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                  <text>ENLACE : Washington, D.C. Metropolitan Area Latino Lesbian and Gay Coalition Records, 1991-1993, 14</text>
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                  <text>ENLACE Collection&#13;
Enlace&#13;
ENLACE : Washington, D.C. Metropolitan Area Latino Lesbian and Gay Coalition Records : Digital Collection, 1991-1993&#13;
Collection #14&#13;
&#13;
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                  <text>The 1987 March on Washington brought Latino lesbians and gays together from around the country and inspired new local, regional, and national organizations.   ENLACE: Washington, DC Metropolitan Area Latino Gay &amp;amp; Lesbian Coalition, DC's first political support organization for Latino gay men and Latina lesbians, had just been formed and the March gave it the impetus to grow as a force in the local community.  Some of those who had come to Washington for the March stayed on in the city and helped organize ENLACE: Washington D.C. Metropolitan Area Latino Gay &amp;amp; Lesbian Coalition.&#13;
&#13;
Until 1987, Latinos had no special voice to speak for them as Latinos in the LGBT community and as gays and lesbians in the Latino community.  Over the next eight years ENLACE spoke, acted, and created new standards in political and social representation of its members and in educating its community about HIV/AIDS.  ENLACE members were the first gay men and lesbians to march in the city's annual Hispanic parade.  They created HOLA GAY, the first Spanish language hotline.&#13;
&#13;
"Un grupo de apoyo para latinos gay ofrece la oportunidad para los que buscan discutir las preocupaciones que tenemos en comun incluyendo el SIDA, la familia, el auto-estima, las relaciones personales y la identidad gay.  Juntos podemos trabajar para encontar soluciones saludables con la asistencia de un moderador entrenado."&#13;
&#13;
A peer support group allows gay Latinos to come together to discuss common issues of AIDS/HIV, family relationships, identity and self-esteem.  Together, with the help of trained facilitators, we can find healthy solutions. &#13;
 &#13;
ENLACE defined itself as a political organization but it used social events to identify Latino gays and lesbians and to deliver its message of support.&#13;
&#13;
In April 1988, ENLACE introduced itself to the community with a reception at the Office of Latino Affairs.  From the outset, ENLACE (the word means "link") built coalitions and links to other organizations in both the gay and lesbian community and the Latino community.  In the wake of disturbances in the Mount Pleasant area, ENLACE presented its own analysis and recommendations to the commission investigating the events.  One of ENLACE's major contributions, of course, was its ground-breaking work in AIDS awareness and HIV education.&#13;
&#13;
With the DC Coalition of Black Lesbians, Gays, and Bisexuals, ENLACE sponsored social events.  It worked with the Latin American Task Force, the Whitman-Walker Clinic, and other social, political, and health organizations to ensure recognition and satisfaction of Latino gays and lesbians' needs.&#13;
&#13;
ENLACE held its first social event, La Fiesta Tropical, at the popular straight disco Cities.  Despite a slow start, the evening ended with a room packed with Latino men and women who learned for the first time of ENLACE's work.  La Fiesta Tropical became an annual event.  The group sponsored dances at Hill Haven, a lesbian club on Capitol Hill, at hotels in the Dupont area, and supported early Latino clubs such as El Faro.&#13;
&#13;
Noticias de Enlace, a monthly newsletter, chronicled much of ENLACE's organizational, political, and social development and is a primary source for ENLACE's activities and for insights into the concerns of Washington, D.C.'s Latino gay and lesbian population.&#13;
&#13;
The Rainbow History Project, through the kindness of former members of ENLACE presents many issues of the Noticias and event flyers (in .pdf format).  Unfortunately, the file size of Noticias issues has meant that we have had to offer some of them page by page, rather than in their entirety.  Also below are event flyers for ENLACE's social activities, as well as the group's report on the Mount Pleasant incidents.&#13;
&#13;
We are grateful to Ms. Letitia Gomez for the loan of Enlace documents and for permission to post them on the Rainbow History Project's website.</text>
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                  <text>&lt;a href="https://auislandora.wrlc.org/islandora/object/auislandora:98026" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;VIEW THE ENTIRE COLLECTION ONLINE&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;In 2021, Leti Gomez donated the entire collection of documents as a partnership with RHP and American University. RHP will preserve the paper documents (at the DC History Center as MS 0764 Series XXXIII); American University will digitize the entire collection and make it available through their website. </text>
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                <text>Baile : dia del amor</text>
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                  <text>The collection includes many drafts of articles he had written on the issues confronting the LGBT community of the time. They are rough drafts, with typographical errors, handwritten notes and corrections, and numerous rewrites. They are also an important source for the events and issues of the period. His files also contain primary documents, leaflets, and notes of interviews connected with the articles he wrote. &lt;br /&gt;&lt;br /&gt;Aiken, a local gay activist, member at one time of the Gay Liberation Front and a resident of GLF House (1620 St St. NW), Washington correspondent for The Advocate, was also a member of the Stonewall Nation Media Collective which broadcast the Friends radio show on WGBT and WPFW radio for nine years. His broadcasts on Friends seem to have complemented many of the stories on which he worked. In the mid-Seventies, he chaired the Washington Area Gay Community Council. He also served as a founder of Black and White Men Together's DC chapter and edited its newsletter. &lt;br /&gt;&lt;br /&gt;The Aiken Articles &lt;br /&gt;David Aiken's drafts of articles he submitted to the Advocate and other publications in the 1970s document many of the local and national issues confronting the LGBTQ community of the period. As such, they are an important resource of people, events, and issues for students and researchers. The collection contains Aiken's handwritten interview notes as well. The draft articles are listed below by topic.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/document/d/e/2PACX-1vR7ZGpQXij9EKhAxYVXnkL-5pIo-T66TtXIxK1Zm_fNsBg4nhoimqkQupb3X0CFM1-Frn-mwtBLMuO4/pub" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;VIEW ONLINE FINDING AID&lt;/strong&gt;&lt;/a&gt;</text>
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                  <text>Some items are online. &lt;br /&gt;&lt;br /&gt;&lt;span&gt;Open to all people, by appointment, at the &lt;/span&gt;&lt;a href="http://www.dchistory.org/research/" target="_blank" rel="noreferrer noopener"&gt;DC History Center.&lt;/a&gt; &lt;span&gt;Collection is available for “fair use.” Material may be protected by copyright.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://dchistory.org/uploads/fa/ms0764.pdf" target="_blank" rel="noreferrer noopener"&gt;VIEW ONLINE FINDING AID&lt;/a&gt;</text>
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                  <text>The collection includes many drafts of articles he had written on the issues confronting the LGBT community of the time. They are rough drafts, with typographical errors, handwritten notes and corrections, and numerous rewrites. They are also an important source for the events and issues of the period. His files also contain primary documents, leaflets, and notes of interviews connected with the articles he wrote. &lt;br /&gt;&lt;br /&gt;Aiken, a local gay activist, member at one time of the Gay Liberation Front and a resident of GLF House (1620 St St. NW), Washington correspondent for The Advocate, was also a member of the Stonewall Nation Media Collective which broadcast the Friends radio show on WGBT and WPFW radio for nine years. His broadcasts on Friends seem to have complemented many of the stories on which he worked. In the mid-Seventies, he chaired the Washington Area Gay Community Council. He also served as a founder of Black and White Men Together's DC chapter and edited its newsletter. &lt;br /&gt;&lt;br /&gt;The Aiken Articles &lt;br /&gt;David Aiken's drafts of articles he submitted to the Advocate and other publications in the 1970s document many of the local and national issues confronting the LGBTQ community of the period. As such, they are an important resource of people, events, and issues for students and researchers. The collection contains Aiken's handwritten interview notes as well. The draft articles are listed below by topic.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/document/d/e/2PACX-1vR7ZGpQXij9EKhAxYVXnkL-5pIo-T66TtXIxK1Zm_fNsBg4nhoimqkQupb3X0CFM1-Frn-mwtBLMuO4/pub" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;VIEW ONLINE FINDING AID&lt;/strong&gt;&lt;/a&gt;</text>
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              <text>Immediate Release&#13;
&#13;
BALTIMORE GAY ALLIANCE&#13;
P.O. Box# 13438 Baltimore, Maryland 21203&#13;
&#13;
phone 235-HELP&#13;
&#13;
LEGAL ACTION COMMITTEE ACTIVITIES 1977&#13;
&#13;
Delegate Bert Booth has announced that she will&#13;
reintroduce her bill (last year's HB 1004) to ban anti-gay&#13;
discrimination in employment by amending the Human Relations Code of Maryland, Article 49B. Last year, the bill was soundly defeated in the House Judiciary Committee after Maryland gay groups got off to a late start in their lobbying efforts.&#13;
&#13;
This year, work has begun earlier. Delegate Booth is&#13;
working with BGA and law students at U. Md., among others, to prepare testimony and lobbying. The Legal Action Committee of BGA, in cooperation with local gay organizations, NGTF and GAA of D.C., is attempting to reach all areas of the state to organize letter-writing and personal lobbying. In addition, we are gathering evidence of discrimination and taking a survey of local employers to find their attitudes toward hiring gays.&#13;
&#13;
Support from local civic and professional groups has been&#13;
solicited, and NOW will be helping to circulate literature.&#13;
We have been fortunate in finding a contact person&#13;
to distribute literature in Kent County, but we still need&#13;
persons to write their representatives from the less urban&#13;
sections of Maryland. There is also an urgent need for persons willing to testify in Annapolis about their own experiences with employment discrimination.&#13;
&#13;
Contact numbers (not for publication):&#13;
Tim Tasker 296-3172&#13;
Gail Vivino 243-2745&#13;
Dana Rethemeyer 752-1554</text>
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                  <text>The collection includes many drafts of articles he had written on the issues confronting the LGBT community of the time. They are rough drafts, with typographical errors, handwritten notes and corrections, and numerous rewrites. They are also an important source for the events and issues of the period. His files also contain primary documents, leaflets, and notes of interviews connected with the articles he wrote. &lt;br /&gt;&lt;br /&gt;Aiken, a local gay activist, member at one time of the Gay Liberation Front and a resident of GLF House (1620 St St. NW), Washington correspondent for The Advocate, was also a member of the Stonewall Nation Media Collective which broadcast the Friends radio show on WGBT and WPFW radio for nine years. His broadcasts on Friends seem to have complemented many of the stories on which he worked. In the mid-Seventies, he chaired the Washington Area Gay Community Council. He also served as a founder of Black and White Men Together's DC chapter and edited its newsletter. &lt;br /&gt;&lt;br /&gt;The Aiken Articles &lt;br /&gt;David Aiken's drafts of articles he submitted to the Advocate and other publications in the 1970s document many of the local and national issues confronting the LGBTQ community of the period. As such, they are an important resource of people, events, and issues for students and researchers. The collection contains Aiken's handwritten interview notes as well. The draft articles are listed below by topic.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/document/d/e/2PACX-1vR7ZGpQXij9EKhAxYVXnkL-5pIo-T66TtXIxK1Zm_fNsBg4nhoimqkQupb3X0CFM1-Frn-mwtBLMuO4/pub" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;VIEW ONLINE FINDING AID&lt;/strong&gt;&lt;/a&gt;</text>
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                  <text>Some items are online. &lt;br /&gt;&lt;br /&gt;&lt;span&gt;Open to all people, by appointment, at the &lt;/span&gt;&lt;a href="http://www.dchistory.org/research/" target="_blank" rel="noreferrer noopener"&gt;DC History Center.&lt;/a&gt; &lt;span&gt;Collection is available for “fair use.” Material may be protected by copyright.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://dchistory.org/uploads/fa/ms0764.pdf" target="_blank" rel="noreferrer noopener"&gt;VIEW ONLINE FINDING AID&lt;/a&gt;</text>
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1976 April #8&#13;
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                  <text>&lt;a href="https://rainbowhistory.omeka.net/exhibits/show/pioneers" target="_blank" rel="noreferrer noopener"&gt;Community Pioneers: Creators of DC's LGBTQ Communities&lt;/a&gt; [Online Exhibit]</text>
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                  <text>The Friends Radio tape collection at Rainbow History covers nine years (1973 to 1982) of lesbian, gay, bisexual, transgender and queer activism and community building in Washington, DC and around the nation. The Friends collection includes poetry, music, interviews, candidate interviews, social and political commentary and analysis and accounts of the creation of community services and organizations. Rainbow History received a collection of more than 300 1/4inch acetate tape reels of varying diameters from Bruce Pennington, a founder of the Stonewall Nation Media Collective, which produced and broadcast the show at WGTB and WPFW.</text>
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                  <text>&lt;span&gt;Some clips play online. &lt;br /&gt;&lt;br /&gt;To listen to other recordings, &lt;/span&gt;&lt;a href="https://archive.org/search.php?query=creator%3A%22Rainbow+History+Project%22" target="_blank" rel="noreferrer noopener"&gt;access the Internet Archive [external link].&lt;/a&gt;</text>
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                  <text>Barbara Gittings Papers on the Mattachine Society and Other Homophile Organizations, 1962-2001 (Series VI)</text>
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                  <text>Includes copies of outgoing correspondence, news clippings, legal proceedings, ephemeral publications, flyers, press releases, and other documents generated by the activities of various homophile organizations, many of which Gittings was a member. A significant number of the items in this collection document the joint activities of Barbara Gittings and Frank Kameny in their efforts to secure basic civil liberties for lesbians and gay men. The largest gathering of materials relate to the Mattachine Society of Washington, D.C. and the various homophile organization confederations of which it was a constituent member, such as East Coast Homophile Organization (ECHO), Eastern Regional Homophile Conference (ERCH), Eastern Regional Conference of Homophile Organizations (ERCHO), and North American Conference of Homophile Organizations (NACHO). &lt;br /&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/document/d/e/2PACX-1vTRDWwOCsnQ_1qBGlPn98_5-eF2NpGjraPqCt8Fsb6O6pipwI2vGxLoGQMFDjtPWjOBPlwzNQS3Cnzu/pub" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;VIEW ONLINE FINDING AID&lt;/strong&gt;&lt;/a&gt;</text>
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                  <text>Barbara Gittings (July 31, 1932 – February 18, 2007) was a prominent American activist for gay equality. She organized the New York chapter of the Daughters of Bilitis (DOB) from 1958 to 1963, edited the national DOB magazine The Ladder from 1963 to 1965, and worked closely with Frank Kameny in the 1960s on the first picket lines that brought attention to the ban on employment of gay people by the largest employer in the US at that time: the United States government. &#13;
&#13;
Gittings challenged the Daughters of Bilitis' conservative leadership by publishing an article by Kameny that urged readers to "move away from the comfortingly detached respectability of research into the often less pleasant rough-and-tumble of political and social activism." In response to her publishing this article, the Daughters of Bilitis leadership removed her as editor of The Ladder in 1965.&#13;
&#13;
Her early experiences with trying to learn more about lesbianism fueled her lifetime work with libraries. In the 1970s, Gittings was most involved in the American Library Association, forming the first gay caucus in a professional organization, in order to promote positive literature about homosexuality in libraries. She was a part of the movement to get the American Psychiatric Association to drop homosexuality as a mental illness in 1972. Her self-described life mission was to tear away the "shroud of invisibility" related to homosexuality that associated it with crime and mental illness. She was awarded a lifetime membership in the American Library Association, and the ALA named an annual award for the best gay or lesbian novel the The Barbara Gittings Award. The Gay and Lesbian Alliance Against Defamation (GLAAD) also named an activist award for her. </text>
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                  <text>At the first GLBT ALMS (Archive, Library, Museum, Special Collection) conference in May 2006 at the University of Minnesota, she mesmerized the audience with her plenary speech. I remember speaking with other conferees who had never heard her before: the commanding tone, the warm smile and stories, and the eyes that asked "what more are you going to do for our cause?". They were agog.&#13;
&#13;
There are fewer and fewer living witnesses to the bad old days of federally enforced 'closetting' and socially mandated hatred, fewer and fewer of those distinctive personalities that gave up so much to make it a better place for those of us who followed. With Barbara's passing, we have lost all that and therole as moral compass that she still played. A presence is gone and we are the poorer for its departure.&#13;
&#13;
Jack Nichols, writing in 1997, about Barbara's selection as co-grand marshall of New York City's Pride Parade called her "the Grand Mother of Lesbian and Gay Liberation". Not the 'Grandmother' but the "Grand Mother'. Ms Gittings also had an uncompromising element of earth mother in her motherliness. She was forthright, out, and outspoken, organized, hardworking and a strategist.&#13;
&#13;
Nichols also paid tribute to the inseparability of the "Barbara-and-Kay" team of Barbara and her life partner Kay Tobin Lahusen. For those who have met the 'team', it is a life partnership the like of which we all would love to have in our lives. Lahusen is the documentarian on the team, whose photo collection is now one of the treasures of the LGBTQ community.&#13;
&#13;
In Washington, DC Barbara Gittings found a partner in activism, Dr. Franklin E. Kameny, whose uncompromising and innovative gay civil rights activism found an echo in Gittings. They met in 1963. Active since 1958 (at the age of 26) in gay civil rights, with an already established role in the Daughters of Bilitis (she organized a NY chapter in 1958), she embraced the then radical idea of gay picketing, joining the Mattachine Society of Washington (MSW) in picketing the White House and other federal sites in Washington. She recalled in The Gay Crusaders (1972) that Kameny "was the first gay person I met who took firm, uncompromising positions about homosexuality and homosexuals' right to be considered fully on a par with heterosexuals.... Frank really raised my consciousness on this matter! Also thanks partly to him, I got turned on to gay civil rights issues." On July 4, 1965, she and Kameny brought gay picketing to Philadelphia's Independence Hall, three months after MSW began picketing.&#13;
&#13;
Gittings and Lahusen became active not only in the Daughters of Bilitis (where they met) and with Washington's Mattachine, but in the effort to organize regional homophile groups, beginning with the East Coast Homophile Organization and moving on to the Eastern Regional Conference of Homophile Organizations, and the nation conference, NACHO. At the Daughters of Bilitis, Gittings became editor of The Ladder, bringing the lesbian periodical into a bolder role, adding the subtitle "A Lesbian Review" in 1964 and adding cover photos of women in 1964.&#13;
&#13;
Gittings and Kameny worked together for nearly a decade to overturn the American Psychiatric Association's (APA) classification of homosexuality as a mental disorder. In May 1971, they were seated at the front of the hall at the APA's Washington, DC convention when gay activists took over the proceedings and Kameny seized the microphone. The following year Gittings and Kameny staffed a booth on homosexuality at the next APA convention in Dallas, TX. Gittings and Kameny were both honored in October 2006 with the first Fyrer Award from the APA for their leadership in the relation between psychiatry and homosexuality.&#13;
&#13;
In 1966, Gittings gave up editorial control of The Ladder and became involved as a personal counsel working with Kameny, Mattachine and others to counsel those in conflict with the Department of Defense over security clearances and employment issues.&#13;
&#13;
Gittings and Lahusen were active in Dr. Kameny's March 1971 campaign for Congress, travelling down from Philadelphia to help canvas for petition signatures and to leaflet voters. They came down with the busloads of volunteers from Philly and New York and stayed for the strategizing and the parties.&#13;
&#13;
&#13;
In 1972, Gittings, long involved with libraries though not a librarian, joined the American Library Association's Task Force on Gay Liberation, becoming its leader. She has played a major role in ensuring that libraries carry resources that will inform and support gays and lesbians. She never lost sight of the frustration of days in her youth when she combed through libraries and bookstores looking for explanation and validation of her affectional orientation. In 1971 she established a Gay Book Award focusing critical evaluation on fiction and non-fiction books dealing with homosexuality. Librarians recognized her enormous contributions. In 2003, the American Library Association made her an honorary member in recognition of her contributions. The Free Library of Philadelphia had honored her in 2001 with the creation of the Barbara Gittings Gay/Lesbian Collection.</text>
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                <text>This is the memorial for Barbara Gittings, from April 28, 2007. </text>
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                  <text>The Friends Radio tape collection at Rainbow History covers nine years (1973 to 1982) of lesbian, gay, bisexual, transgender and queer activism and community building in Washington, DC and around the nation. The Friends collection includes poetry, music, interviews, candidate interviews, social and political commentary and analysis and accounts of the creation of community services and organizations. Rainbow History received a collection of more than 300 1/4inch acetate tape reels of varying diameters from Bruce Pennington, a founder of the Stonewall Nation Media Collective, which produced and broadcast the show at WGTB and WPFW.</text>
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                  <text>Pennington, Bruce C., 1947-2003</text>
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                  <text>&lt;span&gt;Some clips play online. &lt;br /&gt;&lt;br /&gt;To listen to other recordings, &lt;/span&gt;&lt;a href="https://archive.org/search.php?query=creator%3A%22Rainbow+History+Project%22" target="_blank" rel="noreferrer noopener"&gt;access the Internet Archive [external link].&lt;/a&gt;</text>
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                  <text>Rainbow History Project Panel Discussions and Public Recordings</text>
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                  <text>Since 2001, the Rainbow History Project hosts public panels and group discussions on a wide variety of historical topics. Each of these sessions is recorded and available to researchers and members of the community. &lt;br /&gt;&lt;br /&gt;Some events were filmed and are available through the &lt;a href="https://www.youtube.com/channel/UCxBpdDGhR6XmUFVoEGLLeOA" target="_blank" rel="noreferrer noopener"&gt;RHP YouTube Channel&lt;/a&gt;. Others are in audio-only format. &lt;br /&gt;&lt;br /&gt;All panels have been digitized and are described in the catalog; only some of them have transcripts available. If the recording does not stream from inside the record, please contact RHP for assistance: info@rainbowhistory.org</text>
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                  <text>Various narrators per recording</text>
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                  <text>All Rainbow History Project Public Panels are open to the public free of charge. All recordings are available to all researchers.&#13;
&#13;
In general, recordings capture comments of the moderator, panelists, and audience participation.</text>
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                <text>BEAT: The Performance Poetry of Chasen Gaver [film]</text>
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                <text>Jamie Walters, VFE Productions, 1988.</text>
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                <text>E. Ethelbert Miller, Howard University: 01:59&#13;
Chasen Gaver 02:18&#13;
Craig Gibson 02:45&#13;
“The Boat” 03:30&#13;
Barry Bellinger 05:15&#13;
Emily Cravedi 06:52&#13;
Gideon Ferebee 08:14&#13;
“Take Someone with you” and “Amtrak Papers V” from …&#13;
Judy Byron 11:52&#13;
“Fresh out of Ideas” 15:44&#13;
Colevia Carter, DC Dept of Corrections 17:19&#13;
Dorthea Hunter, Librarian 22:15&#13;
“Under Suspicion” 23:46</text>
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                <text>&lt;a href="https://youtu.be/6BqLgJU74vA" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;WATCH ONLINE VIA YOUTUBE&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;TRT: 27:43,04</text>
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                <text>&lt;div class="para"&gt;Charles (Chasen) Gaver identified himself foremost as a "performance poet." In 1978 he received one of the first grants awarded to an openly gay artist dealing with gay subject matter from the District of Columbia's Commission on Arts and Humanities. Gaver was also the recipient of larger grants in 1981, 1986, and 1987, which enabled him to collaborate with colleagues as well as to document his performances using photographs and video/audio cassettes. In 1977 Gaver began writing sporadically for&lt;span&gt; &lt;/span&gt;&lt;i&gt;The Washington Blade&lt;/i&gt;; ten years later his book reviews would become a regular feature. In addition, Gaver wrote novels, essays, plays, poems and short stories, many of which were loosely autobiographical. Gaver's interest in human relationships and his identity as a gay man were common themes in his work.&lt;/div&gt;</text>
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                <text>Performers:&#13;
"I Get Around": Karin Abromaitis, Jane Adams, Tom Pattison, Marie Womack;&#13;
"Under Suspicion": Gregory Adams, John Banta, Joyce Guy, Zoe Stofflet;&#13;
&#13;
Videography: &#13;
Leonard Braverman, Rebecca Crumlish, David Vanderbilt;&#13;
&#13;
Production Assistants: &#13;
Carol Cross, Gregory J. Ford, Elliot Kipnis, Greg Marcangelo, Barbara Paxton, Jim Taylor;&#13;
&#13;
Photography: &#13;
Emily Cravedi, Ken Goggin, Jim Marks, Sarah Schneiderman; Jamie Walters;&#13;
&#13;
On-Line Editor: &#13;
Larry Rubin at AVP, Inc.&#13;
&#13;
Piano, "Under Suspicion": &#13;
Roy Barber&#13;
&#13;
Supported in part by grants from: &#13;
The D.C. Commission on the Arts and Humanities; &#13;
The Painted Bride Art Center, Philadelphia; </text>
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                <text>This compilation of performance videos and interview clips, by and about poet Chasen Gaver, is an interesting and offbeat look at the way one man gets his artistic and social messages across. Using a combination of Motown and punk rock, everyday props and precisely orchestrated delivery, Chasen has fun (often biting fun) with humankind's foibles in: "The Boat", "Do You Feel Fat?", "Fresh Out of Ideas", and, in front of a young audience, "Political Climate"-in which he demonstrates to students how weather can be used as a metaphor for nuclear weaponry.</text>
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                  <text>Gay Liberation Front, GLF-DC (Series XVII)</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight:400;"&gt;Collection includes newsletters, flyers, magazines, and fact sheets related to the formation and activities of the DC Gay Liberation Front (DC GLF), including weekly meetings at Grace Episcopal Church; the founding of the Gay Liberation Front house at 1620 S St. NW; proposed protests in DC; a copy of the last issue of &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight:400;"&gt;Motive&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight:400;"&gt; (a publication of the Methodist church), which Skyline Faggots members were heavily involved in writing and designing; and Gay Pride 1972, the initial gay pride week celebration in Washington DC.  Also included are items related to a DC GLF reunion organized by Bruce Pennington and Theodore Kirkland over the weekend of the April 1993 gay March on Washington.  Also includes photographs documenting social and political activities engaged in by DC GLF and its offshoot, the Skyline Faggots Collective, notably marching in Christopher Street Liberation Day celebrations in New York City; participating in Gay Mayday in 1971; and social outings in DC and Harpers Ferry, West Virginia.  The collection also has larger several physical objects related to DC GLF, including banners hung at the Skyline Faggots Collective house at 1614 S St. NW; a yellow, hand-knitted beret worn by DC GLF/Skyline Faggots member Michael Ferri at the September 1971 Philadelphia plenary session prior to the Black Panthers’ Revolutionary People’s Constitutional Convention in Washington DC in November 1971; and a graphic poster mounted on foam board advertising activities for Gay Pride Week in Washington DC, May 2-7, 1972, which was organized by DC GLF members Chuck Hall, Bruce Pennington, and Cade Ware.  &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;As a whole, these materials help document early post-Stonewall gay liberationist activities through the formation of the first organized gay group in DC after the Mattachine Society of Washington and the Homophile Social League.&lt;/span&gt;&lt;/p&gt;
&lt;a href="https://docs.google.com/document/d/e/2PACX-1vQ5V4e-qyJvsJVj6vzxet5t2uNWALUcNQhbUkPtD-w2qPRu3nVGyHUlUPpw-8wYDpPtzXLclEAa9XCt/pub" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;VIEW ONLINE FINDING AID&lt;/strong&gt;&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Some items are available online. &lt;/span&gt;&lt;span&gt;Collection is available to &lt;/span&gt;&lt;span&gt;all people, by appointment, at &lt;/span&gt;&lt;a href="http://www.dchistory.org/research/"&gt;the DC History Center&lt;/a&gt;&lt;span&gt; as &lt;/span&gt;&lt;span&gt;MS 0764 RHP, Series XVII. Materials are available for "fair use" and may be protected by copyright.&lt;/span&gt;</text>
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                  <text>The first Gay Liberation Front was founded in New York City shortly after the June 1969 Stonewall riots, as an offshoot of the homophile group the Mattachine Society of New York.  The Gay Liberation Front was a revolutionary organization dedicated to overthrowing a sexist, racist, capitalistic society by joining in coalition with other oppressed social groups, such as women, African Americans, the working classes, Chicanos and Latinos, and American Indians.  It also asked participants to engage in self-examination, often facilitated in the form of consciousness-raising groups, to rid themselves of their own internalized self-hatred, sexism, racism, and classism.  &#13;
&#13;
The Washington DC version of the Gay Liberation Front (DC GLF) was founded following a letter to the editor of the underground newspaper The Quicksilver Times.  This letter appeared in the June 9th-June 19th, 1970 edition and was written by Michael Yarr, an Air Force veteran and participant in local anti-Vietnam War groups.  It protested the paper’s derogatory use of the word “sucks” in a headline and called for the foundation of a DC Gay Liberation Front.  David Aiken, a local gay man who would go on to serve as Washington correspondent for The Advocate, work on the local LGBT Friends radio show from 1973-1982, chair the Washington Area Gay Community Council in the mid-1970s, and found the DC chapter of Black and White Men Together (BWMT), followed up with an editorial in the Quicksilver Times of June 23-July 3, 1970 discussing the proposed group.  DC GLF’s first meeting was held at Grace Episcopal Church in Georgetown on June 30, 1970.  Meetings between March and July 1971 were held at St. James Episcopal Church, after which formal public meetings are no longer held.  Meeting activity shifts to the GLF House at 1620 S St.&#13;
&#13;
DC GLF participated in a variety of political and social activities in Washington DC before fading after 1972.  Political activities included handing out thousands of “Are You a Homosexual?” awareness leaflets to passersby; protesting carding policies at DC gay bars that were biased against African Americans, women, or men in drag; disrupting an anti-gay Catholic psychiatrist’s speech during a conference on religion and the homosexual at Catholic University; protesting against the listing of homosexuality as a mental disorder in the Diagnostic and Statistical Manual (DSM) during the American Psychiatric Association’s (APA) annual conference in 1971; participating in the Gay Mayday protests against the Vietnam War as part of the larger Mayday protests in May 1971; participating in both the Philadelphia plenary session (September 1971) and the Black Panthers’ Revolutionary People’s Constitutional Convention in DC (November 1971); protesting the expulsion of GLF members from the Zephyr Cocktail Lounge on the weekend of the RPCC; marching in Christopher Street Liberation Day parades in New York City; protesting police arrests of cruising gay men at Arlington’s Iwo Jima Memorial; and the formation of the first DC Gay Pride Week from May 2-7, 1972, organized by DC GLF members Chuck Hall, Bruce Pennington, and Cade Ware.&#13;
&#13;
Socially, many DC GLF activities centered around a house rented by members at 1620 S St. NW beginning in September 1970.  This house became the site not only of a GLF commune, but also helped to shelter gay people and activists in town from other cities and gay youth who had either run away or been turned out of their homes.  It was the site of the foundation of the Church of the Community of the Love of Christ, an orthodox Catholic congregation, and was eventually formally named the Gay Liberation Services House in April 1972, providing counseling, a referral service, a library, and a speakers bureau.  A combination of internal house tensions and the desire of certain members to engage in more explicitly political consciousness raising led to the formation of an offshoot commune, the Skyline Faggots Collective, in July 1971.  The Skyline Faggots Collective was first housed down the street at 1614 S St. NW and, from 1974-1976, at 1733 Q St. NW.  More public social activities included cosponsoring the first public gay dance in DC, held November 14, 1970 at St. Mark’s Episcopal Church, a boat cruise on the Potomac, and picnics in local parks.  Members of the Skyline Faggots also took trips to Shenandoah and Harpers Ferry, WV, the latter of which is documented in photos in the collection taken by Steve Behrens.&#13;
&#13;
A DC GLF reunion was held in April 1993 on the same weekend as the gay and lesbian March on Washington.  It was organized by Theodore Kirkland, a DC GLF member who would go on to found DC Gay Black Pride, and Bruce Pennington, who helped found the LGBT Friends radio program in 1973, the Gay People’s Alliance at George Washington University, the DC chapter of Black and White Men Together (BWMT), and was one of the first officially-sanctioned gay foster parents in DC.&#13;
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                  <text>Photographs of DC Gay Liberation Front members at various events in the Washington, DC area and in New York City; facts sheets and newsletters about GLF activities; and materials about an April 1993 GLF reunion.  Materials focus on early gay liberation activities in DC from both a social and political perspective.</text>
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                <text>Poster outlining reasons to be in support of the Lesbian/Gay Liberation Movement</text>
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                <text>Washington (D.C.)</text>
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                  <text>T-Shirts and textiles were collected from various donors. Items were photographed, cataloged, and placed online by RHP board member Eric N. Gonzaba in 2018. Physical items remain in the custody of RHP.&#13;
&#13;
Posters and banners have been collected from various sources. Some are at the DC History Center; others remain in the custody of RHP.</text>
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                <text>Because We Won't Let Them Forget</text>
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                <text>White t-shirt. &#13;
"The International Display of the NAMES Project AIDS Memorial Quilt October 9-11, 1992. Because We Won't Let Them Forget"</text>
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                <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;advanced%5B0%5D%5Bterms%5D=October+9-11%2C+1992"&gt;October 9-11, 1992&lt;/a&gt;</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17362">
                <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;advanced%5B0%5D%5Bterms%5D=%3Cspan%3EReproduction+and+use+of+this+material+may+require+permission+from+the+copyright+holder.+Please+contact+the%26nbsp%3B%3C%2Fspan%3E%3Ca+href%3D%22http%3A%2F%2Frainbowhistory.org%2F%22%3ERainbow+History+Project%3C%2Fa%3E%3Cspan%3E%26nbsp%3Bor+Wearing+Gay+History+for+more+information.%3C%2Fspan%3E"&gt;&lt;span&gt;Reproduction and use of this material may require permission from the copyright holder. Please contact the&amp;nbsp;&lt;/span&gt;&lt;a href="http://rainbowhistory.org/"&gt;Rainbow History Project&lt;/a&gt;&lt;span&gt;&amp;nbsp;or Wearing Gay History for more information.&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Rainbow History Project T-shirts Box 2</text>
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                  <text>Historic Publications Collection</text>
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                  <text>The Historic Publications Collection combines newsletters, periodicals, newspapers, books, and other publications by, for and about the LGBTQ communities.  This collection includes both:  1) single issues of various titles that are digitized and online; and, 2) runs of publications that are available in paper form at the DC History Center--some of these may have a digitized issue or two in this online collection. </text>
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                  <text>&lt;strong&gt;Titles digitized online include:&lt;/strong&gt;&lt;br /&gt;"The Baltimore Gayzette" (Produced by the Baltimore Gay Alliance) &lt;br /&gt;"Capitol Hill" (Published by the Gay Rights National Lobby)&lt;br /&gt;"Come Out Fighting: A Newsletter" (Produced by The Lavender and Red Union) &lt;br /&gt;"Cruise: Weekly Arts and Entertainment Magazine" &lt;br /&gt;"The Furies, Goddesses of Vengeance: A New Lesbian/Feminist Monthly Magazine" &lt;br /&gt;"The Lavender and Red Book: A Gay Liberation/Socialist Anthology" (Produced by The Lavender and Red Union) &lt;br /&gt;"The Homosexual Citizen" (Published by the Mattachine Society of Washington) &lt;br /&gt;"The Insider" (Published by the Mattachine Society of Washington) &lt;br /&gt;"The Gay Blade" &lt;br /&gt;"Gay Left" &lt;br /&gt;"Gays on the Hill" (Published by Metropolitan Community Church) &lt;br /&gt;"Just Us: A Directory of the Washington Gay Community" &lt;br /&gt;"Magnus: A Journal of Collective Faggotry" &lt;br /&gt;"Motive: Methodist Student Movement" &lt;br /&gt;"Musica: Newsletter of Women's Music" (Published by Indra "Indy" Allen) &lt;br /&gt;"Off Our Backs: A Women's Liberation Biweekly" &lt;br /&gt;"Red Flag Union" (Published by the Red Flag Union in Hollywood, California)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Titles available in paper format include:&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://dchistory.pastperfectonline.com/library/EF152787-E753-4A81-98BC-352621010550" target="_blank" rel="noreferrer noopener"&gt;The Advocate (P 4428)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://dchistory.pastperfectonline.com/library/17F0A247-1F5A-423A-9DD8-194035327180" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-weight:400;"&gt;BGM: Black Gay Male (P 3798)&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vT-URvXiipp_9oLpk85ukIQRAZ-KE8NbLrQ3Vqas1yuvK_LwFQVCc3d2mpXuGoVualBAEjqS88lb0fo/pubhtml" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-weight:400;"&gt;Black/Out: The Magazine of the National Coalition of Black Lesbians and Gays (P 3746)&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://dchistory.pastperfectonline.com/library/072ADDF8-6EB1-42C9-BC9B-334645015229" target="_blank" rel="noreferrer noopener"&gt;Blacklight: BL (P 3797)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vRMNot_aI8wzgNyPolSOIcXqELc4iOEZ344oIbfUsq38F_qm_zP03se5ERhI9JlGzP8MTtlDEDQvsyM/pubhtml" target="_blank" rel="noreferrer noopener"&gt;The Blade, aka The Washington Blade (P 4092)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vSk1nluUXzM5WHheLZ3KH0FxIEBgSVIbwlA9n9Q8ITzez773juJVXcWMAa8XWQdqaMl88J9Pd8z90kb/pubhtml" target="_blank" rel="noreferrer noopener"&gt;ButiVoxx: Hangin' at the Beach (P 7484)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://historydc.pastperfect-online.com/32595cgi/mweb.exe?request=record;id=D6FA5FA7-5F1E-470F-BFDD-704764414254;type=201" target="_blank" rel="noreferrer noopener"&gt;Come Out Fighting: The Newspaper of the Lavender and Red Union (P 4429)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vT0ygSuwwM7osEAUq19DZRDB79SG0nQSM0eivbgp9yfT1ai9VZoS5m5S5vCLCLtE3QbFH3vmJZ3VIGo/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Cruise (P 5265)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://dchistory.pastperfectonline.com/library/85FD7D8E-90AC-4BAF-B9BA-236360613300" target="_blank" rel="noreferrer noopener"&gt;Dorian Book Quarterly (P 3762)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://dchistory.pastperfectonline.com/library/B4FE447D-1393-4CEC-95A7-315932234514" target="_blank" rel="noreferrer noopener"&gt;From the Center: A Publication of the Gay and Lesbian Community Center (P 5153)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://historydc.pastperfect-online.com/32595cgi/mweb.exe?request=record;id=95A93E3E-695D-4FEA-8BED-470192896500;type=201" target="_blank" rel="noreferrer noopener"&gt;The Furies (P 3796)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://historydc.pastperfect-online.com/32595cgi/mweb.exe?request=record;id=950F02A5-B2AF-4E12-B806-820764303510;type=201" target="_blank" rel="noreferrer noopener"&gt;The Gay Alternative (P 3764)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://historydc.pastperfect-online.com/32595cgi/mweb.exe?request=record;id=C5041E4B-685F-44AD-AC98-544829469789;type=201" target="_blank" rel="noreferrer noopener"&gt;Habari-Daftari: The Newsmagazine of the National Coalition of Black Gays (P 4438)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vR0mvUz-4DgFrAne7Lq36XRwN-PgNEbJ_xFk4yOCetJGkzwOnLl7GzB6SypH4lwBfgFBQiC2J2f3C3O/pubhtml" target="_blank" rel="noreferrer noopener"&gt;In the Family: A Magazine for Gays, Bisexuals, and their Relations (P 7483)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vRT5dzowAYoJBFQMdaEWSyE2W4FgdhVCkobDDjpHo8gxQgtDMF0DLgHQLCVThX-5Toe8xCztyz90epj/pubhtml" target="_blank" rel="noreferrer noopener"&gt;James White Review (P 5508)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vR7sT8oSPmwYrUo6fP9iVuyOAI5DHoOivptt7t4f10HYxPzGsm-hoiCR_1-VgZA9isKuk5wh5WoRtGG/pubhtml" target="_blank" rel="noreferrer noopener"&gt;The Ladder (P 3763)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vSc4izycDdUx2cUXNcTJmZfNnXVG-pGAB9Y88hh9FFBxmDaMAOolG9meN2g0zE6urdjgqapZjndJMlJ/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Lambda Rising Book Report (P 5264)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://historydc.pastperfect-online.com/32595cgi/mweb.exe?request=record;id=2C29FA49-5477-4C6A-8AFD-114668235015;type=201" target="_blank" rel="noreferrer noopener"&gt;Magnus: A Journal of Collective Faggotry (P 4437)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vTSSyZKInuvSM7F0flVdDW6T1J2p3D0pF83HhSscUODFK25iGbULV_zA7JoxjatI06JBnQRL94zrvlt/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Malebox!: DC’s Largest Publication for Black Gay Men (P 7485)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vSszwzqFsoPGjXrDgQYwkBahcYMYloruOr3TUfqfXz9LoPBxuxt7iw6RgeIG1eISxWjhfxgc-EQ6kFv/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Mattachine Review (P 3761)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vTSLESWmUSz9Tc8fBYIAPI0flUdwhE6oE5Sp_8p4jBhnwx6v9qKRJOaa8gCsF8VXT7nQfp33qWjy_zX/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Metro Weekly (P 4573)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vRpGOfepm-fAKQxtKzD9OSDSoacs73zE99qL87vPNPgDIQOV4J1Z_YdSdjW_mgBbCPGLmdsyx4JGuT5/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Michael’s Entertainment Weekly (P 5150)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://historydc.pastperfect-online.com/32595cgi/mweb.exe?request=record;id=6ACA8DC9-3D4B-4B18-AAFB-591753602431;type=201" target="_blank" rel="noreferrer noopener"&gt;Motive (P 4439)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vTzeS-BNP2NFpAFRaSC4Gr9JcacUt-zqee75IYcSSjsFdQp6ppJD-XqA3WllYzBdK-YHOSMg6hzRGsM/pubhtml" target="_blank" rel="noreferrer noopener"&gt;One Magazine: The Homosexual Viewpoint (P 3760)&lt;/a&gt;&lt;br /&gt;The Other Pages &lt;a href="http://dchistory.pastperfectonline.com/library/193BA1F9-468B-4415-98C4-212254951886" target="_blank" rel="noreferrer noopener"&gt;(P 4412)&lt;/a&gt; &lt;a href="http://dchistory.pastperfectonline.com/library/C51A4A45-AE1A-486F-991D-065636732245" target="_blank" rel="noreferrer noopener"&gt;(P 5259)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vSB-zsqyYJsqTYPf_WyEjAudp2l7AdJYtA0NtslJ1pHT163NBwBGrE0egEUrSkUF-3jP-IcsQ2GgnCT/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Out Magazine (P 5258)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vQurI_ESpP2burYNzy7qg0K6NIOuMOyu-sRMBGLmfHhRcnTjB5DF50DRO_-mDeWeKnIu5ipPCU9zUPF/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Port of Harlem: A Magazine about Blacks at Home and Abroad (P 7486)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vQC8KbQ9ln_ypf6n6s5VEHjvKZ6XQysBxgBBySvh8gl7FSR_cTBVD1NBEkKcAvQ9N0FTYS6Rz_yVATg/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Real: The Magazine for Black Gay &amp;amp; Lesbian Brothers &amp;amp; Sisters (P 7487)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vQUHIMRHkm5ekmLco5xPaRr55pwH7JSUxaLKrwNsKmilSYEN7Qkd2d1s3dHOZ4qS03NjgY5dF4ReJ4H/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Reel Affirmations (P 5268)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vRNePSxazwevOE1YigR9BhbLuorKdUgR74-_VIYhtD4FnoZffQrWbCcwFfJsEI2xS7DO4IXUSxHZhEx/pubhtml" target="_blank" rel="noreferrer noopener"&gt;SBC: A Monthly for the Afrocentric Homosexual Man (P 7489 to DCHC)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vSq9SCLixTQrEMsmcHDarkNINyHeEl7Sg_7c6JKuQlYMnPtn1YrivGvvd1U9EpeWzSxBSO9OtXzxFS8/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Silk Road: Asians and Friends of Washington, DC (P 5507)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vQUe90hYJEn2ZrZ8cT8BxZlIc_PasiTKlyriYxCcS2PAvywoKBgAtExb4Nq0i24fQSo87KCVLscEbpC/pubhtml" target="_blank" rel="noreferrer noopener"&gt;TAGG Magazine (P 5277)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vRLwyOC_AZ5-7OQ-TlgsMdTn8OfSZrcS6MJkbk_uDUJ7Jx5u5eclvF35k5FOwgPerUNQxvXZVg_jobr/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Vector: A Voice for the Homophile Community (P 3765)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vQhGhhiQPRJ9KdeAUkSVNM__R3yPjibb96YEAnUXx6g8mZs5M8-bLhlYBak9M95LZh5ZtcLzeFyLzoD/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Whazzup! Magazine (P 7488)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vQgnzcNqUVJ6f5-OatDfpy4eSbqxM4g7tOfCAk86-yEfqztsjZCpfSl73izCGHXfyvi735fNLZwixBj/pubhtml" target="_blank" rel="noreferrer noopener"&gt;The Whole Gay Catalog: Books for Gay Men &amp;amp; Lesbians, Their Families &amp;amp; Friends (P 5267)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vTnXCv18YlSuc4o3hmaoNMUzA_t10dpeBr-nFcV0KYuxmA2K5UHl4DgBTNsB3PI0sAvPb9AoWtz71Gh/pubhtml" target="_blank" rel="noreferrer noopener"&gt;Women in the Life: The Premiere Women’s Monthly (P 5266)&lt;/a&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/spreadsheets/d/e/2PACX-1vQ1D-Lh7QMNH2EXhATSNZz9bAV_0XA9FpA4yAZK5LmGgZzcF7Y5CRfJhlGQKG7_8U-tuhMWq_d3VavZ/pubhtml" target="_blank" rel="noreferrer noopener"&gt;WOMO: Woman’s Monthly: A Periodical Calendar for the Women’s Community (P 3759)&lt;/a&gt;</text>
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              <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
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                  <text>&lt;span&gt;Some items/issues may be available online. &lt;br /&gt;&lt;br /&gt;All publications with a "P" number are available to all people, by appointment, at the &lt;a href="https://dchistory.libguides.com/kiplinger-research-library" target="_blank" rel="noreferrer noopener"&gt;DC History Center&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Collection is available for “fair use.” Material may be protected by copyright.&lt;br /&gt;&lt;br /&gt;The Rainbow History Project respects the copyright and intellectual property rights associated with the materials in its collection. To the best of its knowledge, these items are either in the public domain; are orphaned works; and/or had their rights for public display transferred to RHP. &lt;br /&gt;&lt;/span&gt;</text>
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                <text>Becoming Visible: The Legacy of Stonewall</text>
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                <text>Becoming Visible: The Legacy of Stonewall&#13;
An Exhibition on the History of New York's Lesbian and Gay Communities&#13;
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                <text>This is the program booklet for the 1994 exhibit at the New York Public Library to commemorate the 25th Anniversary of the Stonewall Riots.</text>
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                <text>The New York Public Library</text>
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                <text>The Pinewood Foundation and the Stonewall Community Foundation, Inc.</text>
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                <text>The New York Public Library&#13;
June 18-September 24, 1994</text>
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                <text>Gift of Alexander Ossorio Alonso</text>
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                <text>Introduction&#13;
Stonewall&#13;
Labelling and Policing&#13;
Social Worlds&#13;
Organizing&#13;
Acknowledgements&#13;
Donors and Lenders&#13;
Related Exhibitions&#13;
Public Programs&#13;
Suggested Reading</text>
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                  <text>Friends Radio Collection, 1973-1982, 3</text>
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                  <text>Stonewall Nation Media Collective Collection #3</text>
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                  <text>The Friends Radio tape collection at Rainbow History covers nine years (1973 to 1982) of lesbian, gay, bisexual, transgender and queer activism and community building in Washington, DC and around the nation. The Friends collection includes poetry, music, interviews, candidate interviews, social and political commentary and analysis and accounts of the creation of community services and organizations. Rainbow History received a collection of more than 300 1/4inch acetate tape reels of varying diameters from Bruce Pennington, a founder of the Stonewall Nation Media Collective, which produced and broadcast the show at WGTB and WPFW.</text>
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                  <text>&lt;span&gt;Some clips play online. &lt;br /&gt;&lt;br /&gt;To listen to other recordings, &lt;/span&gt;&lt;a href="https://archive.org/search.php?query=creator%3A%22Rainbow+History+Project%22" target="_blank" rel="noreferrer noopener"&gt;access the Internet Archive [external link].&lt;/a&gt;</text>
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                  <text>The year 1961 saw the creation of two of Washington's first organized LGBT groups, the Mattachine Society of Washington and the Oscars.  The Academy Awards of Washington, an amalgam of Oscars members and Awards Club (1965) members, incorporated in 1973 in Washington, DC, provides secure venues, mentoring, and a structure for female impersonators in the area.  It is one of the oldest and most enduring organizations in the nation to provide support for female impersonators.&#13;
&#13;
The Climate for Drag in the Sixties&#13;
 &#13;
Until 'Liz Taylor' created the Oscars in the autumn of 1961, drag performers and those aspiring to 'do drag' had no organized structure, no venues, and very little safety.  In the repressive atmosphere of the 1950s and 1960s, wearing drag was an invitation to scorn and physical danger.  Wearing drag was illegal in most southern states, and Washington DC was indeed southern in those days, though drag was never illegal in the district.  Still it invited arrest and persecution.  Public social spaces didn't allow drag (an ostracism that existed until well into the 1970s). Those who wanted to wear drag did it in the privacy of their homes or at private after hour parties.  Indeed, Liz Taylor's house parties at her Hollywood House on Monroe St. NW were legendary in their time. &#13;
Many clubs would not allow patrons in drag to enter, and few hosted drag shows.  The single exception was the Golden Key Club in North Beach, MD.  For other clubs, drag and drag shows were an option only during Halloween Week, which Mame Dennis calls "the high holy days of drag".  At Halloween, the Brown Derby, the Chicken Hut, Hide-a-way, Georgetown Grill, Johnnie's, and the Rendezvous organized drag contests.&#13;
&#13;
Creating a Safe Haven for Female Impersonators&#13;
 &#13;
Along with the Mattachine Society of Washington, the Oscars and the Awards Club were the very first organized groups for gays in the Washington area.  Recalling her vision for the Academies, Liz Taylor said "... I strived to mold an elite group of people whose social life would center around drag.  By creating parties and activities I knew that I would always be surrounded by people wanting to attend them... I knew that some form of drag group was necessary.  I had thought about it for a long time -- and suddenly I found the answer one evening on television -- the first time I saw an Awards show called the Oscars."  The first parties were held in various homes in Washington DC, which took on special names such as Blair House, Butterfield 8, Camelot, Hollywood House, Mintwood Place, Port Valada, Sand Piper, Taylor Lounge, and others.  In time, these house names became the names of 'drag houses', associations of female impersonators who participated in the social activities of the Academy Awards.  The first board members of the Academy were Lix Taylor (President), Bob Clauze, Prince Karl, Frankie, and 'Lena Horne'.&#13;
&#13;
Organization of the Academy&#13;
&#13;
The Academy's Houses in 1976&#13;
&#13;
The houses of the Academy over 30 years have included Beekman Place (led by 'Mame Dennis'), Butterfield 8 ('Liz Taylor's house), Maryland House (led by 'Patty Duke'), Henry Street (led by 'Fanny Brice'), Liberty House, Dragonwyck, Phoenix House (led by 'Jean Nate'), and Twelve Oaks (led by 'Mae Bush').&#13;
&#13;
In 1965, Jerry Buskirk and 'Vivien Leigh' led the formation of a second group, the Awards Club of Washington.  The Awards Club organized the International  Emmy Awards.  By 1968, many members of the first Academy were also members of the Awards Club.&#13;
&#13;
Bill Oates Jr. &amp;amp; Mame Dennis In May 1973 Bill Oates Jr. ("the Godfather") brokered an agreement creating the Academy Awards of Washington, led by 'Elizabeth Taylor', 'Mame Dennis', 'Patti Duke' and 'Fanny Brice'.  Beekman Place and Henry Street Houses rejoined the Academy at this time.  'Mame Dennis' (of Beekman Place), chosen as president in 1973, continues to lead the group.  Bill Oates, who became known as "The Godfather", helped put together the structure of the new group.   The original houses of the Academy Awards of Washington were Beekman Place, Butterfield 8, Henry Street, and Maryland House.  Liberty House (led by 'Edie Gorme') was added in 1974.&#13;
&#13;
In 1975, the Academy re-organized following a period of internal dispute.  The new organization included the houses of Beekman Place, Dragonwyck (of Hagerstown, MD), Henry Street, Maryland House, Phoenix House, and Twelve Oaks (of Norfolk and Richmond).&#13;
&#13;
In the 1960s, most hotels and clubs would not host drag events.  In its first years, the Academy held monthly contests at the short-lived Uptown Lounge in Cleveland Park.  It was at the Uptown that 'Liz Taylor' first did her long remembered rendition of "Letter to Daddy".&#13;
&#13;
'Fanny Brice's house, Henry Street, formed a drag performance show, Showstoppers, in 1971, which premiered at Georgetown's Trinity Theatre in September 1971.  In May 1972, the Showstoppers group participated in DC's first Gay Pride celebration with a show at George Washington University's Marvin Center. Showstoppers appeared at the Marvin Center from 1973 to 1981. Showstoppers endured for many years as a very popular annual production in Washington DC's GLBT community.&#13;
&#13;
Until 1968 when the Washington Hilton hosted the Black Pearl Awards, most events were held at the Cairo Hotel, Casino Royale, Dodge House, and the Palm Ballroom.  One of the first venues used by the Academy Awards after 1973 was the third floor area above the Hideaway and Louie's clubs at 9th and Pennsylvania NW. This third floor space became the Oscar's Eye Theatre and was used for most of the Academy and house functions.  In the 1970s, Academy members became involved in the Waaay Off Broadway theatre at 55 L St. SE.  Beekman place opened the theatre with its production of Cabaret.  The Academy held events at the Rogue, after the latter's move to 5th and K Streets NW.  In 1992, the former Waaay Off Broadway theatre became Club 55, and Academy events were invited to move there.  It is still the home of many Academy functions.  The Academy Awards holds events every Sunday from September through May at the Club 55,  55 L Street SE (formerly the location of the Waaay Off Broadway theatre).&#13;
&#13;
Protocols and Events&#13;
&#13;
From the beginning in 1961, the Academy has sponsored Oscars for Best Actress, Best Actor, Best Drag in a Series, President and First Lady, Mr and Miss Academy, Mr and Miss Showbusiness, Vice President and Vice Lady, New York Drama Critics Best Actor and Best Actress, Best Supporting Actor and Best Supporting Actress, and Mr and Miss Oscar.  In addition to regularly scheduled drag balls, the Academy's top annual pageants are those for Miss Gaye Universe-DC and Miss Gaye America-DC.  Monthly contests at Club 55 present Zodiac awards.  Annual special awards, such as the 'Lanie Kazan', recognize outstanding contributions to the community.&#13;
&#13;
At pageants, the order of appearance of award winners is strictly controlled by the Protocol. For some titles, the winners make make an entrance on stage.  Top awards, such as Miss Gaye America and Miss Gay Universe, are 'walking' awards entitling the winner to take a formal presentation walk on stage before the audience.&#13;
&#13;
'Fanny Brice', speaking to Bruce Pennington in a 1975 interview for Friends Radio talks about her first drag experience.  Brice was 'mother' of the Henry Street drag house and founder of the popular Showstoppers revue of the 1970s.</text>
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                  <text>The year 1961 saw the creation of two of Washington's first organized LGBT groups, the Mattachine Society of Washington and the Oscars.  The Academy Awards of Washington, an amalgam of Oscars members and Awards Club (1965) members, incorporated in 1973 in Washington, DC, provides secure venues, mentoring, and a structure for female impersonators in the area.  It is one of the oldest and most enduring organizations in the nation to provide support for female impersonators.&#13;
&#13;
The Climate for Drag in the Sixties&#13;
 &#13;
Until 'Liz Taylor' created the Oscars in the autumn of 1961, drag performers and those aspiring to 'do drag' had no organized structure, no venues, and very little safety.  In the repressive atmosphere of the 1950s and 1960s, wearing drag was an invitation to scorn and physical danger.  Wearing drag was illegal in most southern states, and Washington DC was indeed southern in those days, though drag was never illegal in the district.  Still it invited arrest and persecution.  Public social spaces didn't allow drag (an ostracism that existed until well into the 1970s). Those who wanted to wear drag did it in the privacy of their homes or at private after hour parties.  Indeed, Liz Taylor's house parties at her Hollywood House on Monroe St. NW were legendary in their time. &#13;
Many clubs would not allow patrons in drag to enter, and few hosted drag shows.  The single exception was the Golden Key Club in North Beach, MD.  For other clubs, drag and drag shows were an option only during Halloween Week, which Mame Dennis calls "the high holy days of drag".  At Halloween, the Brown Derby, the Chicken Hut, Hide-a-way, Georgetown Grill, Johnnie's, and the Rendezvous organized drag contests.&#13;
&#13;
Creating a Safe Haven for Female Impersonators&#13;
 &#13;
Along with the Mattachine Society of Washington, the Oscars and the Awards Club were the very first organized groups for gays in the Washington area.  Recalling her vision for the Academies, Liz Taylor said "... I strived to mold an elite group of people whose social life would center around drag.  By creating parties and activities I knew that I would always be surrounded by people wanting to attend them... I knew that some form of drag group was necessary.  I had thought about it for a long time -- and suddenly I found the answer one evening on television -- the first time I saw an Awards show called the Oscars."  The first parties were held in various homes in Washington DC, which took on special names such as Blair House, Butterfield 8, Camelot, Hollywood House, Mintwood Place, Port Valada, Sand Piper, Taylor Lounge, and others.  In time, these house names became the names of 'drag houses', associations of female impersonators who participated in the social activities of the Academy Awards.  The first board members of the Academy were Lix Taylor (President), Bob Clauze, Prince Karl, Frankie, and 'Lena Horne'.&#13;
&#13;
Organization of the Academy&#13;
&#13;
The Academy's Houses in 1976&#13;
&#13;
The houses of the Academy over 30 years have included Beekman Place (led by 'Mame Dennis'), Butterfield 8 ('Liz Taylor's house), Maryland House (led by 'Patty Duke'), Henry Street (led by 'Fanny Brice'), Liberty House, Dragonwyck, Phoenix House (led by 'Jean Nate'), and Twelve Oaks (led by 'Mae Bush').&#13;
&#13;
In 1965, Jerry Buskirk and 'Vivien Leigh' led the formation of a second group, the Awards Club of Washington.  The Awards Club organized the International  Emmy Awards.  By 1968, many members of the first Academy were also members of the Awards Club.&#13;
&#13;
Bill Oates Jr. &amp;amp; Mame Dennis In May 1973 Bill Oates Jr. ("the Godfather") brokered an agreement creating the Academy Awards of Washington, led by 'Elizabeth Taylor', 'Mame Dennis', 'Patti Duke' and 'Fanny Brice'.  Beekman Place and Henry Street Houses rejoined the Academy at this time.  'Mame Dennis' (of Beekman Place), chosen as president in 1973, continues to lead the group.  Bill Oates, who became known as "The Godfather", helped put together the structure of the new group.   The original houses of the Academy Awards of Washington were Beekman Place, Butterfield 8, Henry Street, and Maryland House.  Liberty House (led by 'Edie Gorme') was added in 1974.&#13;
&#13;
In 1975, the Academy re-organized following a period of internal dispute.  The new organization included the houses of Beekman Place, Dragonwyck (of Hagerstown, MD), Henry Street, Maryland House, Phoenix House, and Twelve Oaks (of Norfolk and Richmond).&#13;
&#13;
In the 1960s, most hotels and clubs would not host drag events.  In its first years, the Academy held monthly contests at the short-lived Uptown Lounge in Cleveland Park.  It was at the Uptown that 'Liz Taylor' first did her long remembered rendition of "Letter to Daddy".&#13;
&#13;
'Fanny Brice's house, Henry Street, formed a drag performance show, Showstoppers, in 1971, which premiered at Georgetown's Trinity Theatre in September 1971.  In May 1972, the Showstoppers group participated in DC's first Gay Pride celebration with a show at George Washington University's Marvin Center. Showstoppers appeared at the Marvin Center from 1973 to 1981. Showstoppers endured for many years as a very popular annual production in Washington DC's GLBT community.&#13;
&#13;
Until 1968 when the Washington Hilton hosted the Black Pearl Awards, most events were held at the Cairo Hotel, Casino Royale, Dodge House, and the Palm Ballroom.  One of the first venues used by the Academy Awards after 1973 was the third floor area above the Hideaway and Louie's clubs at 9th and Pennsylvania NW. This third floor space became the Oscar's Eye Theatre and was used for most of the Academy and house functions.  In the 1970s, Academy members became involved in the Waaay Off Broadway theatre at 55 L St. SE.  Beekman place opened the theatre with its production of Cabaret.  The Academy held events at the Rogue, after the latter's move to 5th and K Streets NW.  In 1992, the former Waaay Off Broadway theatre became Club 55, and Academy events were invited to move there.  It is still the home of many Academy functions.  The Academy Awards holds events every Sunday from September through May at the Club 55,  55 L Street SE (formerly the location of the Waaay Off Broadway theatre).&#13;
&#13;
Protocols and Events&#13;
&#13;
From the beginning in 1961, the Academy has sponsored Oscars for Best Actress, Best Actor, Best Drag in a Series, President and First Lady, Mr and Miss Academy, Mr and Miss Showbusiness, Vice President and Vice Lady, New York Drama Critics Best Actor and Best Actress, Best Supporting Actor and Best Supporting Actress, and Mr and Miss Oscar.  In addition to regularly scheduled drag balls, the Academy's top annual pageants are those for Miss Gaye Universe-DC and Miss Gaye America-DC.  Monthly contests at Club 55 present Zodiac awards.  Annual special awards, such as the 'Lanie Kazan', recognize outstanding contributions to the community.&#13;
&#13;
At pageants, the order of appearance of award winners is strictly controlled by the Protocol. For some titles, the winners make make an entrance on stage.  Top awards, such as Miss Gaye America and Miss Gay Universe, are 'walking' awards entitling the winner to take a formal presentation walk on stage before the audience.&#13;
&#13;
'Fanny Brice', speaking to Bruce Pennington in a 1975 interview for Friends Radio talks about her first drag experience.  Brice was 'mother' of the Henry Street drag house and founder of the popular Showstoppers revue of the 1970s.</text>
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                  <text>In May 1972, Washington, DC's GLBT community celebrated its first Pride.  The previous two years, gays and lesbians had gone to New York City to celebrate the Stonewall anniversary.  In the winter of 1972, the Gay Liberation Front-DC proposed a local celebration, though they scheduled it a month and half before New York's  celebration so that people would not have to choose between the events.  DC's initial Pride celebration was as much a protest as a celebration, following almost exactly one year after Gay Mayday and the anti-war Mayday demonstrations had closed the streets of the city.&#13;
&#13;
This marked the first public celebration of gay and lesbian pride in Washington DC.  Organized by the Gay Liberation Front, the festival drew support from All Souls Church, the Community Bookshop, the Gay Activists Alliance, the Gay People's Alliance of George Washington University, Henry Street (one of the houses of the Awards Club, a local drag organization) and the Metropole Cinema.  The principal organizers were Chuck Hall, Bruce Pennington, and Cade Ware.&#13;
&#13;
This collection includes materials from Gay Pride, Capital Pride, DC Black Pride, and other Pride-related festivals and events.</text>
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                <text>Pride is among the ways Gay people have created a public presence. For the Gay, Lesbian, Bisexual and Transgendered (GLBT) community worldwide, Pride is a party, a protest, or both at once. Pride demands and defends the civil rights of GLBT people. Pride celebrates and remembers a minority group that once lived in the shadows of the larger population, but is now out, visible, and here to stay. &#13;
&#13;
For more than 30 years, Pride has provided a forum for people- Gay and straight- to speak out on civil rights, politics, the AIDS epidemic and other issues. It also is a venue for GLBT political activity and community building. From its first years, Pride has been a place where community organizations and institutions could showcase their activities and attract new members. </text>
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                  <text>The Friends Radio tape collection at Rainbow History covers nine years (1973 to 1982) of lesbian, gay, bisexual, transgender and queer activism and community building in Washington, DC and around the nation. The Friends collection includes poetry, music, interviews, candidate interviews, social and political commentary and analysis and accounts of the creation of community services and organizations. Rainbow History received a collection of more than 300 1/4inch acetate tape reels of varying diameters from Bruce Pennington, a founder of the Stonewall Nation Media Collective, which produced and broadcast the show at WGTB and WPFW.</text>
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                  <text>&lt;span&gt;Some clips play online. &lt;br /&gt;&lt;br /&gt;To listen to other recordings, &lt;/span&gt;&lt;a href="https://archive.org/search.php?query=creator%3A%22Rainbow+History+Project%22" target="_blank" rel="noreferrer noopener"&gt;access the Internet Archive [external link].&lt;/a&gt;</text>
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&#13;
Posters and banners have been collected from various sources. Some are at the DC History Center; others remain in the custody of RHP.</text>
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                <text>Gay press publications</text>
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                <text>Blue polo.&#13;
"Between the Lines. www.pridesource.com. Pride Source Media Group"&#13;
&#13;
"PrideSource.com is published by Pride Source Media Group, LLC. based in Livonia, Michigan. Established in 1995, PSMG produces the award winning weekly LGBT print publication, Between The Lines and the Michigan Pride Source Yellow Pages. The content for both appears in fully searchable format on this website."</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Rainbow History Project</text>
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            <name>Contributor</name>
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                <text>John Corvino</text>
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                <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;advanced%5B0%5D%5Bterms%5D=Reproduction+and+use+of+this+material+may+require+permission+from+the+copyright+holder.+Please+contact+Wearing+Gay+History+for+more+information."&gt;Reproduction and use of this material may require permission from the copyright holder. Please contact Wearing Gay History for more information.&lt;/a&gt;</text>
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