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                  <text>Eye-witness accounts of what we’ve seen and experienced provide a valuable resource to researchers and future generations to understand our past and how we arrived where we are today. &#13;
&#13;
Each interview in this collection has a narrator telling the story and a documenter guiding the process. &#13;
&#13;
Collected since the founding of the RHP, this collection is growing and is open to researchers. &#13;
&#13;
All interviews have been digitized and are described in the catalog; only some of them have transcripts available. &#13;
&#13;
None of the interviews stream online.  To obtain access to an interview, you must request by contacting us directly, providing a brief description of your project and your research interests.  Our email address is:  info AT rainbowhistory DOT org&#13;
&#13;
One of our team will share the file from our Google Drive, and you can listen from home.  Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording.  www.driveplayer.com&#13;
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                <text>70s-90s; Parents of gays and lesbians, PFLAG-DC and PFLAG national</text>
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                <text>Paulette Goodman was born in 1933 to a Jewish family in Paris, survived the Nazi-occupation, and moved to the United States as a teenager in 1949. Her family relocated to Silver Spring, Maryland in 1980. In 1981, while she was attending college at Sarah Lawrence, Goodman’s daughter came out as a lesbian. This event triggered Goodman’s journey as an activist on behalf of the LGBT community. She was one of the founding members of the Metro Washington DC chapter of Parents and Friends of Lesbians and Gays (PFLAG). From 1983-1988 she was the chapter head, PFLAG-DC.  In 1988, she was elected to National Chair of the PFLAG Federation, a position in which she served until 1992. In 1989, she sent a series of letters to then-First Lady, Barbara Bush, believing that the First Lady would respond. Mrs. Bush did respond, writing ““I firmly believe that we cannot tolerate discrimination against any individuals or groups in our country. Such treatment always brings with it pain and perpetuates intolerance.” This statement may be the first example of a positive statement about gay people to come from any White House. Goodman has continued her pioneering activism throughout her life, lecturing and organizing in support of the rights of LGBT persons and providing a venue for their parents, siblings, relatives, and friends to engage with one another.&#13;
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Paulette Goodman died 15 August 2021 in Beltsville, MD.</text>
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                <text>&lt;strong&gt;Interested in listening to this audio?&lt;/strong&gt; &lt;br /&gt;Email &lt;a href="mailto:oralhistories@rainbowhistory.org"&gt;oralhistories@rainbowhistory.org&lt;/a&gt; for access</text>
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&#13;
Each interview in this collection has a narrator telling the story and a documenter guiding the process. &#13;
&#13;
Collected since the founding of the RHP, this collection is growing and is open to researchers. &#13;
&#13;
All interviews have been digitized and are described in the catalog; only some of them have transcripts available. &#13;
&#13;
None of the interviews stream online.  To obtain access to an interview, you must request by contacting us directly, providing a brief description of your project and your research interests.  Our email address is:  info AT rainbowhistory DOT org&#13;
&#13;
One of our team will share the file from our Google Drive, and you can listen from home.  Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording.  www.driveplayer.com&#13;
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&#13;
Each interview in this collection has a narrator telling the story and a documenter guiding the process. &#13;
&#13;
Collected since the founding of the RHP, this collection is growing and is open to researchers. &#13;
&#13;
All interviews have been digitized and are described in the catalog; only some of them have transcripts available. &#13;
&#13;
None of the interviews stream online.  To obtain access to an interview, you must request by contacting us directly, providing a brief description of your project and your research interests.  Our email address is:  info AT rainbowhistory DOT org&#13;
&#13;
One of our team will share the file from our Google Drive, and you can listen from home.  Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording.  www.driveplayer.com&#13;
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&#13;
Each interview in this collection has a narrator telling the story and a documenter guiding the process. &#13;
&#13;
Collected since the founding of the RHP, this collection is growing and is open to researchers. &#13;
&#13;
All interviews have been digitized and are described in the catalog; only some of them have transcripts available. &#13;
&#13;
None of the interviews stream online.  To obtain access to an interview, you must request by contacting us directly, providing a brief description of your project and your research interests.  Our email address is:  info AT rainbowhistory DOT org&#13;
&#13;
One of our team will share the file from our Google Drive, and you can listen from home.  Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording.  www.driveplayer.com&#13;
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&#13;
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&#13;
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&#13;
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&#13;
One of our team will share the file from our Google Drive, and you can listen from home.  Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording.  www.driveplayer.com&#13;
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All interviews have been digitized and are described in the catalog; only some of them have transcripts available. &#13;
&#13;
None of the interviews stream online.  To obtain access to an interview, you must request by contacting us directly, providing a brief description of your project and your research interests.  Our email address is:  info AT rainbowhistory DOT org&#13;
&#13;
One of our team will share the file from our Google Drive, and you can listen from home.  Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording.  www.driveplayer.com&#13;
</text>
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              <name>Table Of Contents</name>
              <description>A list of subunits of the resource.</description>
              <elementTextContainer>
                <elementText elementTextId="145">
                  <text>To see all interviews in the collection, click on&#13;
"Items in the Rainbow History Project Oral History Collection" link below.  </text>
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              <name>Contributor</name>
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          <name>Interviewer</name>
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              <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Mark+Meinke"&gt;Mark Meinke&lt;/a&gt;</text>
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              <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=3&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Barbara+Chinn"&gt;Barbara Chinn&lt;/a&gt;</text>
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          <name>Transcription</name>
          <description>Any written text transcribed from a sound.</description>
          <elementTextContainer>
            <elementText elementTextId="14831">
              <text>No, not yet transcribed. &#13;
&#13;
Summary available, courtesy Haley Steinhilber, 2018.</text>
            </elementText>
          </elementTextContainer>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="14832">
              <text>&lt;span&gt;Yes, recording available. &lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;Must have &lt;/span&gt;&lt;a href="http://www.driveplayer.com/" target="_blank" rel="noreferrer noopener"&gt;Music Player for Google Drive&lt;/a&gt;&lt;span&gt; enabled.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://drive.google.com/open?id=0B_rmd0YNI039dENyZnVsd0ZMRTQ" target="_blank" rel="noreferrer noopener"&gt;Click here to listen to recording.&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Oral history interview with Barbara Chinn</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="14823">
                <text>&lt;div&gt;
&lt;div&gt;
&lt;p&gt;&lt;span&gt;Chinn &lt;/span&gt;&lt;span&gt;grew up in&lt;/span&gt;&lt;span&gt; Northwest&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;Washington, DC &lt;/span&gt;&lt;span&gt;and &lt;/span&gt;&lt;span&gt;became &lt;/span&gt;&lt;span&gt;cognizant of her differing sexuality during her childhood, however she did not connect with the LGBT community until &lt;/span&gt;&lt;span&gt;young adulthood. When she was &lt;/span&gt;&lt;span&gt;aroun&lt;/span&gt;&lt;span&gt;d nineteen &lt;/span&gt;&lt;span&gt;or&lt;/span&gt;&lt;span&gt; twenty years old&lt;/span&gt;&lt;span&gt;,&lt;/span&gt;&lt;span&gt; a&lt;/span&gt;&lt;span&gt; significant other&lt;/span&gt;&lt;span&gt; introduced her to the &lt;/span&gt;&lt;span&gt;club scene&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;on Irving Street&lt;/span&gt;&lt;span&gt;. &lt;/span&gt;&lt;span&gt;She and her friends frequented placed like &lt;/span&gt;&lt;span&gt;Steve’s, &lt;/span&gt;&lt;span&gt;Kenyan&lt;/span&gt;&lt;span&gt;’s&lt;/span&gt;&lt;span&gt; Bar and Grill, &lt;/span&gt;&lt;span&gt;Bob&lt;/span&gt;&lt;span&gt;’s &lt;/span&gt;&lt;span&gt;Inn, &lt;/span&gt;&lt;span&gt;Louis and the Rogue, and the &lt;/span&gt;&lt;span&gt;Otherside&lt;/span&gt;&lt;span&gt;. &lt;/span&gt;&lt;span&gt;She was involved in social clubs called the Best of Washington &lt;/span&gt;&lt;span&gt;(&lt;/span&gt;&lt;span&gt;a &lt;/span&gt;&lt;span&gt;historically African American LGBT social club) &lt;/span&gt;&lt;span&gt;and the 5 Point 5&lt;/span&gt;&lt;span&gt;(&lt;/span&gt;&lt;span&gt;around 5:30&lt;/span&gt;&lt;span&gt;min&lt;/span&gt;&lt;span&gt;?)&lt;/span&gt;&lt;span&gt;. &lt;/span&gt;&lt;span&gt;Some of these organizations&lt;/span&gt;&lt;span&gt; threw house parties &lt;/span&gt;&lt;span&gt;as a means of &lt;/span&gt;&lt;span&gt;safe &lt;/span&gt;&lt;span&gt;socialization. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;During her house party days, &lt;/span&gt;&lt;span&gt;Chinn lived in Congress Heights with her partner. &lt;/span&gt;&lt;span&gt;In 1991, she used her experience of living east of the river to convince the board of &lt;/span&gt;&lt;span&gt;the Max Robinson Center&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;that there was&lt;/span&gt;&lt;span&gt; need for LGBT-centered healthcare &lt;/span&gt;&lt;span&gt;in that area&lt;/span&gt;&lt;span&gt;. &lt;/span&gt;&lt;span&gt;The Max Robinson Center opened soon after in&lt;/span&gt;&lt;span&gt; Southeast DC&lt;/span&gt;&lt;span&gt; 1992.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Chinn became involved with DC’s response to the AIDS crisis &lt;/span&gt;&lt;span&gt;when&lt;/span&gt;&lt;span&gt; her friends were diagnosed &lt;/span&gt;&lt;span&gt;with the disease &lt;/span&gt;&lt;span&gt;in 1981 and 1982. &lt;/span&gt;&lt;span&gt;At the &lt;/span&gt;&lt;span&gt;time, Chinn was working in the field of property management&lt;/span&gt;&lt;span&gt; where her main interaction with the LGBT community was &lt;/span&gt;&lt;span&gt;the &lt;/span&gt;&lt;span&gt;protect&lt;/span&gt;&lt;span&gt;ion of&lt;/span&gt;&lt;span&gt; the anonymity of gay tenants. After the loss&lt;/span&gt;&lt;span&gt;es&lt;/span&gt;&lt;span&gt; of her friends to AIDS, &lt;/span&gt;&lt;span&gt;Chinn&lt;/span&gt;&lt;span&gt; was driven to redirect her skillsets into helping the community. &lt;/span&gt;&lt;span&gt;She applied&lt;/span&gt;&lt;span&gt; to be &lt;/span&gt;&lt;span&gt;the housing director at Whitman-&lt;/span&gt;&lt;span&gt;Walker&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;clinic &lt;/span&gt;&lt;span&gt;in 198&lt;/span&gt;&lt;span&gt;7&lt;/span&gt;&lt;span&gt;. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;As housing director for the Whitman-Walker clinics, &lt;/span&gt;&lt;span&gt;Chinn managed five properties&lt;/span&gt;&lt;span&gt; in northw&lt;/span&gt;&lt;span&gt;estern DC&lt;/span&gt;&lt;span&gt;—&lt;/span&gt;&lt;span&gt;including &lt;/span&gt;&lt;span&gt;Robert N. &lt;/span&gt;&lt;span&gt;Swartz&lt;/span&gt;&lt;span&gt;, M.D.&lt;/span&gt;&lt;span&gt; House, &lt;/span&gt;&lt;span&gt;and a number of other locations sponsored by the Swartz &lt;/span&gt;&lt;span&gt;Housing Services&lt;/span&gt;&lt;span&gt;. &lt;/span&gt;&lt;span&gt;These properties house&lt;/span&gt;&lt;span&gt;d&lt;/span&gt;&lt;span&gt; the clinic’&lt;/span&gt;&lt;span&gt;s patients.&lt;/span&gt;&lt;span&gt; Chinn became educated about AIDS through personal experiences &lt;/span&gt;&lt;span&gt;with friends &lt;/span&gt;&lt;span&gt;and &lt;/span&gt;&lt;span&gt;in the field as an employee of Whitman-Walker. She &lt;/span&gt;&lt;span&gt;began giving educational talks &lt;/span&gt;&lt;span&gt;about HIV &lt;/span&gt;&lt;span&gt;with ICC&lt;/span&gt;&lt;span&gt;AN &lt;/span&gt;&lt;span&gt;and Impact DC. Ev&lt;/span&gt;&lt;span&gt;entually&lt;/span&gt;&lt;span&gt;, she&lt;/span&gt;&lt;span&gt; was promoted&lt;/span&gt;&lt;span&gt; by Whitman-Walker&lt;/span&gt;&lt;span&gt; to &lt;/span&gt;&lt;span&gt;deputy &lt;/span&gt;&lt;span&gt;exe&lt;/span&gt;&lt;span&gt;cutive director and director of prevention, education, and support services. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;In &lt;/span&gt;&lt;span&gt;the &lt;/span&gt;&lt;span&gt;199&lt;/span&gt;&lt;span&gt;0s&lt;/span&gt;&lt;span&gt;, Chinn was &lt;/span&gt;&lt;span&gt;on&lt;/span&gt;&lt;span&gt; the planning committee &lt;/span&gt;&lt;span&gt;to &lt;/span&gt;&lt;span&gt;negotiat&lt;/span&gt;&lt;span&gt;e&lt;/span&gt;&lt;span&gt; the location of the next &lt;/span&gt;&lt;span&gt;clinic,&lt;/span&gt;&lt;span&gt; to be named the Max Robinson Center. She cites &lt;/span&gt;&lt;span&gt;the choice of&lt;/span&gt;&lt;span&gt; location as a&lt;/span&gt;&lt;span&gt; paradoxical issue&lt;/span&gt;&lt;span&gt;, much debated &lt;/span&gt;&lt;span&gt;within the gay African American community where the clinic was to be situated.&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;T&lt;/span&gt;&lt;span&gt;he clinic needed to be visible to the community stricken with AIDS, but not so visible that the patients would be under scrutiny. &lt;/span&gt;&lt;span&gt;When&lt;/span&gt;&lt;span&gt; the&lt;/span&gt;&lt;span&gt; new clinic was opened, they were met with hostility from local residents, churches, and groups worried &lt;/span&gt;&lt;span&gt;that&lt;/span&gt;&lt;span&gt; Whitman-Walker&lt;/span&gt;&lt;span&gt; would&lt;/span&gt;&lt;span&gt; “brin&lt;/span&gt;&lt;span&gt;g&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;HIV to [their] community.” Part of the job was convincing the outlying communit&lt;/span&gt;&lt;span&gt;y that Whitman-Walker was&lt;/span&gt;&lt;span&gt; there &lt;/span&gt;&lt;span&gt;to treat those already infected.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Additionally, as an African American woman on the staff of Whitman-Walker, Chinn &lt;/span&gt;&lt;span&gt;confronted &lt;/span&gt;&lt;span&gt;the organization’s board about &lt;/span&gt;&lt;span&gt;catering to their predomin&lt;/span&gt;&lt;span&gt;antly African &lt;/span&gt;&lt;span&gt;American clients and employees.&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;She report&lt;/span&gt;&lt;span&gt;ed&lt;/span&gt;&lt;span&gt; that most of the client base dr&lt;/span&gt;&lt;span&gt;ew&lt;/span&gt;&lt;span&gt; from the &lt;/span&gt;&lt;span&gt;surrounding African American community, although white clients &lt;/span&gt;&lt;span&gt;would &lt;/span&gt;&lt;span&gt;come for more specific services. She estimate&lt;/span&gt;&lt;span&gt;d&lt;/span&gt;&lt;span&gt; that 40% of their clients identif&lt;/span&gt;&lt;span&gt;ied&lt;/span&gt;&lt;span&gt; as LGBTQ, however patients don’t often disclose the information.&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;div&gt;
&lt;p&gt;&lt;span&gt;In 1995, Chinn became the director of the Max Robinson Center&lt;/span&gt;&lt;span&gt; after personnel and leadership conflicts. &lt;/span&gt;&lt;span&gt;As of this recording&lt;/span&gt;&lt;span&gt; (2007)&lt;/span&gt;&lt;span&gt;, she has &lt;/span&gt;&lt;span&gt;worked&lt;/span&gt;&lt;span&gt; there for 12 years and hopes to &lt;/span&gt;&lt;span&gt;open &lt;/span&gt;&lt;span&gt;a new facility&lt;/span&gt;&lt;span&gt; for their increasing&lt;/span&gt;&lt;span&gt; clientele before she retires.&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14824">
                <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=2007"&gt;2007&lt;/a&gt;</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14825">
                <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=47&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=%22No+permissions+release+on+file.%22"&gt;"No permissions release on file."&lt;/a&gt;</text>
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          <element elementId="75">
            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
            <elementTextContainer>
              <elementText elementTextId="14826">
                <text>For more about Barbara Chinn:&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="https://www.facebook.com/notes/448860322234/" target="_blank" rel="noreferrer noopener"&gt;POZ Magazine: Barbara Chinn says AHF is a "kick-ass, no-nonsense advocacy, care &amp;amp; treatment" organization&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="https://drive.google.com/open?id=1xx6HeNaepcEw6xb9ZT6sCsVBFs7dW36b" target="_blank" rel="noreferrer noopener"&gt;or as a PDF&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="14827">
                <text>80s-00s</text>
              </elementText>
              <elementText elementTextId="14828">
                <text>Native Washingtonian, African-American lesbian experience, Whitman-Walker clinic, Max Robinson Center</text>
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          </element>
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      <tag tagId="267">
        <name>Whitman-Walker Clinic</name>
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  </item>
  <item itemId="1162" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="144">
                  <text>Eye-witness accounts of what we’ve seen and experienced provide a valuable resource to researchers and future generations to understand our past and how we arrived where we are today. &#13;
&#13;
Each interview in this collection has a narrator telling the story and a documenter guiding the process. &#13;
&#13;
Collected since the founding of the RHP, this collection is growing and is open to researchers. &#13;
&#13;
All interviews have been digitized and are described in the catalog; only some of them have transcripts available. &#13;
&#13;
None of the interviews stream online.  To obtain access to an interview, you must request by contacting us directly, providing a brief description of your project and your research interests.  Our email address is:  info AT rainbowhistory DOT org&#13;
&#13;
One of our team will share the file from our Google Drive, and you can listen from home.  Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording.  www.driveplayer.com&#13;
</text>
                </elementText>
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            <element elementId="54">
              <name>Table Of Contents</name>
              <description>A list of subunits of the resource.</description>
              <elementTextContainer>
                <elementText elementTextId="145">
                  <text>To see all interviews in the collection, click on&#13;
"Items in the Rainbow History Project Oral History Collection" link below.  </text>
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              <name>Contributor</name>
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                <elementText elementTextId="146">
                  <text>Rainbow History Project</text>
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                  <text>Various narrators per oral history</text>
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              <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Mark+Meinke"&gt;Mark Meinke&lt;/a&gt;</text>
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              <text>&lt;a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=3&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Barbara+Lewis"&gt;Barbara Lewis&lt;/a&gt;</text>
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          <description>Any written text transcribed from a sound.</description>
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            <elementText elementTextId="14840">
              <text>No, not yet transcribed. &#13;
&#13;
Summary available, courtesy Haley Steinhilber, 2018.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="14841">
              <text>&lt;span&gt;Yes, recording available. &lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;Must have &lt;/span&gt;&lt;a href="http://www.driveplayer.com/" target="_blank" rel="noreferrer noopener"&gt;Music Player for Google Drive&lt;/a&gt;&lt;span&gt; enabled.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://drive.google.com/file/d/0B_rmd0YNI039VTZCc3ZqQ3hhbE0/view?usp=sharing" target="_blank" rel="noreferrer noopener"&gt;Click here to listen to recording.&lt;/a&gt;</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="14842">
              <text>35:41</text>
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            <name>Title</name>
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              <elementText elementTextId="14833">
                <text>Oral history interview with Barbara Lewis, 1948-</text>
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            <description>An account of the resource</description>
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                <text>Barbara Lewis arrived in Washington, DC in 1966 to attend George Washington University. When she graduated in the summer of 1970, she travelled across the country with her boyfriend—finishing the trip on the West Coast. While in California, Lewis experienced a health issue that required her to visit the Women’s Health Collective in Berkeley. This experience introduced her to feminism and women’s health, changing the course of her life. &lt;br /&gt;&lt;br /&gt;Lewis returned to Washington, DC in 1971 and became involved with the Washington Free Clinic then located in the basement of the Georgetown Lutheran Church. Made up entirely of volunteers, the clinic was the first facility on the East Coast to offer free healthcare, especially those offered for women. Lewis trained new volunteers and contributed to the management collective at the clinic. &lt;br /&gt;&lt;br /&gt;In May of 1972, Lewis came out as a lesbian after attending a women’s dance organized by a group of lesbians active in DC. This occasion was the first time Lewis had interacted with the LGBT community on a large scale. Determined to connect more with the lesbian community, Lewis joined a softball league called the PJMs (named after Peggy Jane Mogley) and sponsored by Lamma’s, a women’s craft and jewelry shop owned by Judy Winsett and Leslie Reeves—later Mary Farmer. She also began guitar lessons with lesbian folk singer Meg Christian in 1972, facilitating her entrance into the DC music scene. &lt;br /&gt;&lt;br /&gt;Between the 1970s and 1990s, Lewis was involved with three different women’s bands—however her claim to fame was not on guitar, but as one of the only female drummers in DC. The first band she was involved with was inspired by a performance given by New Haven’s Women’s Liberation Rock and Roll Band at American University in February of 1975. Known as Hysteria, Lewis performed with Terri Clark, Diane Gosler, Phyllis Tellfaire, and Hellen Horton. Hysteria played at a variety of women’s events and dances, including sets at Club Madame and the Women’s Festival of Champaign-Urbana, IL in 1975. In 1984, Lewis began playing with Toshi Reagon and the Agitones. From 1987-1992, she played with Jennie McKnight, Liz Buchal, and Andrea Weatherhead in a band named Syzygy. They recorded one vinyl album in 1986. &lt;br /&gt;&lt;br /&gt;In 1975, Lewis was accepted at Howard University to become a physician’s assistant. Soon after graduating, Lewis worked in the Emergency Room at Howard University Hospital until she left in 1989 to perform clinical trials at GW (George Washington Research Center) to find a treatment for HIV. In 1978, Lewis was recruited by Whitman-Walker to form a clinic that catered to gays and lesbians. She worked in the clinic until 1983, when the facility closed due to financial issues resulting from the influx of patients with AIDS. She returned to work with HIV and lesbian health clinics at Whitman-Walker in 2000 and continues to hold this position as of the date of this recording. &lt;br /&gt;&lt;br /&gt;Lewis has given up softball and drumming to pursue her interests in golf and country western dancing, which she took up in 1993. She is also involved with a lesbian Jewish group that she formed with a group of friends in 1980 as a way to rediscover their Jewish roots. Original members included Evelyn Torton Beck, who wrote a lesbian anthology called Nice Jewish Girls and Mary-Helen Mautner, the inspiration for the Mautner Project.</text>
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                <text>For more about Barbara Lewis:&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://www.thebody.com/hivawards/winners/blewis.html?ts=pf" target="_blank" rel="noreferrer noopener"&gt;TheBody.Com HIV Leadership Awards, 10th Anniversary, 2005: Outstanding Physician Assistant, Barbara R. Lewis, P.A.-C.&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="https://www.whitman-walker.org/40-story/40-stories-barbara-lewis-empowering-women-through-healthcare" target="_blank" rel="noreferrer noopener"&gt;Whitman Walker's 40 Stories: Barbara Lewis--Empowering Women Through Healthcare&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://taggmagazine.com/7-people-leading-lgbtq-health/4/" target="_blank" rel="noreferrer noopener"&gt;TaggMagazine: 7 People Leading LGBTQ Health&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.washingtonblade.com/2013/05/30/pride-heroes-gala/" target="_blank" rel="noreferrer noopener"&gt;2013 Capital Pride Heroes Gala&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://www.queermusicheritage.com/musica6.html" target="_blank" rel="noreferrer noopener"&gt;Musica, Issue 6, Spring 1977, courtesy queermusicheritage.com.&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;</text>
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&#13;
One of our team will share the file from our Google Drive, and you can listen from home.  Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording.  www.driveplayer.com&#13;
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&#13;
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&#13;
Collected since the founding of the RHP, this collection is growing and is open to researchers. &#13;
&#13;
All interviews have been digitized and are described in the catalog; only some of them have transcripts available. &#13;
&#13;
None of the interviews stream online.  To obtain access to an interview, you must request by contacting us directly, providing a brief description of your project and your research interests.  Our email address is:  info AT rainbowhistory DOT org&#13;
&#13;
One of our team will share the file from our Google Drive, and you can listen from home.  Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording.  www.driveplayer.com&#13;
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&#13;
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&#13;
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&#13;
One of our team will share the file from our Google Drive, and you can listen from home.  Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording.  www.driveplayer.com&#13;
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&#13;
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&#13;
One of our team will share the file from our Google Drive, and you can listen from home.  Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording.  www.driveplayer.com&#13;
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&#13;
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&#13;
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&#13;
One of our team will share the file from our Google Drive, and you can listen from home.  Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording.  www.driveplayer.com&#13;
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&#13;
One of our team will share the file from our Google Drive, and you can listen from home.  Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording.  www.driveplayer.com&#13;
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&#13;
One of our team will share the file from our Google Drive, and you can listen from home.  Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording.  www.driveplayer.com&#13;
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&#13;
Each interview in this collection has a narrator telling the story and a documenter guiding the process. &#13;
&#13;
Collected since the founding of the RHP, this collection is growing and is open to researchers. &#13;
&#13;
All interviews have been digitized and are described in the catalog; only some of them have transcripts available. &#13;
&#13;
None of the interviews stream online.  To obtain access to an interview, you must request by contacting us directly, providing a brief description of your project and your research interests.  Our email address is:  info AT rainbowhistory DOT org&#13;
&#13;
One of our team will share the file from our Google Drive, and you can listen from home.  Please be sure to have "Music Player for Google Drive" enabled on your machine to play the recording.  www.driveplayer.com&#13;
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