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              <name>Title</name>
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                  <text>T-shirts, Textiles, Posters and Banners: Ephemera Collection </text>
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                  <text>T-Shirts and textiles were collected from various donors. Items were photographed, cataloged, and placed online by RHP board member Eric N. Gonzaba in 2018. Physical items remain in the custody of RHP.&#13;
&#13;
Posters and banners have been collected from various sources. Some are at the DC History Center; others remain in the custody of RHP.</text>
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                <text>A Love Supreme</text>
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                <text>Gay rights</text>
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                <text>Navy blue t-shirt.&#13;
Front: "Freedom to Marry. A Love Supreme. #ToastToMarriage"&#13;
Sleeve: "Freedom to Marry. Skyy Vodka"</text>
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                <text>Rainbow History Project</text>
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                <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Circa+2014-2015"&gt;Circa 2014-2015&lt;/a&gt;</text>
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            <name>Contributor</name>
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                <text>John Corvino</text>
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                  <text>Carl Rizzi , Mame Dennis, and The Academy of Washington Collection 6</text>
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                  <text>Carl Rizzi Papers on the Academy of Washington : Digital Collection</text>
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                  <text>The year 1961 saw the creation of two of Washington's first organized LGBT groups, the Mattachine Society of Washington and the Oscars.  The Academy Awards of Washington, an amalgam of Oscars members and Awards Club (1965) members, incorporated in 1973 in Washington, DC, provides secure venues, mentoring, and a structure for female impersonators in the area.  It is one of the oldest and most enduring organizations in the nation to provide support for female impersonators.&#13;
&#13;
The Climate for Drag in the Sixties&#13;
 &#13;
Until 'Liz Taylor' created the Oscars in the autumn of 1961, drag performers and those aspiring to 'do drag' had no organized structure, no venues, and very little safety.  In the repressive atmosphere of the 1950s and 1960s, wearing drag was an invitation to scorn and physical danger.  Wearing drag was illegal in most southern states, and Washington DC was indeed southern in those days, though drag was never illegal in the district.  Still it invited arrest and persecution.  Public social spaces didn't allow drag (an ostracism that existed until well into the 1970s). Those who wanted to wear drag did it in the privacy of their homes or at private after hour parties.  Indeed, Liz Taylor's house parties at her Hollywood House on Monroe St. NW were legendary in their time. &#13;
Many clubs would not allow patrons in drag to enter, and few hosted drag shows.  The single exception was the Golden Key Club in North Beach, MD.  For other clubs, drag and drag shows were an option only during Halloween Week, which Mame Dennis calls "the high holy days of drag".  At Halloween, the Brown Derby, the Chicken Hut, Hide-a-way, Georgetown Grill, Johnnie's, and the Rendezvous organized drag contests.&#13;
&#13;
Creating a Safe Haven for Female Impersonators&#13;
 &#13;
Along with the Mattachine Society of Washington, the Oscars and the Awards Club were the very first organized groups for gays in the Washington area.  Recalling her vision for the Academies, Liz Taylor said "... I strived to mold an elite group of people whose social life would center around drag.  By creating parties and activities I knew that I would always be surrounded by people wanting to attend them... I knew that some form of drag group was necessary.  I had thought about it for a long time -- and suddenly I found the answer one evening on television -- the first time I saw an Awards show called the Oscars."  The first parties were held in various homes in Washington DC, which took on special names such as Blair House, Butterfield 8, Camelot, Hollywood House, Mintwood Place, Port Valada, Sand Piper, Taylor Lounge, and others.  In time, these house names became the names of 'drag houses', associations of female impersonators who participated in the social activities of the Academy Awards.  The first board members of the Academy were Lix Taylor (President), Bob Clauze, Prince Karl, Frankie, and 'Lena Horne'.&#13;
&#13;
Organization of the Academy&#13;
&#13;
The Academy's Houses in 1976&#13;
&#13;
The houses of the Academy over 30 years have included Beekman Place (led by 'Mame Dennis'), Butterfield 8 ('Liz Taylor's house), Maryland House (led by 'Patty Duke'), Henry Street (led by 'Fanny Brice'), Liberty House, Dragonwyck, Phoenix House (led by 'Jean Nate'), and Twelve Oaks (led by 'Mae Bush').&#13;
&#13;
In 1965, Jerry Buskirk and 'Vivien Leigh' led the formation of a second group, the Awards Club of Washington.  The Awards Club organized the International  Emmy Awards.  By 1968, many members of the first Academy were also members of the Awards Club.&#13;
&#13;
Bill Oates Jr. &amp;amp; Mame Dennis In May 1973 Bill Oates Jr. ("the Godfather") brokered an agreement creating the Academy Awards of Washington, led by 'Elizabeth Taylor', 'Mame Dennis', 'Patti Duke' and 'Fanny Brice'.  Beekman Place and Henry Street Houses rejoined the Academy at this time.  'Mame Dennis' (of Beekman Place), chosen as president in 1973, continues to lead the group.  Bill Oates, who became known as "The Godfather", helped put together the structure of the new group.   The original houses of the Academy Awards of Washington were Beekman Place, Butterfield 8, Henry Street, and Maryland House.  Liberty House (led by 'Edie Gorme') was added in 1974.&#13;
&#13;
In 1975, the Academy re-organized following a period of internal dispute.  The new organization included the houses of Beekman Place, Dragonwyck (of Hagerstown, MD), Henry Street, Maryland House, Phoenix House, and Twelve Oaks (of Norfolk and Richmond).&#13;
&#13;
In the 1960s, most hotels and clubs would not host drag events.  In its first years, the Academy held monthly contests at the short-lived Uptown Lounge in Cleveland Park.  It was at the Uptown that 'Liz Taylor' first did her long remembered rendition of "Letter to Daddy".&#13;
&#13;
'Fanny Brice's house, Henry Street, formed a drag performance show, Showstoppers, in 1971, which premiered at Georgetown's Trinity Theatre in September 1971.  In May 1972, the Showstoppers group participated in DC's first Gay Pride celebration with a show at George Washington University's Marvin Center. Showstoppers appeared at the Marvin Center from 1973 to 1981. Showstoppers endured for many years as a very popular annual production in Washington DC's GLBT community.&#13;
&#13;
Until 1968 when the Washington Hilton hosted the Black Pearl Awards, most events were held at the Cairo Hotel, Casino Royale, Dodge House, and the Palm Ballroom.  One of the first venues used by the Academy Awards after 1973 was the third floor area above the Hideaway and Louie's clubs at 9th and Pennsylvania NW. This third floor space became the Oscar's Eye Theatre and was used for most of the Academy and house functions.  In the 1970s, Academy members became involved in the Waaay Off Broadway theatre at 55 L St. SE.  Beekman place opened the theatre with its production of Cabaret.  The Academy held events at the Rogue, after the latter's move to 5th and K Streets NW.  In 1992, the former Waaay Off Broadway theatre became Club 55, and Academy events were invited to move there.  It is still the home of many Academy functions.  The Academy Awards holds events every Sunday from September through May at the Club 55,  55 L Street SE (formerly the location of the Waaay Off Broadway theatre).&#13;
&#13;
Protocols and Events&#13;
&#13;
From the beginning in 1961, the Academy has sponsored Oscars for Best Actress, Best Actor, Best Drag in a Series, President and First Lady, Mr and Miss Academy, Mr and Miss Showbusiness, Vice President and Vice Lady, New York Drama Critics Best Actor and Best Actress, Best Supporting Actor and Best Supporting Actress, and Mr and Miss Oscar.  In addition to regularly scheduled drag balls, the Academy's top annual pageants are those for Miss Gaye Universe-DC and Miss Gaye America-DC.  Monthly contests at Club 55 present Zodiac awards.  Annual special awards, such as the 'Lanie Kazan', recognize outstanding contributions to the community.&#13;
&#13;
At pageants, the order of appearance of award winners is strictly controlled by the Protocol. For some titles, the winners make make an entrance on stage.  Top awards, such as Miss Gaye America and Miss Gay Universe, are 'walking' awards entitling the winner to take a formal presentation walk on stage before the audience.&#13;
&#13;
'Fanny Brice', speaking to Bruce Pennington in a 1975 interview for Friends Radio talks about her first drag experience.  Brice was 'mother' of the Henry Street drag house and founder of the popular Showstoppers revue of the 1970s.</text>
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                  <text>Rizzi, Carl</text>
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              <text>WEATHER&#13;
Mostly cloudy, gloomy&#13;
ouliklc. high near 69.&#13;
Low tonight? Always&#13;
«inny inside&#13;
L LOST AND FOUND&#13;
Classifieds&#13;
Sening the Fedrnt&#13;
City. Virginia,&#13;
Maryland, and the&#13;
NO CHARGE&#13;
FIFTY-SIX L STREET, S.E.-WASHINGTON, D.C. 20003.&#13;
A MESSAGE TO OUR PATRONS&#13;
Oh Well. You Can't Please Every One! I!&#13;
During the past four weekends you have witnessed an effort by certain groups within&#13;
the'community'to change the admission policies of Lost and Found. Without consulting&#13;
the Management, they embarked on a campaign of picketing and harassment aimed, not&#13;
just at Lost and Found, but at our patrons. The Management, knowing that our admission&#13;
rules are A. Non-discriminatory, B. Very liberal, and C. Equally enforced according to&#13;
District of Columbia laws, chose to ignore these pickets.&#13;
After four weeks we were finally contacted by a representative of one of the&#13;
moderate factions engaged in the picketing. After a very frank discussion, it was agreed&#13;
there had been a lack of communication, thus causing the misconceptions about our&#13;
policies. This group and the other moderates have subsequently withdrawn their support,&#13;
leaving a handful of radicals to walk the line (excuse the pun) alone.&#13;
We apologize for the inconvenience, as well as the verbal garbage you were forced to&#13;
hear spewed from the mouths of the pickets as you tried to exercise your right of&#13;
freedom of choice. Thank you for your support and consequent rebuttal of this small&#13;
band of radicals who claimed to be the "representatives and moral guardians for the&#13;
'community'." When it came to making a choice between a fair policy and a flagrant case&#13;
of BIASED picketing and harassment, you voted the only way you could, WITH YOUR&#13;
FEET, AS YOU CROSSED THE PICKET LINE AND ENTERED THE LOST AND&#13;
FOUND.&#13;
THANK YOU&#13;
—See Our Policy Next Page&#13;
"OUR POLICY"&#13;
The Management of the "Lost and Found," after two weeks of attempted harrassment, takes this&#13;
opportunity to make the following statement to the public:&#13;
For admission, the management requires two valid identifications. A valid identification is any&#13;
document or card legally issued by the government or an employer, which provides the name, date of&#13;
birth, and signature of the holder. Photographs will be required only if there is a question of validity&#13;
of the identification presented. Draft cards are not acceptable as they are too easily obtained and&#13;
forged.&#13;
The above identification requirement is no way intended to discriminate against any person.&#13;
District of Columbia Law makes the Management responsible and it must be the arbiter when there is&#13;
ANY question involving identification.&#13;
In addition, management has set the tone governing the dress of any individual entering its&#13;
restaurant. These House Regulations on dress are posted in the foyer, are liberal, equally applied and&#13;
should not offend anyone.&#13;
Lost and Found has been designed in hopes of providing and improving me social activities within&#13;
the community and it welcomes any suggestions that may be helpful in improving the quality of its&#13;
services. One of the services, the Lost and Pound's bulletin, "The Classified," is available for free&#13;
announcements for ANY group within the community. This service was available prior to opening and&#13;
not as a result of picket demands&#13;
The management will continue to enforce its House Regulations on dress and to require two (2)&#13;
identifications from all patrons and persons 18 to 20 years old will not be admitted. The reason for&#13;
the 18 to 20 regulation is that there is always an adult willing to buy a juvenille a drink and it is&#13;
impossible to check each individual drink served.&#13;
* * * * * * S H 0 W S T 0 P P E R S * * * * * *&#13;
On the evenings of November 29th and 30th, Lost and Found, in conjunction with&#13;
Henry Street, Inc., will present excerpts from "Fanny Brice's Showstoppers." The&#13;
production features hit songs from Broadway Shows including such notable showstoppers&#13;
as "Those Beautiful Girls," from Follies, "Let Me Entertain You," from Gypsy, "It's A&#13;
Typical Day," from Little Abner and the "Tea For Two" number (with a cast of&#13;
thousands), from No No Nannette. Because of the length of the show, it will be presented&#13;
in two acts. The first act will be performed on Monday the 29th and the second act on&#13;
Tuesday, the 30th. The show will start at 10:00 o'clock. Tickets for both nights will be&#13;
sold on a first come first served basis and no seats will be reserved. The sale price of the&#13;
tickets is $3.00 for a single performance (one night) or $5.00 if you wish to attend both&#13;
evenings. Please remember, that each night will be a different show. Tickets are on sale at&#13;
the Lost and Found and may be purchased from John LaMothe.&#13;
For those customers who wish to have dinner, it will be served from 6:00 to 9:00&#13;
with reservations taken no later than 7:30. Dinner guests who wish to see the&#13;
performances will be required to purchase tickets.&#13;
Because of the publicity and rave reviews that greeted the original performance of&#13;
Showstoppers, last September at Trinity Theatre, we know there will be a stampede for&#13;
tickets. So don't be disappointed, get your ticket or tickets early and come enjoy two of&#13;
the most delightful nights of entertainment you will ever experience.&#13;
***************&#13;
GAY CRAPHIES COOP . . . offers fast duplicating graphies, and photographic services.&#13;
We'll get in touch with you. Randy and Dick (Owners). . . for information contact Bill&#13;
Parry.&#13;
* * * * * *</text>
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              <text>printed newsletter</text>
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                <text>A message to our patrons from the Lost and Found</text>
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                <text>Discrimination against African Americans--Washington (D.C.)--20th century</text>
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        <name>Lost and Found</name>
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                  <text>&lt;a href="https://docs.google.com/document/d/1_yi0jp1QrdJ7zmqj9UinHUb6EZv6ZpgFJc7Maed6Io4/edit?usp=sharing"&gt;&lt;span style="font-weight:400;"&gt;Paul Butler's The ClubHouse Art Collection&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;Collection #1&lt;br /&gt;The ClubHouse Records, 1975-1990</text>
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                  <text>Images and other resources related to The ClubHouse, 1975-1990. Opened in 1975 by Aundrea and Paulette Scott, John Eddy, Chasten Morell, and Rainey Cheeks, The ClubHouse provided the central focus of African-American gay DC social life for 15 years.</text>
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&#13;
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                <text>The growing strength of the Gay rights movement was evident when nearly one million people showed up for the third March on Washington on April 25, 1993, at the time the largest demonstration in U.S. history. &#13;
&#13;
While the mood of the 1987 March had been somber in tone, the 1993 March was full of hope and cheer. With the election of the first President openly sympathetic to Gay rights, there was much to celebrate and the March received unprecedented media coverage, including the cover of Newsweek.&#13;
&#13;
The NAACP endorsed the 1993 March, the first time the institution directly linked the Gay rights movement to the civil rights movement. The 1993 marchers demanded the Civil Rights Act be amended to provide protection for Gay, Lesbian, Bisexual, and Transgendered Americans. It was also the first time that Bisexuals were included in the March name; attempts to add Transgender to the title failed.&#13;
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                  <text>In May 1972, Washington, DC's GLBT community celebrated its first Pride.  The previous two years, gays and lesbians had gone to New York City to celebrate the Stonewall anniversary.  In the winter of 1972, the Gay Liberation Front-DC proposed a local celebration, though they scheduled it a month and half before New York's  celebration so that people would not have to choose between the events.  DC's initial Pride celebration was as much a protest as a celebration, following almost exactly one year after Gay Mayday and the anti-war Mayday demonstrations had closed the streets of the city.&#13;
&#13;
This marked the first public celebration of gay and lesbian pride in Washington DC.  Organized by the Gay Liberation Front, the festival drew support from All Souls Church, the Community Bookshop, the Gay Activists Alliance, the Gay People's Alliance of George Washington University, Henry Street (one of the houses of the Awards Club, a local drag organization) and the Metropole Cinema.  The principal organizers were Chuck Hall, Bruce Pennington, and Cade Ware.&#13;
&#13;
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March On Washington Sponsored Events&#13;
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DC Resolution &#13;
March Merchandise Ordering Information&#13;
Lobby Days&#13;
Lift the Ban &#13;
Demands &#13;
Platforms &#13;
National Steering Committee&#13;
Co-Chair Biographies &#13;
Executive Committee Biographies  &#13;
Host Committee&#13;
Rally Speakers &#13;
Corporate Sponsors &#13;
Map of Related Events &#13;
Time Line &#13;
Volunteers&#13;
Local Committees&#13;
Endorsements &#13;
 March Lineup&#13;
Map of March Route&#13;
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                <text>From its origins in 1969, Pride has become a nationwide, and increasingly worldwide, phenomenon. Hundreds of GLBT Pride events take place every year  in communities large and small. &#13;
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&#13;
Pride reminds us that there are places in the world today where Gay, Lesbian, Bisexual and Transgendered people aren’t free to be out, much less march in a parade or gather in protest. &#13;
&#13;
Pride reminds us how precious civil liberties and civil rights ar to everyone in a free society. &#13;
&#13;
For more information on Pride, visit the One in Ten Museum Project’s virtual exhibition at www.museumproject.org and the Rainbow History’s site www.rainbowhistory.org </text>
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                  <text>The year 1961 saw the creation of two of Washington's first organized LGBT groups, the Mattachine Society of Washington and the Oscars.  The Academy Awards of Washington, an amalgam of Oscars members and Awards Club (1965) members, incorporated in 1973 in Washington, DC, provides secure venues, mentoring, and a structure for female impersonators in the area.  It is one of the oldest and most enduring organizations in the nation to provide support for female impersonators.&#13;
&#13;
The Climate for Drag in the Sixties&#13;
 &#13;
Until 'Liz Taylor' created the Oscars in the autumn of 1961, drag performers and those aspiring to 'do drag' had no organized structure, no venues, and very little safety.  In the repressive atmosphere of the 1950s and 1960s, wearing drag was an invitation to scorn and physical danger.  Wearing drag was illegal in most southern states, and Washington DC was indeed southern in those days, though drag was never illegal in the district.  Still it invited arrest and persecution.  Public social spaces didn't allow drag (an ostracism that existed until well into the 1970s). Those who wanted to wear drag did it in the privacy of their homes or at private after hour parties.  Indeed, Liz Taylor's house parties at her Hollywood House on Monroe St. NW were legendary in their time. &#13;
Many clubs would not allow patrons in drag to enter, and few hosted drag shows.  The single exception was the Golden Key Club in North Beach, MD.  For other clubs, drag and drag shows were an option only during Halloween Week, which Mame Dennis calls "the high holy days of drag".  At Halloween, the Brown Derby, the Chicken Hut, Hide-a-way, Georgetown Grill, Johnnie's, and the Rendezvous organized drag contests.&#13;
&#13;
Creating a Safe Haven for Female Impersonators&#13;
 &#13;
Along with the Mattachine Society of Washington, the Oscars and the Awards Club were the very first organized groups for gays in the Washington area.  Recalling her vision for the Academies, Liz Taylor said "... I strived to mold an elite group of people whose social life would center around drag.  By creating parties and activities I knew that I would always be surrounded by people wanting to attend them... I knew that some form of drag group was necessary.  I had thought about it for a long time -- and suddenly I found the answer one evening on television -- the first time I saw an Awards show called the Oscars."  The first parties were held in various homes in Washington DC, which took on special names such as Blair House, Butterfield 8, Camelot, Hollywood House, Mintwood Place, Port Valada, Sand Piper, Taylor Lounge, and others.  In time, these house names became the names of 'drag houses', associations of female impersonators who participated in the social activities of the Academy Awards.  The first board members of the Academy were Lix Taylor (President), Bob Clauze, Prince Karl, Frankie, and 'Lena Horne'.&#13;
&#13;
Organization of the Academy&#13;
&#13;
The Academy's Houses in 1976&#13;
&#13;
The houses of the Academy over 30 years have included Beekman Place (led by 'Mame Dennis'), Butterfield 8 ('Liz Taylor's house), Maryland House (led by 'Patty Duke'), Henry Street (led by 'Fanny Brice'), Liberty House, Dragonwyck, Phoenix House (led by 'Jean Nate'), and Twelve Oaks (led by 'Mae Bush').&#13;
&#13;
In 1965, Jerry Buskirk and 'Vivien Leigh' led the formation of a second group, the Awards Club of Washington.  The Awards Club organized the International  Emmy Awards.  By 1968, many members of the first Academy were also members of the Awards Club.&#13;
&#13;
Bill Oates Jr. &amp;amp; Mame Dennis In May 1973 Bill Oates Jr. ("the Godfather") brokered an agreement creating the Academy Awards of Washington, led by 'Elizabeth Taylor', 'Mame Dennis', 'Patti Duke' and 'Fanny Brice'.  Beekman Place and Henry Street Houses rejoined the Academy at this time.  'Mame Dennis' (of Beekman Place), chosen as president in 1973, continues to lead the group.  Bill Oates, who became known as "The Godfather", helped put together the structure of the new group.   The original houses of the Academy Awards of Washington were Beekman Place, Butterfield 8, Henry Street, and Maryland House.  Liberty House (led by 'Edie Gorme') was added in 1974.&#13;
&#13;
In 1975, the Academy re-organized following a period of internal dispute.  The new organization included the houses of Beekman Place, Dragonwyck (of Hagerstown, MD), Henry Street, Maryland House, Phoenix House, and Twelve Oaks (of Norfolk and Richmond).&#13;
&#13;
In the 1960s, most hotels and clubs would not host drag events.  In its first years, the Academy held monthly contests at the short-lived Uptown Lounge in Cleveland Park.  It was at the Uptown that 'Liz Taylor' first did her long remembered rendition of "Letter to Daddy".&#13;
&#13;
'Fanny Brice's house, Henry Street, formed a drag performance show, Showstoppers, in 1971, which premiered at Georgetown's Trinity Theatre in September 1971.  In May 1972, the Showstoppers group participated in DC's first Gay Pride celebration with a show at George Washington University's Marvin Center. Showstoppers appeared at the Marvin Center from 1973 to 1981. Showstoppers endured for many years as a very popular annual production in Washington DC's GLBT community.&#13;
&#13;
Until 1968 when the Washington Hilton hosted the Black Pearl Awards, most events were held at the Cairo Hotel, Casino Royale, Dodge House, and the Palm Ballroom.  One of the first venues used by the Academy Awards after 1973 was the third floor area above the Hideaway and Louie's clubs at 9th and Pennsylvania NW. This third floor space became the Oscar's Eye Theatre and was used for most of the Academy and house functions.  In the 1970s, Academy members became involved in the Waaay Off Broadway theatre at 55 L St. SE.  Beekman place opened the theatre with its production of Cabaret.  The Academy held events at the Rogue, after the latter's move to 5th and K Streets NW.  In 1992, the former Waaay Off Broadway theatre became Club 55, and Academy events were invited to move there.  It is still the home of many Academy functions.  The Academy Awards holds events every Sunday from September through May at the Club 55,  55 L Street SE (formerly the location of the Waaay Off Broadway theatre).&#13;
&#13;
Protocols and Events&#13;
&#13;
From the beginning in 1961, the Academy has sponsored Oscars for Best Actress, Best Actor, Best Drag in a Series, President and First Lady, Mr and Miss Academy, Mr and Miss Showbusiness, Vice President and Vice Lady, New York Drama Critics Best Actor and Best Actress, Best Supporting Actor and Best Supporting Actress, and Mr and Miss Oscar.  In addition to regularly scheduled drag balls, the Academy's top annual pageants are those for Miss Gaye Universe-DC and Miss Gaye America-DC.  Monthly contests at Club 55 present Zodiac awards.  Annual special awards, such as the 'Lanie Kazan', recognize outstanding contributions to the community.&#13;
&#13;
At pageants, the order of appearance of award winners is strictly controlled by the Protocol. For some titles, the winners make make an entrance on stage.  Top awards, such as Miss Gaye America and Miss Gay Universe, are 'walking' awards entitling the winner to take a formal presentation walk on stage before the audience.&#13;
&#13;
'Fanny Brice', speaking to Bruce Pennington in a 1975 interview for Friends Radio talks about her first drag experience.  Brice was 'mother' of the Henry Street drag house and founder of the popular Showstoppers revue of the 1970s.</text>
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                  <text>The collection includes many drafts of articles he had written on the issues confronting the LGBT community of the time. They are rough drafts, with typographical errors, handwritten notes and corrections, and numerous rewrites. They are also an important source for the events and issues of the period. His files also contain primary documents, leaflets, and notes of interviews connected with the articles he wrote. &lt;br /&gt;&lt;br /&gt;Aiken, a local gay activist, member at one time of the Gay Liberation Front and a resident of GLF House (1620 St St. NW), Washington correspondent for The Advocate, was also a member of the Stonewall Nation Media Collective which broadcast the Friends radio show on WGBT and WPFW radio for nine years. His broadcasts on Friends seem to have complemented many of the stories on which he worked. In the mid-Seventies, he chaired the Washington Area Gay Community Council. He also served as a founder of Black and White Men Together's DC chapter and edited its newsletter. &lt;br /&gt;&lt;br /&gt;The Aiken Articles &lt;br /&gt;David Aiken's drafts of articles he submitted to the Advocate and other publications in the 1970s document many of the local and national issues confronting the LGBTQ community of the period. As such, they are an important resource of people, events, and issues for students and researchers. The collection contains Aiken's handwritten interview notes as well. The draft articles are listed below by topic.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/document/d/e/2PACX-1vR7ZGpQXij9EKhAxYVXnkL-5pIo-T66TtXIxK1Zm_fNsBg4nhoimqkQupb3X0CFM1-Frn-mwtBLMuO4/pub" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;VIEW ONLINE FINDING AID&lt;/strong&gt;&lt;/a&gt;</text>
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                  <text>Some items are online. &lt;br /&gt;&lt;br /&gt;&lt;span&gt;Open to all people, by appointment, at the &lt;/span&gt;&lt;a href="http://www.dchistory.org/research/" target="_blank" rel="noreferrer noopener"&gt;DC History Center.&lt;/a&gt; &lt;span&gt;Collection is available for “fair use.” Material may be protected by copyright.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://dchistory.org/uploads/fa/ms0764.pdf" target="_blank" rel="noreferrer noopener"&gt;VIEW ONLINE FINDING AID&lt;/a&gt;</text>
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                  <text>Some items are online. &lt;br /&gt;&lt;br /&gt;&lt;span&gt;Open to all people, by appointment, at the &lt;/span&gt;&lt;a href="http://www.dchistory.org/research/" target="_blank" rel="noreferrer noopener"&gt;DC History Center.&lt;/a&gt; &lt;span&gt;Collection is available for “fair use.” Material may be protected by copyright.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://dchistory.org/uploads/fa/ms0764.pdf" target="_blank" rel="noreferrer noopener"&gt;VIEW ONLINE FINDING AID&lt;/a&gt;</text>
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                <text>In the mid-70s, Joe Acanfora, a science teacher in the Montgomery County, MD public schools was fired after he was revealed to be gay.  In this article, Aiken discussed the support of the National Education Association for Acanfora's legal struggle.</text>
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                  <text>T-Shirts and textiles were collected from various donors. Items were photographed, cataloged, and placed online by RHP board member Eric N. Gonzaba in 2018. Physical items remain in the custody of RHP.&#13;
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                <text>&lt;a href="http://rainbowhistory.org/"&gt;Rainbow History Project&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Some items available online. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;All other items open to &lt;/span&gt;&lt;a href="https://rainbowhistory.omeka.net/contact" target="_blank" rel="noreferrer noopener"&gt;RHP members by appointment only.&lt;/a&gt;</text>
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                <text>Includes obituaries of Washington, D.C. residents Phillip B. McIntyre and Samuel "Ray" Mitchell.</text>
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                <text>BLK, May 1991</text>
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                <text>Washington (D.C.)</text>
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                  <text>Barbara Gittings Papers on the Mattachine Society and Other Homophile Organizations, 1962-2001 (Series VI)</text>
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                  <text>Includes copies of outgoing correspondence, news clippings, legal proceedings, ephemeral publications, flyers, press releases, and other documents generated by the activities of various homophile organizations, many of which Gittings was a member. A significant number of the items in this collection document the joint activities of Barbara Gittings and Frank Kameny in their efforts to secure basic civil liberties for lesbians and gay men. The largest gathering of materials relate to the Mattachine Society of Washington, D.C. and the various homophile organization confederations of which it was a constituent member, such as East Coast Homophile Organization (ECHO), Eastern Regional Homophile Conference (ERCH), Eastern Regional Conference of Homophile Organizations (ERCHO), and North American Conference of Homophile Organizations (NACHO). &lt;br /&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/document/d/e/2PACX-1vTRDWwOCsnQ_1qBGlPn98_5-eF2NpGjraPqCt8Fsb6O6pipwI2vGxLoGQMFDjtPWjOBPlwzNQS3Cnzu/pub" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;VIEW ONLINE FINDING AID&lt;/strong&gt;&lt;/a&gt;</text>
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                  <text>Gittings, Barbara, 1932-2007</text>
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                  <text>Tobin Lahusen, Katherine "Kay," 1930-2021</text>
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                  <text>&lt;span&gt;Some items available online. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;All other items open &lt;/span&gt;&lt;span&gt;to all &lt;/span&gt;&lt;a href="http://www.dchistory.org/research/" target="_blank" rel="noreferrer noopener"&gt;people at the DC History Center&lt;/a&gt;, MS 0764, Series VI.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Collection is available for “fair use.” Material may be protected by copyright.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/document/d/e/2PACX-1vTRDWwOCsnQ_1qBGlPn98_5-eF2NpGjraPqCt8Fsb6O6pipwI2vGxLoGQMFDjtPWjOBPlwzNQS3Cnzu/pub" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;VIEW ONLINE FINDING AID&lt;/strong&gt;&lt;/a&gt;</text>
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                  <text>Barbara Gittings (July 31, 1932 – February 18, 2007) was a prominent American activist for gay equality. She organized the New York chapter of the Daughters of Bilitis (DOB) from 1958 to 1963, edited the national DOB magazine The Ladder from 1963 to 1965, and worked closely with Frank Kameny in the 1960s on the first picket lines that brought attention to the ban on employment of gay people by the largest employer in the US at that time: the United States government. &#13;
&#13;
Gittings challenged the Daughters of Bilitis' conservative leadership by publishing an article by Kameny that urged readers to "move away from the comfortingly detached respectability of research into the often less pleasant rough-and-tumble of political and social activism." In response to her publishing this article, the Daughters of Bilitis leadership removed her as editor of The Ladder in 1965.&#13;
&#13;
Her early experiences with trying to learn more about lesbianism fueled her lifetime work with libraries. In the 1970s, Gittings was most involved in the American Library Association, forming the first gay caucus in a professional organization, in order to promote positive literature about homosexuality in libraries. She was a part of the movement to get the American Psychiatric Association to drop homosexuality as a mental illness in 1972. Her self-described life mission was to tear away the "shroud of invisibility" related to homosexuality that associated it with crime and mental illness. She was awarded a lifetime membership in the American Library Association, and the ALA named an annual award for the best gay or lesbian novel the The Barbara Gittings Award. The Gay and Lesbian Alliance Against Defamation (GLAAD) also named an activist award for her. </text>
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                  <text>At the first GLBT ALMS (Archive, Library, Museum, Special Collection) conference in May 2006 at the University of Minnesota, she mesmerized the audience with her plenary speech. I remember speaking with other conferees who had never heard her before: the commanding tone, the warm smile and stories, and the eyes that asked "what more are you going to do for our cause?". They were agog.&#13;
&#13;
There are fewer and fewer living witnesses to the bad old days of federally enforced 'closetting' and socially mandated hatred, fewer and fewer of those distinctive personalities that gave up so much to make it a better place for those of us who followed. With Barbara's passing, we have lost all that and therole as moral compass that she still played. A presence is gone and we are the poorer for its departure.&#13;
&#13;
Jack Nichols, writing in 1997, about Barbara's selection as co-grand marshall of New York City's Pride Parade called her "the Grand Mother of Lesbian and Gay Liberation". Not the 'Grandmother' but the "Grand Mother'. Ms Gittings also had an uncompromising element of earth mother in her motherliness. She was forthright, out, and outspoken, organized, hardworking and a strategist.&#13;
&#13;
Nichols also paid tribute to the inseparability of the "Barbara-and-Kay" team of Barbara and her life partner Kay Tobin Lahusen. For those who have met the 'team', it is a life partnership the like of which we all would love to have in our lives. Lahusen is the documentarian on the team, whose photo collection is now one of the treasures of the LGBTQ community.&#13;
&#13;
In Washington, DC Barbara Gittings found a partner in activism, Dr. Franklin E. Kameny, whose uncompromising and innovative gay civil rights activism found an echo in Gittings. They met in 1963. Active since 1958 (at the age of 26) in gay civil rights, with an already established role in the Daughters of Bilitis (she organized a NY chapter in 1958), she embraced the then radical idea of gay picketing, joining the Mattachine Society of Washington (MSW) in picketing the White House and other federal sites in Washington. She recalled in The Gay Crusaders (1972) that Kameny "was the first gay person I met who took firm, uncompromising positions about homosexuality and homosexuals' right to be considered fully on a par with heterosexuals.... Frank really raised my consciousness on this matter! Also thanks partly to him, I got turned on to gay civil rights issues." On July 4, 1965, she and Kameny brought gay picketing to Philadelphia's Independence Hall, three months after MSW began picketing.&#13;
&#13;
Gittings and Lahusen became active not only in the Daughters of Bilitis (where they met) and with Washington's Mattachine, but in the effort to organize regional homophile groups, beginning with the East Coast Homophile Organization and moving on to the Eastern Regional Conference of Homophile Organizations, and the nation conference, NACHO. At the Daughters of Bilitis, Gittings became editor of The Ladder, bringing the lesbian periodical into a bolder role, adding the subtitle "A Lesbian Review" in 1964 and adding cover photos of women in 1964.&#13;
&#13;
Gittings and Kameny worked together for nearly a decade to overturn the American Psychiatric Association's (APA) classification of homosexuality as a mental disorder. In May 1971, they were seated at the front of the hall at the APA's Washington, DC convention when gay activists took over the proceedings and Kameny seized the microphone. The following year Gittings and Kameny staffed a booth on homosexuality at the next APA convention in Dallas, TX. Gittings and Kameny were both honored in October 2006 with the first Fyrer Award from the APA for their leadership in the relation between psychiatry and homosexuality.&#13;
&#13;
In 1966, Gittings gave up editorial control of The Ladder and became involved as a personal counsel working with Kameny, Mattachine and others to counsel those in conflict with the Department of Defense over security clearances and employment issues.&#13;
&#13;
Gittings and Lahusen were active in Dr. Kameny's March 1971 campaign for Congress, travelling down from Philadelphia to help canvas for petition signatures and to leaflet voters. They came down with the busloads of volunteers from Philly and New York and stayed for the strategizing and the parties.&#13;
&#13;
&#13;
In 1972, Gittings, long involved with libraries though not a librarian, joined the American Library Association's Task Force on Gay Liberation, becoming its leader. She has played a major role in ensuring that libraries carry resources that will inform and support gays and lesbians. She never lost sight of the frustration of days in her youth when she combed through libraries and bookstores looking for explanation and validation of her affectional orientation. In 1971 she established a Gay Book Award focusing critical evaluation on fiction and non-fiction books dealing with homosexuality. Librarians recognized her enormous contributions. In 2003, the American Library Association made her an honorary member in recognition of her contributions. The Free Library of Philadelphia had honored her in 2001 with the creation of the Barbara Gittings Gay/Lesbian Collection.</text>
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                  <text>1962-2001 (bulk 1962-1980)</text>
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                <text>Action on the gay legal front</text>
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                <text>article in November 1972 issues of Vector : Society for Individual Rights (San Francisco, Calif.)</text>
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                <text>Vector : Society for Individual Rights (San Francisco, Calif.), 1972 November</text>
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                <text>United States</text>
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                  <text>Carl Rizzi , Mame Dennis, and The Academy of Washington Collection 6</text>
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                  <text>The year 1961 saw the creation of two of Washington's first organized LGBT groups, the Mattachine Society of Washington and the Oscars.  The Academy Awards of Washington, an amalgam of Oscars members and Awards Club (1965) members, incorporated in 1973 in Washington, DC, provides secure venues, mentoring, and a structure for female impersonators in the area.  It is one of the oldest and most enduring organizations in the nation to provide support for female impersonators.&#13;
&#13;
The Climate for Drag in the Sixties&#13;
 &#13;
Until 'Liz Taylor' created the Oscars in the autumn of 1961, drag performers and those aspiring to 'do drag' had no organized structure, no venues, and very little safety.  In the repressive atmosphere of the 1950s and 1960s, wearing drag was an invitation to scorn and physical danger.  Wearing drag was illegal in most southern states, and Washington DC was indeed southern in those days, though drag was never illegal in the district.  Still it invited arrest and persecution.  Public social spaces didn't allow drag (an ostracism that existed until well into the 1970s). Those who wanted to wear drag did it in the privacy of their homes or at private after hour parties.  Indeed, Liz Taylor's house parties at her Hollywood House on Monroe St. NW were legendary in their time. &#13;
Many clubs would not allow patrons in drag to enter, and few hosted drag shows.  The single exception was the Golden Key Club in North Beach, MD.  For other clubs, drag and drag shows were an option only during Halloween Week, which Mame Dennis calls "the high holy days of drag".  At Halloween, the Brown Derby, the Chicken Hut, Hide-a-way, Georgetown Grill, Johnnie's, and the Rendezvous organized drag contests.&#13;
&#13;
Creating a Safe Haven for Female Impersonators&#13;
 &#13;
Along with the Mattachine Society of Washington, the Oscars and the Awards Club were the very first organized groups for gays in the Washington area.  Recalling her vision for the Academies, Liz Taylor said "... I strived to mold an elite group of people whose social life would center around drag.  By creating parties and activities I knew that I would always be surrounded by people wanting to attend them... I knew that some form of drag group was necessary.  I had thought about it for a long time -- and suddenly I found the answer one evening on television -- the first time I saw an Awards show called the Oscars."  The first parties were held in various homes in Washington DC, which took on special names such as Blair House, Butterfield 8, Camelot, Hollywood House, Mintwood Place, Port Valada, Sand Piper, Taylor Lounge, and others.  In time, these house names became the names of 'drag houses', associations of female impersonators who participated in the social activities of the Academy Awards.  The first board members of the Academy were Lix Taylor (President), Bob Clauze, Prince Karl, Frankie, and 'Lena Horne'.&#13;
&#13;
Organization of the Academy&#13;
&#13;
The Academy's Houses in 1976&#13;
&#13;
The houses of the Academy over 30 years have included Beekman Place (led by 'Mame Dennis'), Butterfield 8 ('Liz Taylor's house), Maryland House (led by 'Patty Duke'), Henry Street (led by 'Fanny Brice'), Liberty House, Dragonwyck, Phoenix House (led by 'Jean Nate'), and Twelve Oaks (led by 'Mae Bush').&#13;
&#13;
In 1965, Jerry Buskirk and 'Vivien Leigh' led the formation of a second group, the Awards Club of Washington.  The Awards Club organized the International  Emmy Awards.  By 1968, many members of the first Academy were also members of the Awards Club.&#13;
&#13;
Bill Oates Jr. &amp;amp; Mame Dennis In May 1973 Bill Oates Jr. ("the Godfather") brokered an agreement creating the Academy Awards of Washington, led by 'Elizabeth Taylor', 'Mame Dennis', 'Patti Duke' and 'Fanny Brice'.  Beekman Place and Henry Street Houses rejoined the Academy at this time.  'Mame Dennis' (of Beekman Place), chosen as president in 1973, continues to lead the group.  Bill Oates, who became known as "The Godfather", helped put together the structure of the new group.   The original houses of the Academy Awards of Washington were Beekman Place, Butterfield 8, Henry Street, and Maryland House.  Liberty House (led by 'Edie Gorme') was added in 1974.&#13;
&#13;
In 1975, the Academy re-organized following a period of internal dispute.  The new organization included the houses of Beekman Place, Dragonwyck (of Hagerstown, MD), Henry Street, Maryland House, Phoenix House, and Twelve Oaks (of Norfolk and Richmond).&#13;
&#13;
In the 1960s, most hotels and clubs would not host drag events.  In its first years, the Academy held monthly contests at the short-lived Uptown Lounge in Cleveland Park.  It was at the Uptown that 'Liz Taylor' first did her long remembered rendition of "Letter to Daddy".&#13;
&#13;
'Fanny Brice's house, Henry Street, formed a drag performance show, Showstoppers, in 1971, which premiered at Georgetown's Trinity Theatre in September 1971.  In May 1972, the Showstoppers group participated in DC's first Gay Pride celebration with a show at George Washington University's Marvin Center. Showstoppers appeared at the Marvin Center from 1973 to 1981. Showstoppers endured for many years as a very popular annual production in Washington DC's GLBT community.&#13;
&#13;
Until 1968 when the Washington Hilton hosted the Black Pearl Awards, most events were held at the Cairo Hotel, Casino Royale, Dodge House, and the Palm Ballroom.  One of the first venues used by the Academy Awards after 1973 was the third floor area above the Hideaway and Louie's clubs at 9th and Pennsylvania NW. This third floor space became the Oscar's Eye Theatre and was used for most of the Academy and house functions.  In the 1970s, Academy members became involved in the Waaay Off Broadway theatre at 55 L St. SE.  Beekman place opened the theatre with its production of Cabaret.  The Academy held events at the Rogue, after the latter's move to 5th and K Streets NW.  In 1992, the former Waaay Off Broadway theatre became Club 55, and Academy events were invited to move there.  It is still the home of many Academy functions.  The Academy Awards holds events every Sunday from September through May at the Club 55,  55 L Street SE (formerly the location of the Waaay Off Broadway theatre).&#13;
&#13;
Protocols and Events&#13;
&#13;
From the beginning in 1961, the Academy has sponsored Oscars for Best Actress, Best Actor, Best Drag in a Series, President and First Lady, Mr and Miss Academy, Mr and Miss Showbusiness, Vice President and Vice Lady, New York Drama Critics Best Actor and Best Actress, Best Supporting Actor and Best Supporting Actress, and Mr and Miss Oscar.  In addition to regularly scheduled drag balls, the Academy's top annual pageants are those for Miss Gaye Universe-DC and Miss Gaye America-DC.  Monthly contests at Club 55 present Zodiac awards.  Annual special awards, such as the 'Lanie Kazan', recognize outstanding contributions to the community.&#13;
&#13;
At pageants, the order of appearance of award winners is strictly controlled by the Protocol. For some titles, the winners make make an entrance on stage.  Top awards, such as Miss Gaye America and Miss Gay Universe, are 'walking' awards entitling the winner to take a formal presentation walk on stage before the audience.&#13;
&#13;
'Fanny Brice', speaking to Bruce Pennington in a 1975 interview for Friends Radio talks about her first drag experience.  Brice was 'mother' of the Henry Street drag house and founder of the popular Showstoppers revue of the 1970s.</text>
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                <text>Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information.</text>
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                  <text>T-Shirts and textiles were collected from various donors. Items were photographed, cataloged, and placed online by RHP board member Eric N. Gonzaba in 2018. Physical items remain in the custody of RHP.&#13;
&#13;
Posters and banners have been collected from various sources. Some are at the DC History Center; others remain in the custody of RHP.</text>
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                <text>Rainbow History Project T-shirts Box 1</text>
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                  <text>The collection includes many drafts of articles he had written on the issues confronting the LGBT community of the time. They are rough drafts, with typographical errors, handwritten notes and corrections, and numerous rewrites. They are also an important source for the events and issues of the period. His files also contain primary documents, leaflets, and notes of interviews connected with the articles he wrote. &lt;br /&gt;&lt;br /&gt;Aiken, a local gay activist, member at one time of the Gay Liberation Front and a resident of GLF House (1620 St St. NW), Washington correspondent for The Advocate, was also a member of the Stonewall Nation Media Collective which broadcast the Friends radio show on WGBT and WPFW radio for nine years. His broadcasts on Friends seem to have complemented many of the stories on which he worked. In the mid-Seventies, he chaired the Washington Area Gay Community Council. He also served as a founder of Black and White Men Together's DC chapter and edited its newsletter. &lt;br /&gt;&lt;br /&gt;The Aiken Articles &lt;br /&gt;David Aiken's drafts of articles he submitted to the Advocate and other publications in the 1970s document many of the local and national issues confronting the LGBTQ community of the period. As such, they are an important resource of people, events, and issues for students and researchers. The collection contains Aiken's handwritten interview notes as well. The draft articles are listed below by topic.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/document/d/e/2PACX-1vR7ZGpQXij9EKhAxYVXnkL-5pIo-T66TtXIxK1Zm_fNsBg4nhoimqkQupb3X0CFM1-Frn-mwtBLMuO4/pub" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;VIEW ONLINE FINDING AID&lt;/strong&gt;&lt;/a&gt;</text>
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                  <text>Aiken, David L. (David Lewis), 1945-1986</text>
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                  <text>Some items are online. &lt;br /&gt;&lt;br /&gt;&lt;span&gt;Open to all people, by appointment, at the &lt;/span&gt;&lt;a href="http://www.dchistory.org/research/" target="_blank" rel="noreferrer noopener"&gt;DC History Center.&lt;/a&gt; &lt;span&gt;Collection is available for “fair use.” Material may be protected by copyright.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://dchistory.org/uploads/fa/ms0764.pdf" target="_blank" rel="noreferrer noopener"&gt;VIEW ONLINE FINDING AID&lt;/a&gt;</text>
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                  <text>David Lewis Aiken, 1945-1986</text>
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          <name>Original Format</name>
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                <text>Aerial photograph of Gay May Day event in DuPont Circle, Washington, D.C.</text>
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            <description>The topic of the resource</description>
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                <text>Gay pride events--Washington (D.C.)--20th century</text>
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            <name>Date</name>
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                  <text>Black &amp; White Men Together (Series VII)</text>
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                  <text>In the early 1980’s, a group of men formed Black and White Men Together of Washington, DC (commonly referred to with the acronyms “BWMT” and "BWMT/DC"). It was “dedicated to principles of racial harmony” and served “as a support group for gays wishing to relate positively across racial and cultural divisions.” &lt;br /&gt;&lt;br /&gt;The organization was focused on having its membership, “socialize comfortably” and “respect and understand each other’s cultural heritage.” Another important aspect to BWMT’s constitution said that one purpose of the organization was “to defend human and civil rights secured by law by developing and carrying out programs directed at the elimination of discrimination based on race, ethnic heritage, or sexual orientation.” &lt;br /&gt;&lt;br /&gt;This collection contains the organizational records of the Washington, DC, chapter of Black and White Men Together. The records date from 1981-2003, with the bulk of the records falling between 1984 and 2000. The files are comprised of financial records, chapter and national organization activities, and the group’s newsletters, related to efforts to confront, and end, racism and discrimination in the gay community. Several representative documents have been scanned and posted online.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/document/d/e/2PACX-1vS2Xprs-JJhusa6cN-63OLtFyhflltzeuJN9rfTpgJhVi2dipgM-foIwwCOehRUXFsvHttHgWtK_3hz/pub" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;VIEW ONLINE FINDING AID&lt;/strong&gt;&lt;/a&gt;</text>
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                  <text>&lt;div class="element"&gt;
&lt;div class="element-text"&gt;&lt;span&gt;Available to all researchers, by appointment, at the &lt;/span&gt;&lt;a href="http://www.dchistory.org/research/" target="_blank" rel="noreferrer noopener"&gt;DC History Center&lt;/a&gt;.&lt;span&gt; &lt;/span&gt;&lt;span&gt;Collection is available for “fair use.” Material may be protected by copyright.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element"&gt;&lt;/div&gt;</text>
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</text>
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              <name>Date</name>
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                  <text>Papers 1981-2003; bulk 1984-2000.</text>
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            <element elementId="90">
              <name>Provenance</name>
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                  <text>In 2012, Ted Mann, one of the officers of the organization at the time of its disbanding, donated all of the BWMT/DC papers which he held to the Rainbow History Project.  This collection was transferred to the Historical Society of Washington (DC History Center) in 2014.</text>
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      <elementContainer>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>This item is part of the BWMT collection, and is stored at the DC History Center, MS 0764 RHP, Series VII BWMT, Box 2, Folder 7.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Agenda for BWMT/DC Steering Committee Meeting, 03/05/1985</text>
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          <element elementId="41">
            <name>Description</name>
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                <text>Agenda for a BWMT/DC steering committee meeting.</text>
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                <text>03/05/1985</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16030">
                <text>Reproduction and use of this material requires permission from the copyright holder. Please contact the Rainbow History Project for more information.</text>
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        <name>Black and White Men Together (BWMT)</name>
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