980s, when it created a Gay and Lesbian Archives Project. After the Center closed, these materials were part of the Eaton-Kesinger Research Service, which transferred them to the Rainbow History Project, in December 2013. Exemplary issues from the collection are scanned and presented online; all original materials are available as "MS 0764 RHP, Series X" at the DC History Center.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/document/d/e/2PACX-1vTSAQmDeO6UOSC01t4xQ4S1poenQWwCL5E7k5rWoMGWBKCekUQiqu8q85AgEmPHd9j37MPrkImQ5gZD/pub" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;VIEW ONLINE FINDING AID&lt;/strong&gt;&lt;/a&gt;</text>
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                  <text>The Gay Community Center of Washington DC [1980s]</text>
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                  <text>&lt;span&gt;Available to all researchers, by appointment, at the &lt;/span&gt;&lt;a href="http://www.dchistory.org/research/" target="_blank" rel="noreferrer noopener"&gt;DC History Center&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;Collection is available for “fair use.” Material may be protected by copyright.&lt;/span&gt;</text>
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              <text>This item was part of the Eaton-Kesinger donation and is part of the Community Newsletters Collection, Series X, at the DC History Center, MS 0764 RHP, Series X Newsletters, Folder "Alexandria Gay Community Association."</text>
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                <text>Alexandria Gay Community Association Newsletter, August 1988</text>
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&#13;
"Alexandria Gay Community Association is a community association providing social educational, political, and organizational services to the Gay and Lesbian community of Northern Virginia. AGCA is a non-profit organization incorporated in Alexandria, Virginia."</text>
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                <text>Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information.</text>
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                  <text>LGBTQ African American afterhours club in DC that was open from 1975-1990, Oral histories, House music, Disco, Black LGBTQIA Joy, AIDS pandemic in Black Community</text>
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                  <text>A collection of oral histories on the people's experiences related to the ClubHouse.  The ClubHouse was a DC after hours club that was open from 1975-1990 catering mostly to a Black queer clientele. It was known internationally for its sound system built by the audio engineer that created Studio 54’s. The ClubHouse had legendary DJ’s and introduced house music to DC. It hosted the Children’s Hour and many political events for the DC democrats including being a regular campaign stop for Marion Barry. The ClubHouse helped fund the Third World Gays and Lesbian Conference and hosted the first AIDS Forum for Black and Third Worlds Gays.</text>
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                  <text>Delan Ellington&#13;
Ashley Bamfo&#13;
Glenn Reimer</text>
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                  <text>All Rights belong to the Rainbow History Project </text>
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                  <text>This is a collection of audio interviews and hundreds of photos taken within the ClubHouse that will allow researchers stories with some visual references especially when it comes to talking about those who did not survive the AIDS pandemic but who are in the photographs. The dozens of hours of audio interviews offer multiple African American Queer perspectives, stories, and observations made from owners, managers, DJs, employees, frequent guests, and certified members. These interviews will paint a fantastical picture of a Black LGBTQIA institution/space so full of joy, tragedy, love, community, pageantry, and Blackness just being allowed to be Black  that the ClubHouse can easily said to be as important to Black LGBTQ history and culture as Ballroom is considered. </text>
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                  <text>African American LGBTQ Spaces, LGBTQ Bar/Club, 1980's DC, Late 1970's DC</text>
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                <text>Alfred Benson talks about the Clubhouse, "The Children" and being Black and LGBTQ in DC during the 70's and 80's.&#13;
&#13;
The ClubHouse was a DC after hours club that was open from 1975-1990 catering mostly to a Black queer clientele. It was known internationally for its sound system built by the audio engineer that created Studio 54’s. The ClubHouse had legendary DJ’s and introduced house music to DC. It hosted the Children’s Hour and many political events for the DC democrats including being a regular campaign stop for Marion Barry. The ClubHouse helped fund the Third World Gays and Lesbian Conference and hosted the first AIDS Forum for Black and Third Worlds Gays.</text>
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                <text>&lt;strong&gt;Interested in listening to this audio?&lt;/strong&gt; &lt;br /&gt;Email &lt;a href="mailto:oralhistories@rainbowhistory.org"&gt;oralhistories@rainbowhistory.org&lt;/a&gt; to request access</text>
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                <text>Teenagers going to gay bars in the 80s. Living in Virginia on a military base. Baltimore, Delaware and NYC Bar scenes.Member of the Clubhouse. Drug use and sober. Mentions the Brass Rail  well and ways that young POC gay men became intergrated ti gay social life. Great section on the music that is played at the Clubhouse. Prejudice of white clubs.Alfred names a lot of other people who were around at the time. </text>
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                <text>Glenn C Reimer along with a team of volunteers</text>
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                  <text>Articles from BLK magazine relating to the African American gay experience in Washington, D.C. and flyers and a postcard advertising performances by Wayson Jones and his partner Essex Hemphill.</text>
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                  <text>&lt;span&gt;Some items available online. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;All other items open to &lt;/span&gt;&lt;a href="https://rainbowhistory.omeka.net/contact" target="_blank" rel="noreferrer noopener"&gt;RHP members by appointment only.&lt;/a&gt;</text>
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

ALTERNATIVE DAYS OF THEIR LIVES










By Marylou Tousignant October 5, 1992





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The scene is an ordinary Friday night dinner, at home with
longtime friends, somewhere in the Washington area.
"We're just two old married couples," muses Lenny, partner in
a small law firm, as the conversation meanders from office
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1

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�gossip to jokes about the cooking, and then takes a serious
turn over dessert when the hosts, Cindy and Maddy,

2

Miss Manners:
Dress code
quandary: Are
flip-flops
shoes?

3

Ask Amy:
Dysfunctional
relationship
should not
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4

Carolyn Hax:
Struggling to
make room for
her
boyfriend’s
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5

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title

announce they want to have a baby.
They're sharing this intimate information because Cindy and
Maddy are lesbians and they want Lenny's gay lover, John, to
father their child.
Thus begins the opening plot of "Inside/Outside the Beltway,"
the Washington area's first gay soap opera, which premiered
last week on Fairfax County public-access cable television and
will have its debut in the District and the rest of Northern
Virginia later this month.
Dennis Brooks, the show's creator, says he came up with the
idea for the series, which is taped at locations in and around
Washington, because "to date, we haven't had a popular view
of gay men and women from their point of view. This is a view
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�of our world as we see it, not filtered through the mainstream
media."
The soap opera is being televised as a segment on "Gay
Fairfax," a weekly news and entertainment show now in its
third year on Channel 10, Fairfax's public access station. Rob

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and lesbian people realistically and dispel the stereotypes."

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A soap opera, he said, allows for "drama and human interest

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Wilson, producer of "Gay Fairfax" and "Inside/Outside," said
the sole purpose of both is education, "trying to portray gay

that may not come out in a magazine-format show. We'll show
that these are real people with real problems," who need to
confront such issues as AIDS, coming out, bisexuality and gay
parenting.
The show's critics say those problems should not be examined

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�"The message to the community, especially kids, is that this
lifestyle is okay," said Richard J. Enrico, founder of Fairfax
County's Foundation for Moral Restoration and Citizens
Against Pornography, which launched a telephone and letterwriting campaign against Media General Cable before "Gay
Fairfax" was first televised in May 1990.

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"We're not trying to force our morality on anyone. We're

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immorality," Enrico said. "How can you have a TV show
condoning a lifestyle that is a felony in the state of Virginia?"
Fred Thomas, Channel 10's executive director, said his station

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has received only one complaint since "Inside/Outside" was

Sudoku

televised last Monday night compared with the several

Genre(s): Strategy
Put on your Sudoku hat
and get ready for a
challenging Sudoku

hundred it got when the "Gay Fairfax" news show began.
The caller said she thought the opening episode of
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�"Inside/Outside" -- in which the gay couples hug, kiss and
refer to themselves as husbands and wives -- was obscene,
and she wanted to know how she could get the show off

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television, according to Jay Velgos, Channel 10's
communication manager. The caller declined to give her
name, he said, "because she thought she had a 'politically
incorrect' view and feared recriminations."

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There is no way to tell how many people tuned in to the
opening episode; about 70 percent of the households in
Fairfax County receive Channel 10 from Media General Cable.

washingtonpost.com
© 1996-2015 The Washington Post

Both "Gay Fairfax" and "Inside/Outside," which are sponsored
by the Fairfax Lesbian and Gay Citizens Association, have

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volunteer casts and crews. Some of the volunteers are gay,

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some aren't.

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Leslie Lapides, who plays Cindy, an ad executive in her early
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Submissions and Discussion Policy
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�thirties, jumped at the chance to appear in "Inside/Outside."

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"I'm just a ham, and it sounded like a lot of fun," said Lapides,
a national news service editor. "Less selfishly, I thought this
could be a tremendous educational tool for the community,
without being preachy and dull. People in the gay community
could see people like themselves who weren't sick or dying, or
tremendously neurotic, or sidekicks to the main characters... .
I also thought it might be the kind of project that might be for
teens, giving them good role models."
In a political season defined by debate over family values,
writer Brooks said his show hits the mark: "It's about
traditional values, the human situation."
"We're laying new ground here," said Scott Olson, a computer
programmer who plays John, a college professor. "... We'll get
involved in a lot of political and social issues and change some
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�viewpoints. People will start to see gays as they are -- normal
human beings who cook together, eat together, raise children
together."
But Olson, whose character has papa potential for Maddy and
Cindy, is realistic about how much effect the show can have.
"If Dan Quayle sends a present to this baby," he said, "I'll
become a Republican."

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�</text>
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                  <text>&lt;strong&gt;THIRD SIDE&lt;/strong&gt;&lt;br /&gt;Producers: Kevin Kerdash, Larry Kennedy, David Vanderbilt, Michelle Michaels On Screen Anchors: Michelle Michaels and John Moore Regular Contributor: Jim Cooney Format: 1 hour magazine show with national emphasis, news and entertainment about the gay community.&lt;br /&gt;&lt;br /&gt;The Third Side ran six monthly episodes from January through June of 1991. It was produced in the home of Larry Kennedy and Kevin Kerdash for the local public access channel DCTV, then aired in Washington, DC; Sacramento, California; Winnipeg, Manitoba, Canada; and Portland, Oregon. Featured guests included Larry Kramer, Jon Hinson, The Flirtations, Craig Dean and Patrick Gill, and Rob Eichberg. One segment featured Jason Dilly's Project Face to Face, which was part of the Smithsonian Institution's Experimental Gallery. Visitors viewed life mask of people with aids and listened to tapes of that person speaking about their life. The Smithsonian asked to use this segment as part of that exhibit, where it was screened hourly for a month. That segment is now a permanent part of the Smithsonian's collection. Included is a flyer that was used to promote the show at the 1991 Gay Pride Day. It was there that Kevin and Larry realized that most of DC was not yet wired for cable, and even those who knew of the show could not get it. It was this plus difficulty getting regular help with the show that made them decide to stop production. To this day Kevin and Larry are very proud with what they accomplished with its brief history.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GAY FAIRFAX / GAY SPECTRUM&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;The producers of Gay Fairfax changed its name to Gay Spectrum in the fall of 1993 when the FLGCA Board of Directors refused to allow other financial sponsors of the program. Already Executive Producer Steve Futch had entered into an agreement with the Lambda Rising bookstore for financial support and this was acknowledged in an announcement after the final credits. The new program was exactly the same in format and content with a new theme and opening graphics. The new Gay Spectrum was co-hosted by Eric Randall (a pseudonym for Randy Leverette) and Angela Judy. Crewmembers (many from Gay Fairfax) included Rob Switala, Dave Johnson, Michael Claypoole, Clark Chesser, Michael Fry, Charles Roberts, Jean Ponton, Gail Goodfriend, and others. New reporters included Melissa Anderson, Rich Kazinski, Rick Barton, and Bob Connelly. Memorable highlights included an entire program devoted to the D.C. AIDSWalk '94 including interviews with Second Lady Tipper Gore and D.C. Congresswoman Eleanor Holmes Norton and other interviews with Congressman Gerry Studds and White House Aide George Stephanopolous at the annual Human Rights Campaign Dinner. The show began to loose steam when a very overworked Steve Futch left the show in early 1996. Rob Switala and Michael Claypoole stepped in as co-producers quickly changed the frequency from a weekly to a monthly series. Soon Randy Leverette left the show to take a job with the Home Box Office (HBO) in New York. The last four episodes were co-hosted by Bob Connelly and Angela Judy during the summer of 1996. But enthusiasm for the show had begun to wane, and the Gay Spectrum left the air for good just as Gay News Network was becoming a success.</text>
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                  <text>The Friends Radio tape collection at Rainbow History covers nine years (1973 to 1982) of lesbian, gay, bisexual, transgender and queer activism and community building in Washington, DC and around the nation. The Friends collection includes poetry, music, interviews, candidate interviews, social and political commentary and analysis and accounts of the creation of community services and organizations. Rainbow History received a collection of more than 300 1/4inch acetate tape reels of varying diameters from Bruce Pennington, a founder of the Stonewall Nation Media Collective, which produced and broadcast the show at WGTB and WPFW.</text>
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                  <text>&lt;span&gt;Some clips play online. &lt;br /&gt;&lt;br /&gt;To listen to other recordings, &lt;/span&gt;&lt;a href="https://archive.org/search.php?query=creator%3A%22Rainbow+History+Project%22" target="_blank" rel="noreferrer noopener"&gt;access the Internet Archive [external link].&lt;/a&gt;</text>
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                  <text>The Historic Publications Collection combines newsletters, periodicals, newspapers, books, and other publications by, for and about the LGBTQ communities.  This collection includes both:  1) single issues of various titles that are digitized and online; and, 2) runs of publications that are available in paper form at the DC History Center--some of these may have a digitized issue or two in this online collection. </text>
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                  <text>&lt;strong&gt;Titles digitized online include:&lt;/strong&gt;&lt;br /&gt;"The Baltimore Gayzette" (Produced by the Baltimore Gay Alliance) &lt;br /&gt;"Capitol Hill" (Published by the Gay Rights National Lobby)&lt;br /&gt;"Come Out Fighting: A Newsletter" (Produced by The Lavender and Red Union) &lt;br /&gt;"Cruise: Weekly Arts and Entertainment Magazine" &lt;br /&gt;"The Furies, Goddesses of Vengeance: A New Lesbian/Feminist Monthly Magazine" &lt;br /&gt;"The Lavender and Red Book: A Gay Liberation/Socialist Anthology" (Produced by The Lavender and Red Union) &lt;br /&gt;"The Homosexual Citizen" (Published by the Mattachine Society of Washington) &lt;br /&gt;"The Insider" (Published by the Mattachine Society of Washington) &lt;br /&gt;"The Gay Blade" &lt;br /&gt;"Gay Left" &lt;br /&gt;"Gays on the Hill" (Published by Metropolitan Community Church) &lt;br /&gt;"Just Us: A Directory of the Washington Gay Community" &lt;br /&gt;"Magnus: A Journal of Collective Faggotry" &lt;br /&gt;"Motive: Methodist Student Movement" &lt;br /&gt;"Musica: Newsletter of Women's Music" (Published by Indra "Indy" Allen) &lt;br /&gt;"Off Our Backs: A Women's Liberation Biweekly" &lt;br /&gt;"Red Flag Union" (Published by the Red Flag Union in Hollywood, California)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Titles available in paper format include:&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://dchistory.pastperfectonline.com/library/EF152787-E753-4A81-98BC-352621010550" target="_blank" rel="noreferrer noopener"&gt;The Advocate (P 4428)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://dchistory.pastperfectonline.com/library/17F0A247-1F5A-423A-9DD8-194035327180" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-weight:400;"&gt;BGM: Black Gay Male (P 3798)&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vT-URvXiipp_9oLpk85ukIQRAZ-KE8NbLrQ3Vqas1yuvK_LwFQVCc3d2mpXuGoVualBAEjqS88lb0fo/pubhtml" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-weight:400;"&gt;Black/Out: The Magazine of the National Coalition of Black Lesbians and Gays (P 3746)&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://dchistory.pastperfectonline.com/library/072ADDF8-6EB1-42C9-BC9B-334645015229" target="_blank" rel="noreferrer noopener"&gt;Blacklight: BL (P 3797)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vRMNot_aI8wzgNyPolSOIcXqELc4iOEZ344oIbfUsq38F_qm_zP03se5ERhI9JlGzP8MTtlDEDQvsyM/pubhtml" target="_blank" rel="noreferrer noopener"&gt;The Blade, aka The Washington Blade (P 4092)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vSk1nluUXzM5WHheLZ3KH0FxIEBgSVIbwlA9n9Q8ITzez773juJVXcWMAa8XWQdqaMl88J9Pd8z90kb/pubhtml" target="_blank" rel="noreferrer noopener"&gt;ButiVoxx: Hangin' at the Beach (P 7484)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://historydc.pastperfect-online.com/32595cgi/mweb.exe?request=record;id=D6FA5FA7-5F1E-470F-BFDD-704764414254;type=201" target="_blank" rel="noreferrer noopener"&gt;Come Out Fighting: The Newspaper of the Lavender and Red Union (P 4429)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vT0ygSuwwM7osEAUq19DZRDB79SG0nQSM0eivbgp9yfT1ai9VZoS5m5S5vCLCLtE3QbFH3vmJZ3VIGo/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Cruise (P 5265)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://dchistory.pastperfectonline.com/library/85FD7D8E-90AC-4BAF-B9BA-236360613300" target="_blank" rel="noreferrer noopener"&gt;Dorian Book Quarterly (P 3762)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://dchistory.pastperfectonline.com/library/B4FE447D-1393-4CEC-95A7-315932234514" target="_blank" rel="noreferrer noopener"&gt;From the Center: A Publication of the Gay and Lesbian Community Center (P 5153)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://historydc.pastperfect-online.com/32595cgi/mweb.exe?request=record;id=95A93E3E-695D-4FEA-8BED-470192896500;type=201" target="_blank" rel="noreferrer noopener"&gt;The Furies (P 3796)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://historydc.pastperfect-online.com/32595cgi/mweb.exe?request=record;id=950F02A5-B2AF-4E12-B806-820764303510;type=201" target="_blank" rel="noreferrer noopener"&gt;The Gay Alternative (P 3764)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://historydc.pastperfect-online.com/32595cgi/mweb.exe?request=record;id=C5041E4B-685F-44AD-AC98-544829469789;type=201" target="_blank" rel="noreferrer noopener"&gt;Habari-Daftari: The Newsmagazine of the National Coalition of Black Gays (P 4438)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vR0mvUz-4DgFrAne7Lq36XRwN-PgNEbJ_xFk4yOCetJGkzwOnLl7GzB6SypH4lwBfgFBQiC2J2f3C3O/pubhtml" target="_blank" rel="noreferrer noopener"&gt;In the Family: A Magazine for Gays, Bisexuals, and their Relations (P 7483)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vRT5dzowAYoJBFQMdaEWSyE2W4FgdhVCkobDDjpHo8gxQgtDMF0DLgHQLCVThX-5Toe8xCztyz90epj/pubhtml" target="_blank" rel="noreferrer noopener"&gt;James White Review (P 5508)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vR7sT8oSPmwYrUo6fP9iVuyOAI5DHoOivptt7t4f10HYxPzGsm-hoiCR_1-VgZA9isKuk5wh5WoRtGG/pubhtml" target="_blank" rel="noreferrer noopener"&gt;The Ladder (P 3763)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vSc4izycDdUx2cUXNcTJmZfNnXVG-pGAB9Y88hh9FFBxmDaMAOolG9meN2g0zE6urdjgqapZjndJMlJ/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Lambda Rising Book Report (P 5264)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://historydc.pastperfect-online.com/32595cgi/mweb.exe?request=record;id=2C29FA49-5477-4C6A-8AFD-114668235015;type=201" target="_blank" rel="noreferrer noopener"&gt;Magnus: A Journal of Collective Faggotry (P 4437)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vTSSyZKInuvSM7F0flVdDW6T1J2p3D0pF83HhSscUODFK25iGbULV_zA7JoxjatI06JBnQRL94zrvlt/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Malebox!: DC’s Largest Publication for Black Gay Men (P 7485)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vSszwzqFsoPGjXrDgQYwkBahcYMYloruOr3TUfqfXz9LoPBxuxt7iw6RgeIG1eISxWjhfxgc-EQ6kFv/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Mattachine Review (P 3761)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vTSLESWmUSz9Tc8fBYIAPI0flUdwhE6oE5Sp_8p4jBhnwx6v9qKRJOaa8gCsF8VXT7nQfp33qWjy_zX/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Metro Weekly (P 4573)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vRpGOfepm-fAKQxtKzD9OSDSoacs73zE99qL87vPNPgDIQOV4J1Z_YdSdjW_mgBbCPGLmdsyx4JGuT5/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Michael’s Entertainment Weekly (P 5150)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://historydc.pastperfect-online.com/32595cgi/mweb.exe?request=record;id=6ACA8DC9-3D4B-4B18-AAFB-591753602431;type=201" target="_blank" rel="noreferrer noopener"&gt;Motive (P 4439)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vTzeS-BNP2NFpAFRaSC4Gr9JcacUt-zqee75IYcSSjsFdQp6ppJD-XqA3WllYzBdK-YHOSMg6hzRGsM/pubhtml" target="_blank" rel="noreferrer noopener"&gt;One Magazine: The Homosexual Viewpoint (P 3760)&lt;/a&gt;&lt;br /&gt;The Other Pages &lt;a href="http://dchistory.pastperfectonline.com/library/193BA1F9-468B-4415-98C4-212254951886" target="_blank" rel="noreferrer noopener"&gt;(P 4412)&lt;/a&gt; &lt;a href="http://dchistory.pastperfectonline.com/library/C51A4A45-AE1A-486F-991D-065636732245" target="_blank" rel="noreferrer noopener"&gt;(P 5259)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vSB-zsqyYJsqTYPf_WyEjAudp2l7AdJYtA0NtslJ1pHT163NBwBGrE0egEUrSkUF-3jP-IcsQ2GgnCT/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Out Magazine (P 5258)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vQurI_ESpP2burYNzy7qg0K6NIOuMOyu-sRMBGLmfHhRcnTjB5DF50DRO_-mDeWeKnIu5ipPCU9zUPF/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Port of Harlem: A Magazine about Blacks at Home and Abroad (P 7486)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vQC8KbQ9ln_ypf6n6s5VEHjvKZ6XQysBxgBBySvh8gl7FSR_cTBVD1NBEkKcAvQ9N0FTYS6Rz_yVATg/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Real: The Magazine for Black Gay &amp;amp; Lesbian Brothers &amp;amp; Sisters (P 7487)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vQUHIMRHkm5ekmLco5xPaRr55pwH7JSUxaLKrwNsKmilSYEN7Qkd2d1s3dHOZ4qS03NjgY5dF4ReJ4H/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Reel Affirmations (P 5268)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vRNePSxazwevOE1YigR9BhbLuorKdUgR74-_VIYhtD4FnoZffQrWbCcwFfJsEI2xS7DO4IXUSxHZhEx/pubhtml" target="_blank" rel="noreferrer noopener"&gt;SBC: A Monthly for the Afrocentric Homosexual Man (P 7489 to DCHC)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vSq9SCLixTQrEMsmcHDarkNINyHeEl7Sg_7c6JKuQlYMnPtn1YrivGvvd1U9EpeWzSxBSO9OtXzxFS8/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Silk Road: Asians and Friends of Washington, DC (P 5507)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vQUe90hYJEn2ZrZ8cT8BxZlIc_PasiTKlyriYxCcS2PAvywoKBgAtExb4Nq0i24fQSo87KCVLscEbpC/pubhtml" target="_blank" rel="noreferrer noopener"&gt;TAGG Magazine (P 5277)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vRLwyOC_AZ5-7OQ-TlgsMdTn8OfSZrcS6MJkbk_uDUJ7Jx5u5eclvF35k5FOwgPerUNQxvXZVg_jobr/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Vector: A Voice for the Homophile Community (P 3765)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vQhGhhiQPRJ9KdeAUkSVNM__R3yPjibb96YEAnUXx6g8mZs5M8-bLhlYBak9M95LZh5ZtcLzeFyLzoD/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Whazzup! Magazine (P 7488)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vQgnzcNqUVJ6f5-OatDfpy4eSbqxM4g7tOfCAk86-yEfqztsjZCpfSl73izCGHXfyvi735fNLZwixBj/pubhtml" target="_blank" rel="noreferrer noopener"&gt;The Whole Gay Catalog: Books for Gay Men &amp;amp; Lesbians, Their Families &amp;amp; Friends (P 5267)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vTnXCv18YlSuc4o3hmaoNMUzA_t10dpeBr-nFcV0KYuxmA2K5UHl4DgBTNsB3PI0sAvPb9AoWtz71Gh/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Women in the Life: The Premiere Women’s Monthly (P 5266)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vQ1D-Lh7QMNH2EXhATSNZz9bAV_0XA9FpA4yAZK5LmGgZzcF7Y5CRfJhlGQKG7_8U-tuhMWq_d3VavZ/pubhtml" target="_blank" rel="noreferrer noopener"&gt;WOMO: Woman’s Monthly: A Periodical Calendar for the Women’s Community (P 3759)&lt;/a&gt;</text>
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              <name>Access Rights</name>
              <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
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                  <text>&lt;span&gt;Some items/issues may be available online. &lt;br /&gt;&lt;br /&gt;All publications with a "P" number are available to all people, by appointment, at the &lt;a href="https://dchistory.libguides.com/kiplinger-research-library" target="_blank" rel="noreferrer noopener"&gt;DC History Center&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Collection is available for “fair use.” Material may be protected by copyright.&lt;br /&gt;&lt;br /&gt;The Rainbow History Project respects the copyright and intellectual property rights associated with the materials in its collection. To the best of its knowledge, these items are either in the public domain; are orphaned works; and/or had their rights for public display transferred to RHP. &lt;br /&gt;&lt;/span&gt;</text>
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            <name>Title</name>
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                <text>An Incurable Romantic: The Life and Loves of John Moore McCalla, Jr.</text>
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                <text>Presented at the 30th Annual Washington, D.C. Historical Studies Conference 2003</text>
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          <element elementId="53">
            <name>Abstract</name>
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                <text>The memoirs of Dr. John McCalla Jr., a nineteenth century Washington DC physician, portray the life of an active male bisexual in the second half of that century.  The papers, at the Historical Society of Washington, were transcribed and edited by Mark Herlong, Ph.D., who has extensively researched the clubs, social activities and other events recalled in the McCalla papers.  &#13;
&#13;
McCalla's memoirs reflect the pressures and activities of local male bisexuals during the period.  Herlong summarized the papers in this presentation to the 30th annual Washington, DC Historical Studies Conference in November 2003.</text>
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            <name>Creator</name>
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                <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Mark+W.+Herlong%2C+Ph.D."&gt;Mark W. Herlong, Ph.D.&lt;/a&gt;</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=November+7%2C+2003"&gt;November 7, 2003&lt;/a&gt;</text>
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        <name>Bisexual people</name>
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        <src>https://archives.rainbowhistory.org/files/original/8ed30398053f738fe99e4b0d589bc3ed.mp3</src>
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                    <text>audio/mpeg</text>
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                  <text>Friends Radio Collection, 1973-1982, 3</text>
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                  <text>Stonewall Nation Media Collective Collection #3</text>
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                  <text>The Friends Radio tape collection at Rainbow History covers nine years (1973 to 1982) of lesbian, gay, bisexual, transgender and queer activism and community building in Washington, DC and around the nation. The Friends collection includes poetry, music, interviews, candidate interviews, social and political commentary and analysis and accounts of the creation of community services and organizations. Rainbow History received a collection of more than 300 1/4inch acetate tape reels of varying diameters from Bruce Pennington, a founder of the Stonewall Nation Media Collective, which produced and broadcast the show at WGTB and WPFW.</text>
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                  <text>Stonewall Nation Media Collective&#13;
</text>
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              <name>Date</name>
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                  <text>1973-1982</text>
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                  <text>Pennington, Bruce C., 1947-2003</text>
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                  <text>Aiken, David L. (David Lewis), 1945-1986</text>
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                  <text>Stonewall Nation Media Collective (Organization : Washington, D.C.)</text>
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              <name>Access Rights</name>
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              <elementTextContainer>
                <elementText elementTextId="18">
                  <text>&lt;span&gt;Some clips play online. &lt;br /&gt;&lt;br /&gt;To listen to other recordings, &lt;/span&gt;&lt;a href="https://archive.org/search.php?query=creator%3A%22Rainbow+History+Project%22" target="_blank" rel="noreferrer noopener"&gt;access the Internet Archive [external link].&lt;/a&gt;</text>
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                <text>Angel</text>
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                  <text>Horton, Bill&#13;
Claypoole, Michael&#13;
Pearson Brown, Karen&#13;
Ponton, Jean</text>
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                  <text>&lt;strong&gt;THIRD SIDE&lt;/strong&gt;&lt;br /&gt;Producers: Kevin Kerdash, Larry Kennedy, David Vanderbilt, Michelle Michaels On Screen Anchors: Michelle Michaels and John Moore Regular Contributor: Jim Cooney Format: 1 hour magazine show with national emphasis, news and entertainment about the gay community.&lt;br /&gt;&lt;br /&gt;The Third Side ran six monthly episodes from January through June of 1991. It was produced in the home of Larry Kennedy and Kevin Kerdash for the local public access channel DCTV, then aired in Washington, DC; Sacramento, California; Winnipeg, Manitoba, Canada; and Portland, Oregon. Featured guests included Larry Kramer, Jon Hinson, The Flirtations, Craig Dean and Patrick Gill, and Rob Eichberg. One segment featured Jason Dilly's Project Face to Face, which was part of the Smithsonian Institution's Experimental Gallery. Visitors viewed life mask of people with aids and listened to tapes of that person speaking about their life. The Smithsonian asked to use this segment as part of that exhibit, where it was screened hourly for a month. That segment is now a permanent part of the Smithsonian's collection. Included is a flyer that was used to promote the show at the 1991 Gay Pride Day. It was there that Kevin and Larry realized that most of DC was not yet wired for cable, and even those who knew of the show could not get it. It was this plus difficulty getting regular help with the show that made them decide to stop production. To this day Kevin and Larry are very proud with what they accomplished with its brief history.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GAY FAIRFAX / GAY SPECTRUM&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;The producers of Gay Fairfax changed its name to Gay Spectrum in the fall of 1993 when the FLGCA Board of Directors refused to allow other financial sponsors of the program. Already Executive Producer Steve Futch had entered into an agreement with the Lambda Rising bookstore for financial support and this was acknowledged in an announcement after the final credits. The new program was exactly the same in format and content with a new theme and opening graphics. The new Gay Spectrum was co-hosted by Eric Randall (a pseudonym for Randy Leverette) and Angela Judy. Crewmembers (many from Gay Fairfax) included Rob Switala, Dave Johnson, Michael Claypoole, Clark Chesser, Michael Fry, Charles Roberts, Jean Ponton, Gail Goodfriend, and others. New reporters included Melissa Anderson, Rich Kazinski, Rick Barton, and Bob Connelly. Memorable highlights included an entire program devoted to the D.C. AIDSWalk '94 including interviews with Second Lady Tipper Gore and D.C. Congresswoman Eleanor Holmes Norton and other interviews with Congressman Gerry Studds and White House Aide George Stephanopolous at the annual Human Rights Campaign Dinner. The show began to loose steam when a very overworked Steve Futch left the show in early 1996. Rob Switala and Michael Claypoole stepped in as co-producers quickly changed the frequency from a weekly to a monthly series. Soon Randy Leverette left the show to take a job with the Home Box Office (HBO) in New York. The last four episodes were co-hosted by Bob Connelly and Angela Judy during the summer of 1996. But enthusiasm for the show had begun to wane, and the Gay Spectrum left the air for good just as Gay News Network was becoming a success.</text>
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                  <text>&lt;a href="https://rainbowhistory.omeka.net/exhibits/show/pioneers" target="_blank" rel="noreferrer noopener"&gt;Community Pioneers: Creators of DC's LGBTQ Communities&lt;/a&gt; [Online Exhibit]</text>
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                <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Reproduction+and+use+of+this+material+requires+permission+from+the+copyright+holder.+Please+contact+the+Rainbow+History+Project+for+more+information."&gt;Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information.&lt;/a&gt;</text>
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                <text>Washington (D.C.)</text>
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                  <text>David Aiken Papers (Series II)</text>
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                  <text>The collection includes many drafts of articles he had written on the issues confronting the LGBT community of the time. They are rough drafts, with typographical errors, handwritten notes and corrections, and numerous rewrites. They are also an important source for the events and issues of the period. His files also contain primary documents, leaflets, and notes of interviews connected with the articles he wrote. &lt;br /&gt;&lt;br /&gt;Aiken, a local gay activist, member at one time of the Gay Liberation Front and a resident of GLF House (1620 St St. NW), Washington correspondent for The Advocate, was also a member of the Stonewall Nation Media Collective which broadcast the Friends radio show on WGBT and WPFW radio for nine years. His broadcasts on Friends seem to have complemented many of the stories on which he worked. In the mid-Seventies, he chaired the Washington Area Gay Community Council. He also served as a founder of Black and White Men Together's DC chapter and edited its newsletter. &lt;br /&gt;&lt;br /&gt;The Aiken Articles &lt;br /&gt;David Aiken's drafts of articles he submitted to the Advocate and other publications in the 1970s document many of the local and national issues confronting the LGBTQ community of the period. As such, they are an important resource of people, events, and issues for students and researchers. The collection contains Aiken's handwritten interview notes as well. The draft articles are listed below by topic.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/document/d/e/2PACX-1vR7ZGpQXij9EKhAxYVXnkL-5pIo-T66TtXIxK1Zm_fNsBg4nhoimqkQupb3X0CFM1-Frn-mwtBLMuO4/pub" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;VIEW ONLINE FINDING AID&lt;/strong&gt;&lt;/a&gt;</text>
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                  <text>Aiken, David L. (David Lewis), 1945-1986</text>
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                  <text>Some items are online. &lt;br /&gt;&lt;br /&gt;&lt;span&gt;Open to all people, by appointment, at the &lt;/span&gt;&lt;a href="http://www.dchistory.org/research/" target="_blank" rel="noreferrer noopener"&gt;DC History Center.&lt;/a&gt; &lt;span&gt;Collection is available for “fair use.” Material may be protected by copyright.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://dchistory.org/uploads/fa/ms0764.pdf" target="_blank" rel="noreferrer noopener"&gt;VIEW ONLINE FINDING AID&lt;/a&gt;</text>
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                  <text>David Lewis Aiken, 1945-1986</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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                <text>Anti-Sexism Committee work on Title 34, DC Human Rights Act</text>
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            <description>An entity primarily responsible for making the resource</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Reproduction+and+use+of+this+material+requires+permission+from+the+copyright+holder.+Please+contact+the+Rainbow+History+Project+for+more+information."&gt;Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information.&lt;/a&gt;</text>
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                <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=%C2%A9+National+Lawyers+Guild"&gt;© National Lawyers Guild&lt;/a&gt;</text>
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        <name>Title 34</name>
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            <element elementId="50">
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              <description>A name given to the resource</description>
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                  <text>Friends Radio Collection, 1973-1982, 3</text>
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              <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                  <text>Stonewall Nation Media Collective Collection #3</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Friends Radio tape collection at Rainbow History covers nine years (1973 to 1982) of lesbian, gay, bisexual, transgender and queer activism and community building in Washington, DC and around the nation. The Friends collection includes poetry, music, interviews, candidate interviews, social and political commentary and analysis and accounts of the creation of community services and organizations. Rainbow History received a collection of more than 300 1/4inch acetate tape reels of varying diameters from Bruce Pennington, a founder of the Stonewall Nation Media Collective, which produced and broadcast the show at WGTB and WPFW.</text>
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                  <text>Stonewall Nation Media Collective&#13;
</text>
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                  <text>1973-1982</text>
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                  <text>Pennington, Bruce C., 1947-2003</text>
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                  <text>Aiken, David L. (David Lewis), 1945-1986</text>
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                  <text>Stonewall Nation Media Collective (Organization : Washington, D.C.)</text>
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            <element elementId="63">
              <name>Access Rights</name>
              <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
              <elementTextContainer>
                <elementText elementTextId="18">
                  <text>&lt;span&gt;Some clips play online. &lt;br /&gt;&lt;br /&gt;To listen to other recordings, &lt;/span&gt;&lt;a href="https://archive.org/search.php?query=creator%3A%22Rainbow+History+Project%22" target="_blank" rel="noreferrer noopener"&gt;access the Internet Archive [external link].&lt;/a&gt;</text>
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      <name>Sound</name>
      <description>A resource whose content is primarily intended to be rendered as audio.</description>
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                <text>Apology for wet kisses</text>
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                <text>Lesbians--Poetry--United States</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Lee Lally reading "Apology for wet kisses"</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Lally%2C+Lee"&gt;Lally, Lee&lt;/a&gt;</text>
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                <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Friends+%28Radio+Program%29"&gt;Friends (Radio Program)&lt;/a&gt;</text>
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            <name>Date</name>
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                <text>WPFW (Radio station : Washington, D.C.)</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4038">
                <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Reproduction+and+use+of+this+material+requires+permission+from+the+copyright+holder.+Please+contact+the+Rainbow+History+Project+for+more+information."&gt;Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information.&lt;/a&gt;</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            </elementTextContainer>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
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                <text>Washington (D.C.)</text>
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        <name>1970s</name>
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        <name>Friends Radio</name>
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        <name>Lee Lally</name>
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        <name>Poetry</name>
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        <name>Television and radio</name>
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                  <text>David Aiken Papers (Series II)</text>
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                  <text>The collection includes many drafts of articles he had written on the issues confronting the LGBT community of the time. They are rough drafts, with typographical errors, handwritten notes and corrections, and numerous rewrites. They are also an important source for the events and issues of the period. His files also contain primary documents, leaflets, and notes of interviews connected with the articles he wrote. &lt;br /&gt;&lt;br /&gt;Aiken, a local gay activist, member at one time of the Gay Liberation Front and a resident of GLF House (1620 St St. NW), Washington correspondent for The Advocate, was also a member of the Stonewall Nation Media Collective which broadcast the Friends radio show on WGBT and WPFW radio for nine years. His broadcasts on Friends seem to have complemented many of the stories on which he worked. In the mid-Seventies, he chaired the Washington Area Gay Community Council. He also served as a founder of Black and White Men Together's DC chapter and edited its newsletter. &lt;br /&gt;&lt;br /&gt;The Aiken Articles &lt;br /&gt;David Aiken's drafts of articles he submitted to the Advocate and other publications in the 1970s document many of the local and national issues confronting the LGBTQ community of the period. As such, they are an important resource of people, events, and issues for students and researchers. The collection contains Aiken's handwritten interview notes as well. The draft articles are listed below by topic.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/document/d/e/2PACX-1vR7ZGpQXij9EKhAxYVXnkL-5pIo-T66TtXIxK1Zm_fNsBg4nhoimqkQupb3X0CFM1-Frn-mwtBLMuO4/pub" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;VIEW ONLINE FINDING AID&lt;/strong&gt;&lt;/a&gt;</text>
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                  <text>Aiken, David L. (David Lewis), 1945-1986</text>
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                  <text>Some items are online. &lt;br /&gt;&lt;br /&gt;&lt;span&gt;Open to all people, by appointment, at the &lt;/span&gt;&lt;a href="http://www.dchistory.org/research/" target="_blank" rel="noreferrer noopener"&gt;DC History Center.&lt;/a&gt; &lt;span&gt;Collection is available for “fair use.” Material may be protected by copyright.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://dchistory.org/uploads/fa/ms0764.pdf" target="_blank" rel="noreferrer noopener"&gt;VIEW ONLINE FINDING AID&lt;/a&gt;</text>
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                  <text>David Lewis Aiken, 1945-1986</text>
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                  <text>1971-1986</text>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>typed document</text>
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                <text>appeals : typescript of article on court ruling regarding Pentagon security clearance practices</text>
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                <text>Gay rights--Washington (D.C.)</text>
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                <text>draft of article on the ruling of a three judge panel on the Pentagon's  intimate questions of three gay men being interviewed for security clearances.</text>
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                <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Aiken%2C+David+L.+%28David+Lewis%29%2C+1945-1986"&gt;Aiken, David L. (David Lewis), 1945-1986&lt;/a&gt;</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="8470">
                <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Reproduction+and+use+of+this+material+requires+permission+from+the+copyright+holder.+Please+contact+the+Rainbow+History+Project+for+more+information."&gt;Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information.&lt;/a&gt;</text>
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              <elementText elementTextId="8471">
                <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=%C2%A9+David+L.+Aiken"&gt;© David L. Aiken&lt;/a&gt;</text>
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            <description>A language of the resource</description>
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                <text>Text</text>
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                <text>Washington (D.C.)</text>
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        <name>Discrimination</name>
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        <name>Employment</name>
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            <element elementId="50">
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                  <text>Historic Publications Collection</text>
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              <description>An account of the resource</description>
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                  <text>The Historic Publications Collection combines newsletters, periodicals, newspapers, books, and other publications by, for and about the LGBTQ communities.  This collection includes both:  1) single issues of various titles that are digitized and online; and, 2) runs of publications that are available in paper form at the DC History Center--some of these may have a digitized issue or two in this online collection. </text>
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              <name>Table Of Contents</name>
              <description>A list of subunits of the resource.</description>
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                  <text>&lt;strong&gt;Titles digitized online include:&lt;/strong&gt;&lt;br /&gt;"The Baltimore Gayzette" (Produced by the Baltimore Gay Alliance) &lt;br /&gt;"Capitol Hill" (Published by the Gay Rights National Lobby)&lt;br /&gt;"Come Out Fighting: A Newsletter" (Produced by The Lavender and Red Union) &lt;br /&gt;"Cruise: Weekly Arts and Entertainment Magazine" &lt;br /&gt;"The Furies, Goddesses of Vengeance: A New Lesbian/Feminist Monthly Magazine" &lt;br /&gt;"The Lavender and Red Book: A Gay Liberation/Socialist Anthology" (Produced by The Lavender and Red Union) &lt;br /&gt;"The Homosexual Citizen" (Published by the Mattachine Society of Washington) &lt;br /&gt;"The Insider" (Published by the Mattachine Society of Washington) &lt;br /&gt;"The Gay Blade" &lt;br /&gt;"Gay Left" &lt;br /&gt;"Gays on the Hill" (Published by Metropolitan Community Church) &lt;br /&gt;"Just Us: A Directory of the Washington Gay Community" &lt;br /&gt;"Magnus: A Journal of Collective Faggotry" &lt;br /&gt;"Motive: Methodist Student Movement" &lt;br /&gt;"Musica: Newsletter of Women's Music" (Published by Indra "Indy" Allen) &lt;br /&gt;"Off Our Backs: A Women's Liberation Biweekly" &lt;br /&gt;"Red Flag Union" (Published by the Red Flag Union in Hollywood, California)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Titles available in paper format include:&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://dchistory.pastperfectonline.com/library/EF152787-E753-4A81-98BC-352621010550" target="_blank" rel="noreferrer noopener"&gt;The Advocate (P 4428)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://dchistory.pastperfectonline.com/library/17F0A247-1F5A-423A-9DD8-194035327180" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-weight:400;"&gt;BGM: Black Gay Male (P 3798)&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vT-URvXiipp_9oLpk85ukIQRAZ-KE8NbLrQ3Vqas1yuvK_LwFQVCc3d2mpXuGoVualBAEjqS88lb0fo/pubhtml" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-weight:400;"&gt;Black/Out: The Magazine of the National Coalition of Black Lesbians and Gays (P 3746)&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://dchistory.pastperfectonline.com/library/072ADDF8-6EB1-42C9-BC9B-334645015229" target="_blank" rel="noreferrer noopener"&gt;Blacklight: BL (P 3797)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vRMNot_aI8wzgNyPolSOIcXqELc4iOEZ344oIbfUsq38F_qm_zP03se5ERhI9JlGzP8MTtlDEDQvsyM/pubhtml" target="_blank" rel="noreferrer noopener"&gt;The Blade, aka The Washington Blade (P 4092)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vSk1nluUXzM5WHheLZ3KH0FxIEBgSVIbwlA9n9Q8ITzez773juJVXcWMAa8XWQdqaMl88J9Pd8z90kb/pubhtml" target="_blank" rel="noreferrer noopener"&gt;ButiVoxx: Hangin' at the Beach (P 7484)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://historydc.pastperfect-online.com/32595cgi/mweb.exe?request=record;id=D6FA5FA7-5F1E-470F-BFDD-704764414254;type=201" target="_blank" rel="noreferrer noopener"&gt;Come Out Fighting: The Newspaper of the Lavender and Red Union (P 4429)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vT0ygSuwwM7osEAUq19DZRDB79SG0nQSM0eivbgp9yfT1ai9VZoS5m5S5vCLCLtE3QbFH3vmJZ3VIGo/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Cruise (P 5265)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://dchistory.pastperfectonline.com/library/85FD7D8E-90AC-4BAF-B9BA-236360613300" target="_blank" rel="noreferrer noopener"&gt;Dorian Book Quarterly (P 3762)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://dchistory.pastperfectonline.com/library/B4FE447D-1393-4CEC-95A7-315932234514" target="_blank" rel="noreferrer noopener"&gt;From the Center: A Publication of the Gay and Lesbian Community Center (P 5153)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://historydc.pastperfect-online.com/32595cgi/mweb.exe?request=record;id=95A93E3E-695D-4FEA-8BED-470192896500;type=201" target="_blank" rel="noreferrer noopener"&gt;The Furies (P 3796)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://historydc.pastperfect-online.com/32595cgi/mweb.exe?request=record;id=950F02A5-B2AF-4E12-B806-820764303510;type=201" target="_blank" rel="noreferrer noopener"&gt;The Gay Alternative (P 3764)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://historydc.pastperfect-online.com/32595cgi/mweb.exe?request=record;id=C5041E4B-685F-44AD-AC98-544829469789;type=201" target="_blank" rel="noreferrer noopener"&gt;Habari-Daftari: The Newsmagazine of the National Coalition of Black Gays (P 4438)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vR0mvUz-4DgFrAne7Lq36XRwN-PgNEbJ_xFk4yOCetJGkzwOnLl7GzB6SypH4lwBfgFBQiC2J2f3C3O/pubhtml" target="_blank" rel="noreferrer noopener"&gt;In the Family: A Magazine for Gays, Bisexuals, and their Relations (P 7483)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vRT5dzowAYoJBFQMdaEWSyE2W4FgdhVCkobDDjpHo8gxQgtDMF0DLgHQLCVThX-5Toe8xCztyz90epj/pubhtml" target="_blank" rel="noreferrer noopener"&gt;James White Review (P 5508)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vR7sT8oSPmwYrUo6fP9iVuyOAI5DHoOivptt7t4f10HYxPzGsm-hoiCR_1-VgZA9isKuk5wh5WoRtGG/pubhtml" target="_blank" rel="noreferrer noopener"&gt;The Ladder (P 3763)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vSc4izycDdUx2cUXNcTJmZfNnXVG-pGAB9Y88hh9FFBxmDaMAOolG9meN2g0zE6urdjgqapZjndJMlJ/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Lambda Rising Book Report (P 5264)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://historydc.pastperfect-online.com/32595cgi/mweb.exe?request=record;id=2C29FA49-5477-4C6A-8AFD-114668235015;type=201" target="_blank" rel="noreferrer noopener"&gt;Magnus: A Journal of Collective Faggotry (P 4437)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vTSSyZKInuvSM7F0flVdDW6T1J2p3D0pF83HhSscUODFK25iGbULV_zA7JoxjatI06JBnQRL94zrvlt/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Malebox!: DC’s Largest Publication for Black Gay Men (P 7485)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vSszwzqFsoPGjXrDgQYwkBahcYMYloruOr3TUfqfXz9LoPBxuxt7iw6RgeIG1eISxWjhfxgc-EQ6kFv/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Mattachine Review (P 3761)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vTSLESWmUSz9Tc8fBYIAPI0flUdwhE6oE5Sp_8p4jBhnwx6v9qKRJOaa8gCsF8VXT7nQfp33qWjy_zX/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Metro Weekly (P 4573)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vRpGOfepm-fAKQxtKzD9OSDSoacs73zE99qL87vPNPgDIQOV4J1Z_YdSdjW_mgBbCPGLmdsyx4JGuT5/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Michael’s Entertainment Weekly (P 5150)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://historydc.pastperfect-online.com/32595cgi/mweb.exe?request=record;id=6ACA8DC9-3D4B-4B18-AAFB-591753602431;type=201" target="_blank" rel="noreferrer noopener"&gt;Motive (P 4439)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vTzeS-BNP2NFpAFRaSC4Gr9JcacUt-zqee75IYcSSjsFdQp6ppJD-XqA3WllYzBdK-YHOSMg6hzRGsM/pubhtml" target="_blank" rel="noreferrer noopener"&gt;One Magazine: The Homosexual Viewpoint (P 3760)&lt;/a&gt;&lt;br /&gt;The Other Pages &lt;a href="http://dchistory.pastperfectonline.com/library/193BA1F9-468B-4415-98C4-212254951886" target="_blank" rel="noreferrer noopener"&gt;(P 4412)&lt;/a&gt; &lt;a href="http://dchistory.pastperfectonline.com/library/C51A4A45-AE1A-486F-991D-065636732245" target="_blank" rel="noreferrer noopener"&gt;(P 5259)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vSB-zsqyYJsqTYPf_WyEjAudp2l7AdJYtA0NtslJ1pHT163NBwBGrE0egEUrSkUF-3jP-IcsQ2GgnCT/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Out Magazine (P 5258)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vQurI_ESpP2burYNzy7qg0K6NIOuMOyu-sRMBGLmfHhRcnTjB5DF50DRO_-mDeWeKnIu5ipPCU9zUPF/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Port of Harlem: A Magazine about Blacks at Home and Abroad (P 7486)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vQC8KbQ9ln_ypf6n6s5VEHjvKZ6XQysBxgBBySvh8gl7FSR_cTBVD1NBEkKcAvQ9N0FTYS6Rz_yVATg/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Real: The Magazine for Black Gay &amp;amp; Lesbian Brothers &amp;amp; Sisters (P 7487)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vQUHIMRHkm5ekmLco5xPaRr55pwH7JSUxaLKrwNsKmilSYEN7Qkd2d1s3dHOZ4qS03NjgY5dF4ReJ4H/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Reel Affirmations (P 5268)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vRNePSxazwevOE1YigR9BhbLuorKdUgR74-_VIYhtD4FnoZffQrWbCcwFfJsEI2xS7DO4IXUSxHZhEx/pubhtml" target="_blank" rel="noreferrer noopener"&gt;SBC: A Monthly for the Afrocentric Homosexual Man (P 7489 to DCHC)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vSq9SCLixTQrEMsmcHDarkNINyHeEl7Sg_7c6JKuQlYMnPtn1YrivGvvd1U9EpeWzSxBSO9OtXzxFS8/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Silk Road: Asians and Friends of Washington, DC (P 5507)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vQUe90hYJEn2ZrZ8cT8BxZlIc_PasiTKlyriYxCcS2PAvywoKBgAtExb4Nq0i24fQSo87KCVLscEbpC/pubhtml" target="_blank" rel="noreferrer noopener"&gt;TAGG Magazine (P 5277)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vRLwyOC_AZ5-7OQ-TlgsMdTn8OfSZrcS6MJkbk_uDUJ7Jx5u5eclvF35k5FOwgPerUNQxvXZVg_jobr/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Vector: A Voice for the Homophile Community (P 3765)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vQhGhhiQPRJ9KdeAUkSVNM__R3yPjibb96YEAnUXx6g8mZs5M8-bLhlYBak9M95LZh5ZtcLzeFyLzoD/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Whazzup! Magazine (P 7488)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vQgnzcNqUVJ6f5-OatDfpy4eSbqxM4g7tOfCAk86-yEfqztsjZCpfSl73izCGHXfyvi735fNLZwixBj/pubhtml" target="_blank" rel="noreferrer noopener"&gt;The Whole Gay Catalog: Books for Gay Men &amp;amp; Lesbians, Their Families &amp;amp; Friends (P 5267)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vTnXCv18YlSuc4o3hmaoNMUzA_t10dpeBr-nFcV0KYuxmA2K5UHl4DgBTNsB3PI0sAvPb9AoWtz71Gh/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Women in the Life: The Premiere Women’s Monthly (P 5266)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vQ1D-Lh7QMNH2EXhATSNZz9bAV_0XA9FpA4yAZK5LmGgZzcF7Y5CRfJhlGQKG7_8U-tuhMWq_d3VavZ/pubhtml" target="_blank" rel="noreferrer noopener"&gt;WOMO: Woman’s Monthly: A Periodical Calendar for the Women’s Community (P 3759)&lt;/a&gt;</text>
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              <name>Access Rights</name>
              <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
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                  <text>&lt;span&gt;Some items/issues may be available online. &lt;br /&gt;&lt;br /&gt;All publications with a "P" number are available to all people, by appointment, at the &lt;a href="https://dchistory.libguides.com/kiplinger-research-library" target="_blank" rel="noreferrer noopener"&gt;DC History Center&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Collection is available for “fair use.” Material may be protected by copyright.&lt;br /&gt;&lt;br /&gt;The Rainbow History Project respects the copyright and intellectual property rights associated with the materials in its collection. To the best of its knowledge, these items are either in the public domain; are orphaned works; and/or had their rights for public display transferred to RHP. &lt;br /&gt;&lt;/span&gt;</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="18933">
                <text>Arcus Pride Art 2019</text>
              </elementText>
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            <name>Abstract</name>
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                <text>This source portrays the Arcus Pride art exhibition in 2019, all over the world. It is an annual art exhibition, with works of LGBT+ artists. As Clifford Chance partners say, "Arcus Pride Art 2019 expresses these moments of pride and fosters the diverse and inclusive culture and workplace that we are honored to be a part of." As seen in the table of contents, this resource goes through all of the places with each of their specific features. Some features mentioned are editions of the Pride Photo Award, videos, creations based off climate change, prints from Hong Kong, LED Lights, watercolor, Washington D.C. community archives, and so much more. At the end are the emails for visiting these exhibits when they were available in 2019. </text>
              </elementText>
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          <element elementId="54">
            <name>Table Of Contents</name>
            <description>A list of subunits of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="18935">
                <text>Amsterdam&#13;
Düsseldorf&#13;
Hong Kong &#13;
London &#13;
Milan &#13;
New York &#13;
Perth &#13;
Singapore &#13;
Sydney &#13;
Tokyo &#13;
Washington D.C. </text>
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            <name>Date</name>
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              <elementText elementTextId="18936">
                <text>2019</text>
              </elementText>
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